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Posts published in “Writing”

The Black Laser Reads: Episode 11 – “Young Goodman Brown” by Nathaniel Hawthorne

If you had asked me a couple months ago if literally everyone who went to high school in the United States had read Nathaniel Hawthorne’s 1835 short story “Young Goodman Brown”, I’d have said yes. It’s a seminal part of American literature (where you would have read it) and so would have been on the syllabus of pretty much every American lit class. And Hawthorne certainly was a very important writer of his era, laying a lot of ground work for future work in writing and theater and film.

But then I mentioned the story to my wife and it turns out she didn’t know it. She’s well educated, too. Now I have to assume that a bunch of other people also haven’t read the story. Which is totally wild! That lit a little bit of a fire under me to record and publish this episode of The Black Laser Reads.

“Young Goodman Brown” is the story of a young feller named Brown who lives in Puritan-era Salem, Massachusetts. He leaves his wife behind to tend to some nefarious, unspecified errand in the woods during the night of the story. There he meets a suspicious man and then the story unfurls.

It’s got twists! It’s got turns! It’s got allegory! It’s pretty short!

Honestly, if you have any sort of ability to read critically, you’re going to understand the thrust of this one. It’s great, but it doesn’t really make you work too hard to extract its meaning. And, you know, it’s got the devil in it. Sorry for spoilers for a short story from 191 years ago.

Enjoy.

The text for this episode came from Project Gutenberg. If you are interested in reading “Young Goodman Brown” which is found in Mosses From An Old Manse, you can download a public domain e-book here.

The Black Laser Reads: Episode 10 – The Snow Queen by Hans Christian Andersen

Yo, dogg, I heard you got little girls living in your house. You know what that means? ELSA. It means you’ve seen Frozen and it’s aptly-titled sequel Frozen 2 maybe a hundred times. It means you often get “Lost in the Woods” stuck in your head once “Let it Go” has finally done what it says and gone.

But wait! Have you ever read the source material?

Like all the princessy Disney films, Frozen is based on a fairy tale: “The Snow Queen” by Hans Christian Andersen, a 19th Century Danish writer. You know his work. He was also responsible for “The Little Mermaid”, “The Ugly Duckling”, “The Princess and the Pea”, and “The Emperor’s New Clothes”. And probably another 75% of the stories from Shelley Duvall’s Faerie Tale Theatre.

So, inspired by the oncoming cold months and the snow currently covering the North East United States, I’ve read and recorded “The Snow Queen” for you all to enjoy. It’s a different vibe than the other things I’ve shared, but I think it’s pretty good. Lots of voices in this one!

The text for this episode came from Project Gutenberg. If you are interested in reading “The Snow Queen” which is found in Andersen’s Fairy Tales, you can download a public domain e-book here.

A Refreshed Approach

I’ve been feeling stuck. Professionally, emotionally, creatively stuck.

There are many factors.

I don’t love where we live and having moved here in the height of COVID while working from home and then having a couple sets of children, I’ve never developed a community or social life to speak of. We have no local family, which means no local relief. Down state, where we were living for the first few years, the area clears out in the colder months, leaving row after row of darkened vacation properties and empty developments with no one to talk to save the committee of turkey vultures holding court on a half-filled dumpster.

We’ve since moved upstate about halfway to a town that doesn’t empty out when beach season ends, yet I find myself in a similar situation. I spend the days at home working (or not). Then my afternoons and evenings are devoted to the children because Sarah works dinner shifts. Saturdays are likewise spent solo parenting with the children. Sundays in the offseason are time for all of us to spend together. The time to be social is blocked off. And even if I had time, I have no idea with whom to be social around here. There’s a bowling alley, but that’s not really my tempo.

So, no friends around.

Work has been incredibly spotty and unreliable. After I laid myself off from the greenhouse business in June of 2022, I went back to freelance video editing. It hasn’t been so easy as that, though. I allowed the network I’d been part of for so long to dwindle over five years of greenhouse building. Re-entering the workforce as a remote-only editor from the glorious land of Delaware made it difficult to reintroduce myself. In the years of my absence, the industry shifted toward further corporate consolidation and cost cutting, limiting opportunities for freelance work. Even edit houses I once considered stalwarts were struggling to keep the lights on. To further complicate the issue, my availability was limited with my dad responsibilities. And there just isn’t work locally. The closest hit I got was about a job to edit real estate videos for like 15 dollars an hour, which wouldn’t pay for the childcare required to do the job. Bleak!

