Last week was Sarah’s birthday. Happy birthday, Sarah! Beyond celebrating my wife’s birth, the event lit a fire under my ass to finally finish the dance video we started shooting last fall. Between the children and greenhouses and all sorts of other stuff, it seemed like there was never time for it.
I started the cut when she was away this July and made decent progress, but then I lost steam. I wanted to have it done for her birthday, but I found the project difficult to work on. Sarah’s dancing is great and fun. The song is driving and easy to cut to. The footage is really nice and allows for flexible decision making. But whenever I got into the flow state that editing something I care about requires, the project made me think of Olive and the hell we went through trying to keep that poor baby alive. I would get choked up while working and have to walk away, go talk to the babysitter or play with the girls or whatever to gather myself.
And as soon as I walked away, focus shattered.
So it took me a whole year to get through the video. That’s quite a long time for a three and a half minute dance video. But I felt so much weight tied to it. Like, I needed to really nail this one because of Olive. And that made it pretty scary. I mean, not in some “life or death” kind of way, but more of a “confronting hard emotional truths” kind of way. Which is still scary!
I think the video turned out pretty nicely and I am proud of this silly, little, emotionally fraught project. It was a good trial run for a camera I purchased just before the pandemic that I had some plans for which never really materialized. I tried out a bunch of new edit tricks and spent a whole lot of time in Resolve working on the color. It was great having raw footage for the first time on a Sarah Dances production.
I hope you enjoy it. I had a hard time with this one. I’m having a hard time even writing about it, actually. But it’s good. And it’s fun. And I hope it brings some brightness to your day.
