Press "Enter" to skip to content

The Black Laser

The Black Laser Reads: Episode 8 – “The Colour Out of Space” by HP Lovecraft

Our good old, problematic boy HP Lovecraft is back on this episode of The Black Laser Reads. This time we’ll be reading “The Colour Out of Space” which was originally published in March, 1927.

It’s a bright, cheery story about a New England farmer slowly watching his home, his family, and the world around him slowly decay to ash and madness as he is utterly powerless to resist. It really sings to my own current existential dread due to my inability to care for my family. Very close to home! Very stressful! Except I don’t have a nightmare outer space meteorite to blame.

Enjoy.

The text for this episode came from Standard eBooks. If you are interested in reading “The Colour Out of Space” which is found in Short Fiction yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something new to the public domain in 2025.

Happy Merry 2024!

Happy Holidays, everyone! I hope you’re fortunate enough to spend these dark winter nights with people you love, no matter what you celebrate or don’t celebrate. It’s a time for chosen families, for friends, and for people who love the hell out of you no matter what.

So put your feet up, eat something delicious, and sing loudly.

The Black Laser Reads: Episode 7 – The Damned Thing by Ambrose Bierce

The days are getting shorter, the clocks have been set back, and the weather is (finally) getting colder. Time for (more) horror stories! Also a little bit of literary horror escapism from the current real life political horrors unfolding on the national stage is welcome.

This time on The Black Laser Reads, we’re reading Ambrose Bierce’s 1893 science fiction story which is also sort of a proto-eldritch horror story. It’s good! And there are no problematic elements in it which is a blessing for a story from the nineteenth century. Good work, Ambrose Bierce.

You might recognize the author’s name from your high school American literature class when you read “An Occurrence At Owl Creek Bridge”, another science-fictiony, time-wimey sort of story from the 1890s. What can I say? Dude was ahead of the curve of genre fiction.

Enjoy the story.

The text for this episode came from Standard eBooks. If you are interested in reading “The Damned Thing” which is found in Can Such Things Be? yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: you’ll know when I do!

The Black Laser Reads: Episode 6 – Rip Van Winkle by Washington Irving

Happy August, friends!

A recent trip up to the Hudson Valley inspired me to finally dig into my Washington Irving collections. I am familiar with the plots of “Rip Van Winkle” and “The Legend of Sleepy Hollow”, two of Irving’s most famous stories, but I’d never actually read either of them. There are so many things to read, and life is a finite resource. But you can’t go anywhere up in the Hudson Valley without seeing Rip Van Winkle this, Rip Van Winkle that, Rip Van Winkle whatever. Rip Van Winkle Realty. Rip Van Winkle Adventure Guides. Rip Van Winkle Brewing Company. You get it. That absolute in-your-faceness made the decision to start with this story an easy one. Also, it’s pretty short, so not a ton of work to get it done.

“Rip Van Winkle” is the story of a shiftless, good-natured dingus who lives in fear of his wife. Like, pure, white knuckle terror. And Irving does not hesitate to let us know how much she sucks the joy from Van Winkle’s life. Eventually he meets some ghosts, falls asleep for 20 years, wakes up, and learns that the Revolutionary War has happened. And that’s all super weird and disturbing for him! Then he learns that his wife is also dead so he is now free to live his life of aimless wandering and hanging out at the bar, and he is finally happy.

Seriously. That’s it.

Sorry for spoiling it, but the story is more than 200 years old. The moratorium on spoilers expired some time around the Gettysburg Address.

It’s quite dated both in form and attitude, but it’s still a pretty important piece of American short literature. For that reason, probably worth listening to me read it to you for the astonishing price of nothing at all.

Enjoy!

The text for this episode came from Standard eBooks. If you are interested in reading “Rip Van Winkle” which is found in The Sketch-book of Geoffry Crayon, Gent. yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: I have no idea! Let’s be surprised together.

Happy first birthday, Cheeks!

We also got to celebrate Mina’s first birthday this March. She’s proving to be an incredibly pleasant little girl, all smiles and laughs with very little unprovoked freaking out. If she is melting down, something is wrong.