It has been picking up a bit, year after year, but the volume of work—and the income—has not yet reached a sustainable level. I am forever grateful that my wife has a good, stable job, and that she doesn’t mind carrying the household finances for awhile. I’ve applied to too many jobs on LinkedIn and other places only to be lost in the sea of résumés.

So, insufficient work.

I feel a lot of emotional burnout. Three small children—4, 4, and 2—are a lot of work. A lot of emotional labor. I try very hard to be a levelheaded, authoritative, communicative parent. I want my children to feel safe asking me for help. I want them to feel safe asking me hard questions. I want them to feel safe engaging with me and the family and the household. These may seem like sort of unimportant things for such little kids, but laying that groundwork now is critical for when they are older and their problems are bigger, more complicated, more serious.

All of that, though, requires a whole lot of mental and emotional bandwidth when your primary interactions are with little people who have a lot of really big feelings and really big ideas without the tools to manage them. So, the onus falls on me, as the parent in the room, to help them process and resolve, but also to make sure that meals are on the table and baths are taken and clothes are clean and relative peace is maintained, no matter who originally started playing with the unicorn blanket. That’s exhausting! And the incessant whining and complaining? It takes a Herculean amount of control (that I don’t always possess) not to flip my lid. And sometimes I do, but I pride myself on rallying quickly and not letting myself spiral out of control.

By the end of the day, I am totally worn out. I barely have the energy to make dinner for myself. My capacity to engage in anything else is spent. There is no break from it, either. It’s day after day after day, with some brief moments of quiet scattered throughout. But there isn’t enough time to recover. There isn’t enough outside-the-nuclear-family connection to vent adequately. There is no recharge.

This is not to say that my wife is absent or anything; she’s not. She is an active, committed parent, and we make a strong team. I feel supported by her. I mean only to describe my experience when I am alone managing children who lose their absolute shit when I’ve had the audacity to sprinkle some salt on their avocado.

So, real deal burnout.

The grand effect of all this is that I don’t make anything for myself anymore. I make things for what little work I can scrounge up. I make dinner for the brood. I try to stay on top of the house’s chores. But the creative generation that makes me feel like myself isn’t present. I don’t write. I barely voice over. I don’t make. That makes me feel bad. Lost.

When I do have windows of creative juice, I overvalue the time because of its rarity, get stuck figuring out what to spend it on, and then just squander it, producing nothing. I’ve written about this before. It’s a stupid cycle, but it’s also meant that in the last many many years I’ve made very little that fills my cup.

None of this is to complain, though. I am not complaining. I am just explaining the funk I’ve found myself in these last years. I am laying the groundwork so we are all on the same aggravated page.

I’ve had a client for the last few years who has had me on retainer. The retainer was not nearly enough for the work I put in or for what I brought to the table with my skill level, but it was consistent money and sometimes the only money I saw for months and months. I felt beholden to them, but I also hated the work. They were difficult to work with (with a few bright lights). The work itself was poor, repetitive, and ineffective. I did good work for them, but the quality of the output can only be so great when the quality of the media provided as input is low. How do you edit video for someone for years and not produce a single piece you would put on a showreel? Not a single piece. I’ve cut everything for them.

This summer, I started seeing videos show up on their Youtube account that I didn’t put my hands on. That was a little distressing, but could be chalked up to their sourcing the videos elsewhere or whatever. Organization and metrics and thoroughness were never the group’s strength. Three weeks ago I saw they had someone else cut a video recap of their annual fundraising event, a video which I’ve cut yearly since 2020.

That hit me at exactly the wrong time. I fell into a complete panic about this little piece of income I’d been holding onto as the only consistently earning part of my professional life drying up. For a few days I was in a hole about it. Spun out. Just bad. Big bad. Woof.

But the work for them continued, and I kept plugging away, doing my best to meet my responsibilities to them. Then one of the ladies in charge emailed me. They had their budget meeting with the board coming up the next week and would I mind getting on the phone with them. Of course, I wrote, no problem, just let me know what time you want to talk and I’ll be there. There were thankful, and we set up a time. I didn’t worry too much about it.

The call went exactly like I thought it would. Oh thank you for all your hard work, we love the movies you made for us, you have been such an important part of the team, we couldn’t do it without you, blah blah blah, but donations are down and the money isn’t there and we need to cut costs and we cannot afford to have you on retainer anymore.

There it was.

Instead of my stomach dropping out or the panic button getting slapped, I just felt kind of blasé about it. Like, ok, that’s it then. I’d already had my panic about the prospect, dealt with those feelings, cooled off, and moved on. In what I guess was an effort to make themselves not feel bad about all this, they asked me how I felt, if I was ok.

