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The Black Laser

A letter to my In-Ear Sennheiser Headphones regarding the strange sensation they give me that is akin to wearing a stethoscope

Dear In-Ear Sennheiser Headphones,

I purchased you earlier this year when I purchased my first iPod. I purchased the iPod because it became clear to me that I was about to lose my job which meant that my music library residing on my work computer would soon be a thing of the past. I like to have music with me when I work and the iPod has been invaluable to me as a freelancer since I can have my tunes with me no matter where I am.

Dissatisfied with the ear buds that ship with the iPod, I purchased a pair of in-ear headphones because I wanted something light to carry with me. I already own a pair of over-ear studio monitors of excellent quality, but they are bulky and take up too much room in my bag for me to carry around with ease. So I looked to you, little headphones, to help me solve my problem. And for the most part, you did.

You wonder then why it is I almost never use you? Why I still carry around the bulky over-ear headphones? Well, it’s not because of your sound quality. No, though not as good as my Sonys, you have quite decent sound for such little headphones. Impressive, really. And it’s not because I find you uncomfortable like those miserable iPod earbuds. Indeed, you are rather soft and fit quite nicely into my ear.

No. The reason I almost never use you is that you do such a good job blocking out sound, that when you are in my ears all I can hear is my breathing and heart beat. I find it a little unsettling and a lot like having a very comfortable stethoscope on that is pointed directly at my sinuses. Every intake of breathe reverberates through my ears when you’re in. Every sniffle, every wheezing cough, every swallow. It’s intolerable. If I wanted to have my head inside a jar, I would wear a jar on my head.

So little headphones, please don’t be upset. I just wanted you to know that it was an unforeseen aspect of your nature that causes you to sit in the drawer at home and not anything you did or didn’t do.

Sincerely,

The Black Laser.

29 – A Draught of Madness

My finger tips are blackened with frostbite and I am not sure how much time I have left to recount to you the tale of the horrors that have brought me here to this remote outpost on the edge of the arctic circle where surely death will take me as it has already taken the intrepid members of my party who so bravely sought to understand the great hidden terrors which now wish to see me dead.  Or worse.

My tale begins at a waterfront tavern in the lower portion of New York City.  It was the type of place frequented by the sailors and longshoremen who plied their trade of loading and unloading various merchant vessels in the myriad ports serving New York’s thriving economic backbone.  Normally this sort of place was too coarse for a man of my learned stature, but I found something thrilling in the rough shod banter of these men, their saltiness, the way they embraced life and its mysteries without too much of preoccupation with propriety.  I found the company stirring, if a little bawdy at times, but what could one expect from men who spent so much time working with their hands?  As you often do with men from so many different places, strange tales would trickle into the tavern bouncing between the men.  Many times the tales were of strange beasts at sea thought to have wreaked some havoc on a ship which narrowly escaped.  Sometimes the tales were about tremendous storms that nearly blew intrepid captains off their courses, but which ended with the cargo being delivered safely to port.  Still other tales were of ghosts and demons who haunted the waters, dragging unwitting sailors to a watery grave in the embrace of Poseidon.

One autumn day I was sitting in the tavern enjoying a pint of their house lager with a colleague, indeed I might call him a friend, when a sailor darkly came through the door and sat at a table in the corner without ordering a drink.  My spirits were high with the briskness of the day and of the drink, and I made an offer to this man to provide him with a drink should he deign to entertain us with a tale of his times on the sea.  My friend encouraged this notion with no amount of restraint, but we received only dour looks from the man whose only response was to pull down his hat’s brim and light his pipe.  The barman then leant in and told us that the man came from uncertain stock and that we, being refined gentlemen and educated, should steer well clear of him.

Well, dear reader, you can no doubt imagine that this only encouraged us to hear this man out more.  We purchased a glass of whiskey to endear ourselves with the man in the corner and joined him at his table.  We placed the glass of whiskey in front of him and remained silent, for we both thought the best way to get him to talk to us was to wait him out.