Fortunately, he birthday was free of freak outs. We were also dealing with lingering daycare plague, so we delayed her birthday party until the second half of April. This nice thing about tiny kids is that they have no idea what “time” or “dates” are, so making them wait to celebrate their birthdays until it makes most sense for everyone is totally fine. Parenting!

Enjoy some photos after the jump.

Happy third birthday, ladies!

Hey all! It’s been pretty quiet here on the old Black Laser front for the last few months. And there’s a very good reason for that which I will get into in a later post. For now, let’s rewind the calendar dial way back to January 2024.

Penny and Bea turned three this year and we threw them an age-appropriate party. They had cake and ice cream and got presents. And that’s pretty much it. They had a great time. We took some photos. We made some memories. All in all, a successful third birthday for a couple of little girls.

Enjoy the photos after the jump.

The Black Laser Reads: Episode 5 – In Our Time by Ernest Hemingway

One of the struggles with The Black Laser Reads is to find material that feels modern. It’s really easy to find old-fashioned texts with too many semicolons, but the nature of copyright law means that recent materials are pretty rare. Just the nature of time, I suppose.

To my surprise, the original 1924 version of Ernest Hemingway’s first “novel” In Our Time came into the public domain a few years ago. It’s not really a novel, more of a collection of vignettes. I wouldn’t even call them short stories. They’re at most a couple pages long. But here is a piece of writing with a distinctly modern feel and which presents a new challenge for my narration skills.

I think I gave it a different feel, too. It was nice to read something where I didn’t have to worry about running out of breath mid-sentence. I hope you enjoy listening.

The text for this episode came from Project Gutenberg. If you are interested in reading In Our Time yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something distinctly unmodern.

Some creative thinking for the dawn of 2024

Happy New Year, everyone! I was fumbling around the internet recently and came across a post on Fstoppers that provides a framework about how to process your creative output from last year and your creative goals for this year. I thought it would be fun and interesting to go through this list here to share with you all.

Note that I am going to change some of the photography-specific language in the questions to be broad. I’m a photographer, sure, but I’m also a bunch of other things all lumped together.

Ok? Ok! Cool! Let’s get going.

  1. On a scale of 1 to 10 how do you feel about your year as a creator?

    Pretty iffy, overall. I posted 18 times here for the entirety of 2023: 8 were photos of my kids, 4 were TBLR posts, leaving just 6 that were actual writing. Not so great? But I did restart my TBLR project and am pretty happy with how that’s going. There’s been a bit of a lull through the holidays and all that business, but I have one in process that will go up soon. So that’s fun. I also have six more Failure States planned for when I feel like wallowing a bit.

  2. What is one big lesson you learned as an artist this year?

    I wish I could say I learned something, but I am not sure what that would be? I haven’t pushed myself too hard this year. Granted we had a baby which took up a whole lot of time between January and the summer, but that’s not a good excuse. The honest truth is that I just didn’t make much time to be creative this year. Anxiety, depression, shit even just distraction. I’ve been not so good for myself this year as with many other years.

  3. Glance through your calendar for this year, are you happy with how you invested your time? Why or why not?

    Not really. I spent a lot of time in 2023 dicking around and not getting too much done. Not that my value is determined by my output, but there was quite a lot of time that I spent messing around that I could have used better. I log all the time I do professional creative work in a notebook that sits on my desk. For a good part of the year I also logged the time I did personal creative work, but that sort of dropped off. I suppose that I subconsciously felt ashamed or something about how little time I was logging for it. Kind of silly. I should probably start logging it again this year.

  4. What piece or series was the best one you produced this year, and why was it the best?

    I guess we can call this the resurrected The Black Laser Reads. I’ve been thinking about this for years but never felt like I had the technical skill to execute in a way I would have felt good about. But over the last two years or so I’ve been recording a lot of voice over auditions and learning a lot about processing audio for that purpose. Suddenly, this year, I realized I actually do have the skill to execute TBLR v2 in a manner up to my standards. That is pretty satisfying. I have so many books in line. I could fill my entire year just reading for TBLR and do nothing else. A bit of a trap there, actually.