I responded, “What does it matter how I feel? You have made your decision and I am powerless to affect it either way. So here we are. It’s done.”

They were stunned a little bit. I suppose they expected something else from me? Who knows. Who cares. It’s not important. It wasn’t my job to make them feel better. The thing here is that I just sort of felt nothing about losing them, and over the hours following the call I started to feel a little free. The long, dark, seething annoyance for chicken scratch was over. They told me they want me to come back in the future on a per-project basis. I told them that’s fine. They won’t like my rate, but that’s on their shoulders.

Now I am no longer under that thumb. I’d always just waved it away as a thing I did in my extra time, the extra (only) money was fine, the work was easy, rationalize, rationalize, rationalize. The truth of the matter is that I was always angry about them. Always. Sometimes a little, sometimes raging, but always angry. That’s not a nice way to live, especially in light of all the other burdens we manage. No, not good at all. They also ended up using what little creative time I did have, causing me to overvalue the time they didn’t use further, leading to feeling even more stuck at the intersection of decision making. Two roads diverged in a yellow wood, but I didn’t take either of them and just sat down in the mud to make some crappy videos I didn’t care about.

The last days since the phone call have gotten my brain going again. I feel less blocked. I feel, dare I say it?, inspired. Inspired to make things again. Inspired to pour myself into creative projects and allow myself to make things for the sake of making things.

I need to figure out how to earn consistently, and I’ve been banging my head against the wall for ages to make no progress. I believe that diving into the act of creation without worrying about whether it’s contributing to some misconceived forward progress in life will give me the mental and emotional space to solve the problem. In the act of doing, I will find the thing that will lead me forward. In creation, there are answers. There is truth. Or, you know, at least guidance. It’s the thing that always steered me toward making, and I’d lost sight of it, but now I feel clear. This is the right thing for me. That is also a new tack.

I’ve been so stuck trying to ensure that I made the most out of my time that I made nothing out of it.

Instead of trying to force myself into one creative pursuit in my usable time, I want to cast a wide net. Just make stuff. Don’t worry about the big picture. Do the best I can with the time I have. Finished is better than perfect. Learning happens at every stage, even in failure. Devalue the time. Explore. Waste time. Feel things out. Start things. Finish things. Abandon things. Pick things back up. But never stop making, never stop doing.

Let this post stand as a statement of intent for what I want to be a new stage in my creative life and also the start of it. It is the foreword to something refreshed. Creativity is a core part of my identity. The act of creation—and through that act connecting with people across the void of space and time and experience—gives my life meaning. It is integral to everything I do and want and need. I have been missing it and my psyche has suffered for it.

Let’s make some things. Let’s figure it out.

The Black Laser Reads: Episode 9 – “From Beyond” by HP Lovecraft

One of the things I like to do while I am home alone during the day is to put on whatever old horror film I can find included in my streaming services. The cheesier, the weirder, the more off-putting, the better. I often don’t even watch the film; I just put it on and walk away. Sometimes it’s nice to have some noise in the house, you know?

Some greatest cinematic hits of this pastime are Running Man, Big Trouble In Little China, and Prince of Darkness. It’s no surprise, I think, that two of those are John Carpenter films. There are also lots of more niche horror and science fiction films in the mix. Suspiria. The Beyond. The Visitor. The House By The Cemetery.

You get it.

A few days ago I picked From Beyond, 1986’s best Lovecraft adaptation. If you haven’t seen it, you should. It’s a Stuart Gordon classic and it’s got everything: gore, nudity, intense practical effects, Jeffrey Combs. Everything! The film is wild and tasteless and messy and great. If you care about horror cinema, you need to see it. In all likelihood, of course, if you care about horror cinema you’ve already seen it.

As I ate my lunch and watched Jeffrey Combs’ pineal gland erupt phallically from his forehead, I thought to look up the short story the film is based on. I’d never read it before and discovered that it’s only like 10 pages long. The perfect length for a “get back in the saddle” episode of The Black Laser Reads. And that’s what I did.

I spent two hours on this yesterday. The total run time is just over 19 minutes. That works out to about 6 hours 20 minutes per finished hour of audiobook. Seems like a lot, right? But if you consider how long I spend to cut a single 30 second TV commercial, this ratio starts to look pretty good.

Anyway! The story is embedded below or you can find it on my Bandcamp where you can download it for absolutely nothing.

The text for this episode came from Standard eBooks. If you are interested in reading “From Beyond” which is found in Short Fiction, you can download a public domain e-book here.