The Theme for 2010

After much thinking, I’ve decided on my theme for 2010 (twenty-ten, say it with me). It’s a hybrid of two themes I discussed in my previous post on the subject. I hereby announce that 2010 shall be…

The Year of 3 Music Videos and 12 Finished Short Stories

I figure that I will be better served by endeavoring on a cross-disciplinary path, much as I was this year by making photos and writing stories. It allows me not to get too caught up in just one mode. If I am feeling stuck I can switch over and work on something else for a while.

I picked music videos because it’s something I’ve been thinking about for a long time. I think it’s going to be fun and challenging and I’m pretty excited about it. It will give me an opportunity to flex some muscles I haven’t used in a while. I intend to pick three songs I like and make low to no budget videos for them. The songs can be anything since these are spec videos and using them like this is covered under my fair-use rights. The videos can feature anything at all, only limited by my ability to plan and my technical skills.

Astute readers will notice a change in the language regarding the short stories between the original conceptualizing post and this announcement post. Specifically, I added the term “finished” to differentiate the scope of the short stories for 2010 (twenty-ten) and the scope of the stories for 2009. This year, the point was just to write a lot without revisions or thinking too much about what I was doing. Just getting things did. Next year is about creating things that have real thought and effort behind them. The scope is grander, so the output will be lesser, but in terms of having finished work to share, the ultimate effect is much more significant. 12 solid, finished short stories is a collection at the very least, and, if they all work together, a book. That would be a nice thing to have.

Keep your eyes peeled for the remainder of my 5000 photos and 50 short stories for this year followed by a wrap-up post in the first week of January. Then it’s time to get the next year’s work going.

28 – Absolutely Not

“No….

“No….

“No.  I said, ‘No,’ how many times to you?  Do you not understand?  Melissa Robbins absolutely cannot show her work here ever again,” Yu Lee yelled into the hands-free attachment to his iPhone as he stomped around the half-painted gallery.  “Do you remember what happened last time?  ….no, I don’t care if she’s the hottest tentacle dildo installation artist of the fucking decade.  She’s a nightmare, Billy!  She.  Is.  A.  Nightmare.  Do you remember what happened last time?”  

He flicked his cigarette ash and pushed his David Lynch hair back into place.  

“You don’t remember?  Whatever.  You’re so stupid.  You have to remember.  Really?  You don’t.  You mean you don’t remember her opening her show here, getting all trashed like some dirty gutter skank, and insulting all my clients, Billy?  Our clients?  She is a fucking nightmare!  I can’t have that….”

His phone beeped.  He had another call.

“Oh my god.  That’s her.  I’m going to take this.  Stay.  On.  The.  Line.”

He switched the calls.

“Oh my god, Melissa, so good to talk to you.  Yeah.  No.  I know.  It’s been so long.  Yeah, I did.  I loved it.  Oh my god, I know.  It was so great.  Look, Mel?  I’m on the phone with Billy right now, can we call you back later?  Ok, yeah, great.”

He switched back.

“Billy, you have to save me from her.  I cannot handle her drama.  No.  You need to untell her that she can show her work here.  I don’t know!  Tell her something!  This is your fault!  No!  No!!  Don’t you start crying on me.  You need to grab those disgusting, gigantic balls of yours and tell her that she can’t show here.”

His cigarette went out.

“Fuck.  Billy.  My cigarette is out.  I can’t handle this, Billy.  I need you to take care of this for me.  No, she can’t come!  We have important artists showing here this time, Billy.  People who are making real art, not weird like caves of fucking dildos and shit.  I mean, you’ve seen them, right?  I’m a freaky bitch—you know this—and even I think they’re fucking weird.  Dildo caves, Billy.”

He lit another cigarette.

“I don’t care…. What?  Who?  Really?  Wow.  That does change things.  Brad Pitt, huh?  God, I love him.  She’s really seeing him?  What about Angelina?  No!  You bitch!  Oh my god!  I can’t believe you said that!  Nasty!  Ok ok ok.  Put her on the guest list plus one.  But, Billy…  Billy, are you listening to me now?  Billy.  You are responsible for her.  If she ruins even one sale, I am never going to talk to you again.  You remember that.  This is your problem now, Billy.”