  5. Evaluate your [output]. Are your pieces where you want them to be artistically? Technically?

    Nah, they never are. My work can always be better. I think, for me, that artistic and technical quality go hand-in-hand. If one isn’t in place, then the whole work is a bit of a failure. I always try to accomplish both and consider both in the evaluation of the work after releasing it to the world. And I am not writing nearly enough. Not nearly enough.

  6. What do you like about your [work]? What do you dislike about [it]?

    I like the creation of it. I like the feeling of focusing on a project and doing my best to make sure it comes out well. But I wish it were more varied. I love my kids, but I’d like to take photos of something that’s not just them. I love reading audiobooks, but I also need to be writing for myself. And I have some video work planned that I can’t get off the ground for schedule, childcare, and financial reasons. A lot of things I’d like to have done, but did not do for a lot of reasons that just feel like silly excuses no matter how real they are.

  7. Are you producing great work, mediocre work, expected work, innovative work, or poor work and why?

    Somewhere between good and average. Above average, perhaps?

  8. What did you accomplish this year that you are most proud of?

    I kept my kids alive and they are nice people. That’s it.

  9. What are you most disappointed about from this past year as a creator?

    It’s been a bit of a creative wash. A lot of attempts, a lot of struggle, a lot of effort and thought and learning and support work, but not a lot of results. Frustrating.

  10. What is one thing you want to stop doing (1), start doing (2), and continue doing (3) in 2024?

    First, I’d like to stop sabotaging myself and cutting myself so much slack. Do I need to drink a couple glasses of wine or beers at the end of the night? No, not at all. Do those things affect me? Sure! They definitely allow me to convince myself with excuses and they affect my sleep which makes the early mornings pretty useless. This isn’t even really about alcohol dependence or some feeling that I am an addict. I don’t feel that way. But I do think I could be better about saving that sort of thing for times where it makes sense and not rely on it as a way to blow off steam at the end of the night. Even if I knock out 30 minutes of work that I wouldn’t have done otherwise, that is a positive outcome. This was one of my major takeaways from our most recent Whole30.

    Second, I’d like to start writing fiction again. When we were living in my mother in law’s basement before Sarah gave birth to the triplets, I started a story that I quite liked. I worked on it until Penny and Bea came home from the NICU, but really lost the emotional steam for it when Olive’s health took a downward turn. In fact, that story has opened automatically every time I’ve opened Scrivener since then. That’s like 3 years now. That’s a lot of auto-openings. I need to get back to it. There’s no craft that I enjoy as much as writing stories, but there’s also no craft I feel quite so unsure, so unconfident, so weird about. That feeds into a lot of fear and guilt and other stupid, self-defeating nonsense. I just need to rip off that bandaid and build some momentum.

    I think the best way to do this is to set a real schedule for myself. For the last few weeks I have been deliberately waking up earlier. Trying to retrain my sleep schedule. Once in my younger adulthood, the middle of the night was a fertile creative time. Now, however, in my early forties with three children that just isn’t true anymore. It took me a while to realize this. No, that’s not quite right. It took me a while to admit this to myself. Hence the deliberate schedule shift. My goal is to get to the point where I can wake up early, spend an hour writing, and then engage with my day as a stay at home dad. Because that’s my life. I need to make it work. I want to make it work. The time for it is now.

    I’d also like to take photos of stuff again. I feel like I’ve fallen into glorified snapshot mode, which is fine, but is not creatively rewarding. I am still going to take too many photos of my kids, of course, but I would like to also take photos of stuff that’s not my kids. You get it.

    Third, I’d like to continue with TBLR and Failure State. Those are fun projects that I can work on when I am not fresh. That is, late at night, after a long day of small children screaming for my attention. I can absolutely zone out and edit mouth noises out of my performance of “The Legend of Sleepy Hollow” while exhausted. No problem at all. What I can’t do in that state is form compelling thoughts and ideas and then translate them into words. Best to use that time of the day for projects that don’t require 100% of my processing power.

So that’s about it. Some optimization for this coming year. Some places I’d like to put more juice. You know what would also be great? Getting a job. Or jobs. I’ve been seriously underemployed since Verdant collapsed and that is driving me nuts. But I’ll save that for Failure State: Verdant Construction whenever I get around to writing that.