I’m working on the first full novel of this series and it’s taking me quite a while to work through. I will probably post another couple shorties in the meantime because they are nice palate-cleansers for when I need to taste something other than hard-boiled detective on my tongue. I promise the next one won’t be Lovecraft.

The Black Laser Reads: Episode 8 – “The Colour Out of Space” by HP Lovecraft

Our good old, problematic boy HP Lovecraft is back on this episode of The Black Laser Reads. This time we’ll be reading “The Colour Out of Space” which was originally published in March, 1927.

It’s a bright, cheery story about a New England farmer slowly watching his home, his family, and the world around him slowly decay to ash and madness as he is utterly powerless to resist. It really sings to my own current existential dread due to my inability to care for my family. Very close to home! Very stressful! Except I don’t have a nightmare outer space meteorite to blame.

Enjoy.

The text for this episode came from Standard eBooks. If you are interested in reading “The Colour Out of Space” which is found in Short Fiction yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something new to the public domain in 2025.

The Black Laser Reads: Episode 7 – The Damned Thing by Ambrose Bierce

The days are getting shorter, the clocks have been set back, and the weather is (finally) getting colder. Time for (more) horror stories! Also a little bit of literary horror escapism from the current real life political horrors unfolding on the national stage is welcome.

This time on The Black Laser Reads, we’re reading Ambrose Bierce’s 1893 science fiction story which is also sort of a proto-eldritch horror story. It’s good! And there are no problematic elements in it which is a blessing for a story from the nineteenth century. Good work, Ambrose Bierce.

You might recognize the author’s name from your high school American literature class when you read “An Occurrence At Owl Creek Bridge”, another science-fictiony, time-wimey sort of story from the 1890s. What can I say? Dude was ahead of the curve of genre fiction.

Enjoy the story.

The text for this episode came from Standard eBooks. If you are interested in reading “The Damned Thing” which is found in Can Such Things Be? yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: you’ll know when I do!

The Black Laser Reads: Episode 6 – Rip Van Winkle by Washington Irving

Happy August, friends!

A recent trip up to the Hudson Valley inspired me to finally dig into my Washington Irving collections. I am familiar with the plots of “Rip Van Winkle” and “The Legend of Sleepy Hollow”, two of Irving’s most famous stories, but I’d never actually read either of them. There are so many things to read, and life is a finite resource. But you can’t go anywhere up in the Hudson Valley without seeing Rip Van Winkle this, Rip Van Winkle that, Rip Van Winkle whatever. Rip Van Winkle Realty. Rip Van Winkle Adventure Guides. Rip Van Winkle Brewing Company. You get it. That absolute in-your-faceness made the decision to start with this story an easy one. Also, it’s pretty short, so not a ton of work to get it done.

“Rip Van Winkle” is the story of a shiftless, good-natured dingus who lives in fear of his wife. Like, pure, white knuckle terror. And Irving does not hesitate to let us know how much she sucks the joy from Van Winkle’s life. Eventually he meets some ghosts, falls asleep for 20 years, wakes up, and learns that the Revolutionary War has happened. And that’s all super weird and disturbing for him! Then he learns that his wife is also dead so he is now free to live his life of aimless wandering and hanging out at the bar, and he is finally happy.

Seriously. That’s it.

Sorry for spoiling it, but the story is more than 200 years old. The moratorium on spoilers expired some time around the Gettysburg Address.

It’s quite dated both in form and attitude, but it’s still a pretty important piece of American short literature. For that reason, probably worth listening to me read it to you for the astonishing price of nothing at all.

Enjoy!

The text for this episode came from Standard eBooks. If you are interested in reading “Rip Van Winkle” which is found in The Sketch-book of Geoffry Crayon, Gent. yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: I have no idea! Let’s be surprised together.

The Black Laser Reads: Episode 5 – In Our Time by Ernest Hemingway

One of the struggles with The Black Laser Reads is to find material that feels modern. It’s really easy to find old-fashioned texts with too many semicolons, but the nature of copyright law means that recent materials are pretty rare. Just the nature of time, I suppose.

To my surprise, the original 1924 version of Ernest Hemingway’s first “novel” In Our Time came into the public domain a few years ago. It’s not really a novel, more of a collection of vignettes. I wouldn’t even call them short stories. They’re at most a couple pages long. But here is a piece of writing with a distinctly modern feel and which presents a new challenge for my narration skills.

I think I gave it a different feel, too. It was nice to read something where I didn’t have to worry about running out of breath mid-sentence. I hope you enjoy listening.

The text for this episode came from Project Gutenberg. If you are interested in reading In Our Time yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something distinctly unmodern.