He took a deep drag.

“No, I’m not mad at you.  How could I be mad at you?  No, I’m just stressed, you know, it’s so crazy right now.  That’s all.  No.  No.  Yeah.  No, don’t worry.  Yeah?  Ok, that sounds good.  Sure, yeah, ok.  I’ll meet you there at 9:30?  Ok.  Kisses.  Bye.”

Thoughts on the Hunter alumni reading last night

Last night, Juli and I attended the Hunter Alumni reading night at the KGB Bar in the East Village after enjoying a meal of lentil soup and potato pancakes at B&H Dairy on 2nd Avenue. I have one word to describe the event—Wow. Now, that sounds fucking cheesy as shit, and it is, but let me explain.

But first, here’s the brief.

Please join us for the Fall 2009 reading featuring, Vanessa Manko (Fiction, 2008), Maya Funaro (Poetry, 2008) and Jason Porter (Fiction, 2008).

Vanessa Manko earned her MFA in Fiction from Hunter College (2008). After training in ballet at the North Carolina School of the Arts and dancing professionally with the Charleston Ballet Theater, Vanessa returned to school to earn a B.A. in English from the University of Connecticut. She went on to receive her M.A. in dance studies and cultural history from NYU’s Gallatin School. In addition to writing fiction, Vanessa writes about dance. She is the former Dance Editor of The Brooklyn Rail, and has written articles and reviews for Dance Magazine, NYFA’s Current, Dance Teacher, and Dance Research Journal. Vanessa is currently completing her first novel. She lives in Brooklyn Heights.

Maya Funaro’s chapbook Setting in Motion was released in 2009 by Fox Point Press. She completed her MFA in poetry at Hunter College in May of 2008. Her poetry has appeared in Ekleksographia, and Ology, the Graduate English journal of Hunter College. She holds a B.A. in Visual Art from Brown University and has studied printmaking, bookbinding and letterpress printing in Providence, Bologna and New York. Born and raised in South Jersey, she currently makes her home in Sunset Park, Brooklyn.

After a brief career as an online news editor and a less brief non-career as a rock musician, Jason Porter completed an MFA in Fiction at Hunter College in 2008. He has since written a short novel titled Why Are You So Sad? and is hard at work on a new novel about a fallen celebrity boxer. Despite a perfectly happy childhood in southeastern Michigan, he is even happier to now call Brooklyn his home, where he is gradually aging along with his girlfriend and their two nearly perfect terrier mutts.

The KGB Bar, as awesome and Communisty and red as it is, is a tiny little upstairs affair you’d never know was there save for the sign on the street. The windows are curtained and you have to walk into what was clearly once a tenement building that has been converted into a bar/theatre/performance space. The KGB Bar occupies the second floor with the other things on other floors. Tidy! When we got there at about 7:40 for an 8 o’clock start time, only a couple of tables were filled. Mind you that there are probably only 8 tables in the whole place. Nevertheless, it was still relatively empty. By the time the first reader went on, it was packed. Passage to the bathroom was impossible.

The turn out was incredible. I recognized a number of current and former Hunter MFA students from the two open houses I’ve attended. It’s demonstrative of the strength of their community that they could fill this place up on a cold Tuesday night. It is certainly a good sign to me that Hunter is the right place for me. A program that inspires that sort of loyalty is attractive. I would like to be part of it. Now, I just have to convince them that I am right for them.

27 – Not Fair At All

He is smarter than I am.  He is smarter, taller (slightly), more handsome, funnier, faster, stronger, and does way better with the ladies than I do.  I bet he fucks way better than me too.  I bet he’s able to do all sorts of crazy sexual shit that I’ve never even thought of before, stuff that would blow my fucking mind.  And I bet he’s so good at it that he makes chicks explode.  Literally explode from having sex with him.  But, I bet it doesn’t phase him at all.  He just makes chicks explode by banging them and then some other chicks just line right up to get freaky with him with the full knowledge that allowing him to dip his wick into their most wonderful and mysterious piles of wax might make them explode.  They’re down.  He’s just that great.  I’ve never gotten close enough to check, but I bet he even smells good, like some fancy English cologne or cookies or some crazy thing that makes women go totally nuts for his junk.

Every day after football practice he comes into my deli and orders the same thing: turkey with provolone and pickles on a dutch crunch roll.  Then he buys a single bag of chips and a Gatorade and leaves.  Turkey and provolone?  Seriously?  He even orders sandwiches better than I do.  I usually just go with ham and american cheese on white bread.  Why don’t I think to order turkey and provolone?  I even work in a fucking deli!  I make his god damned, perfect turkey and provolone and pickles on dutch crunch every day, and I still lack the imagination, the foresight, to order something so utterly perfect.  It haunts my dreams.  In all honesty, I will go to my grave never having ordered a sandwich quite as perfect as that.  It’s disgusting.

But no, the worst part about all this?  He’s nice.  I know, right?  He’s fucking nice.  All of this perfection—the turkey and provolone, the athleticism, the blowing chicks up with his dick—would be tolerable if he were a total, raging dick bag.  But guess what?  He’s fucking decent, man.  No no no.  Not just decent, he’s practically a fucking saint.  I mean, he walks around and birds land on his shoulders and chipmunks run up to him like Saint Francis.  Everyone in our town stops him and says hello in the street, how are you doing, I’m fine, thank you.  And how could you not?  He freaking radiates good will.  

Do you even know what that feels like?  To be shown up by someone who is totally perfect in every single way?  To want to be liked, to be popular, to finally make it with some girl in your high school class—she doesn’t need to be perfect, just not fat or ugly, I’m not that picky—and have every effort trampled unwittingly by some golden locked Adonis who can save the world with his smile?  Do you comprehend the frustration that brings?  Can you smell my seething rage at this horrid state of injustice?  It’s not fair, man.  It’s just not fair.

26 – Eggs & Toast

She woke and found him gone.  She cleared the gunk from her eyes and stared out the window at the gray day outside, the kind of day that never cleared up, but never rained.  She stretched and looked around the room, tidy, minimal, nice big windows.  And high off the ground.  She suspected that the view was great on clear days.  

Though she did not fully recall what happened here or how she got here, mostly, or the name of the man whose apartment this was, her clothes were still on which told her that she was, in the very least, not a complete tramp the night before.  That was always a nice thing to discover.  She hated the alternative.  She rolled on her back and felt something dig into her spine, realized that she still had her bra on, and sat up.  I guess I was better than I suspected, she thought.  Upon sitting up, her head swam and he consciousness swayed, found a handhold, and righted itself.  

“Whoa,” she whispered ad rubbed her face.  Today was going to be an interesting one.  Before she could deal with the impending misery this afternoon held and all the ‘cuddled under a blanket half-comatose on the couch’ness of it all, she had to figure out how to get home.  But more importantly than that, she had to pee which meant finding the bathroom.  She had never been a fan of peeing in her pants or the bed and she had no intention of starting now.  She stood, buckled her pants, and stumbled across the room, passing the alarm clock on the dresser which yelled “9:15” at her in angry red letters.  She hated alarm clocks, so fucking smug.

Thinking about the Theme for 2010

December is upon us and about to crest, leading us into the descent of 2009. This means the end of the first decade of the 21st century, an utterly meaningless metric, but one that has provided me with no fewer than four “Greatest Metal Albums of The Last Decade” lists. Not bad. Everyone seems to like Mastodon’s Leviathan, which I’ve never really listened to. I’ll have to give it a go.

And with the fading of 2009 another year’s theme comes to an end. The Year of 5000 Photos and 50 Short Stories, though not yet through, has been a success as far as I am concerned. With the express purpose of getting me to be consistently creative and come out of the year with some work done, the year has been a resounding success. While I am not yet at my quota for either task, I am confident that within the next few weeks I should be able to make it. 50% of the stories are finished at 92% of the photos. Pretty good. I have a lot of writing to do and a few photos to take, but we’re in the home stretch and I feel good about it. Let’s not also discount the film I am cutting right now and all the time and effort poured into this site for my 10 readers. I love all of you.

With three weeks left in the year, it’s time to think of my theme for 2010. In my statement for the Theme of 2009, I discussed some previous years and the efficacy of those choices. I’m not going into it again here, but I’ll sum it all up and say some were hits and some were clear misses. Last year I described a good theme as being “broadly applicable with recognizable short term goals”. I still think this is a good way to evaluate a potential theme, but I’d like to add that the theme should have demonstrable results, that is, I should be able to show something for my efforts. The best way to improve myself is by doing. All the thinking about something in the world won’t make you better at it. You have to get out there and get your hands (proverbially) dirty. It’s old wisdom, but true.

Another aspect of my yearly theme is that once complete the theme should continue into the next year. I intend to take another 5000 photos and write 50 more short stories next year and to keep a counter of those on the right hand side. But since they’re a secondary goal, I won’t be killing myself to get them done. My primary focus will be the Theme of 2010, of course.

But what is the Theme of 2010? I don’t know yet, but I have some ideas.

  • The Year of 3 Music Videos – In September, I wrote about building a body of motion work. Amongst my various bodies of work, my film & video work is easily the most poorly represented. I have plenty of photos to share and fewer but still ample stories, but how many pieces of motion work have I posted here that I have done? If you answered “Zero”, you’d be correct. And it’s clear I like music videos and the music that supports them. The only real drawback to this theme is that each video is a big project in itself and to get behind would certainly spell doom for this theme. There are a lot of steps involved though, so perhaps it could still fit the pattern of work posting I’ve established with The Year of 5000 Photos and 50 Short Stories which would help me stay on task and stay honest.
  • The Year of 12 Short Stories – “But, Joe,” you say, “didn’t you just do The Year of 5000 Photos and 50 Short Stories? What’s with cutting the quota down so much? Are you lame or something?” No, I’m not lame. Instead of writing 500 word chunks, these 12 short stories would be much more finished pieces, actually receiving—GASP!—revisions. These would be multiple-sitting efforts. I think the one per month pace would allow for some breathing room, and let me think about the work more. In terms of length, let’s call them somewhere in the range of 5,000 to 15,000 words. This year the longest thing I’ve written is about 3000 words. It was the first thing I posted for this year’s theme. The Biker Kills a Mexican. That one took me a few nights at the computer, but received no revisions. I’m proposing 12 stories of at least double the length. It’s a good amount of work, I think, but manageable.
  • The Year of the Novella – Here the idea is to write the longest single thing I’ve ever written. I like the novella, it’s like a long short story, or a baby novel. I suppose it depends on which direction you’re coming from. It would be an exercise in developing something more thoroughly than I ever have before and sticking to it. The SFWA defines a novella as a piece between 15,000 and 40,000 words, but other definitions go as low as 10,000 and as high as 70,000. That’s certainly a fairly broad range and suitable for work throughout the year. Maybe this could evolve into The Year of 2 Novellas in order to keep me busy. If I wrote 500 words a day, my current per-day volume of work, then 70,000 words would take 140 days. Average in some days without writing, and we’re still looking at barely half a year. Just something to keep in mind.
  • The Year of 3 Screenplays – It has been a long time since I’ve written for screen, but that doesn’t mean it’s not something I still care about. Writing is writing. Writing 3 feature length screenplays of roughly 120 pages each would be a great way to get back into it. I’ve got some ideas boiling around the back of my brain that would be great for films. I just need to get them out and onto (electronic) paper.

I think that in those suggestions, somewhere, lies the theme for 2010 that will make the year a great one. Perhaps I combine Short Stories and Music Videos, or Music Videos and Novella, or Music Videos and Screenplays, or Short Stories and Screenplays? The cross disciplinary approach worked well enough for me this year. When I didn’t write, at least I could take pictures. When I could take pictures, at least I could write.

Anyway, food for thought. I need think about this a little more. What do you all think out there in Black Laserland?