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Posts tagged as “Seal of Approval”

Tyson (2008)

Wow.

Last night Juli and I watched Tyson, a documentary on the legendary and oft reviled boxer, Mike Tyson. It was quite an illuminating experience and really helped flesh out the character of Mike Tyson in my brain. Before the film, all I really could have told you about him could easily be summed up in the following list.

  • He was a boxer.
  • He went to prison.
  • Mike Tyson’s Punch Out.
  • Don King.
  • Robin Givens.
  • Face tattoo.

Comprehensive, right?

Now, the film struck me in two distinct ways. First is that is has humanized Mike Tyson for me. Where once he was this media icon, a person I heard about on the news but about whom I knew nothing, now I feel like after hearing his nearly incomprehensible, insane rambling for 90 minutes I understand him for what he really is: a frightened man-child who was thrown into a world he had no tools for coping with where people wanted to take advantage of him because he was able to dominate guys in a boxing ring. It seems clear that this man who can barely form a coherent sentence, nearly breaks down crying when talking about his childhood in Brownsville, Brooklyn, and whose minds wanders wildly onto all sorts of tangents is ill equipped to deal with the world on any level, much less a high demand career surrounded by men trying to use him to fill their bank accounts. What Mike Tyson needed was a mentor and a hug, not managers and trainers and millions of dollars.

Of course, I’m not excusing his behavior. There is no doubt that he has done some terrible things in his life. He readily admits this, in fact, explaining his explosiveness after release from prison as being driven by the fear of never wanting to be back in that position of powerlessness again. Really, it is an extension of his childhood fears resulting from growing up in the ghetto and constantly having to fight physically and mentally not to get killed. You can see when he talks about it that he’s pretty messed up inside, confused, angry, uncertain. You can tell when his speech degenerates from his normal bumbling patterns of repeated phrases and half finished sentences to venom filled curses that he is, if nothing else, being honest about his feelings.

Tyson’s is a harrowing story of what can happen to people when the enter into a world of fame and riches without the grounding needed to cope. It’s really sad that this man who was indomitable in the ring was eventually brought down because, as a person, he was incapable of making sane, healthy decisions for himself. I know that sounds like a truism, but in Tyson’s case, it’s rather acute. The peaks of his successes and the valleys of his defeats are so much more extreme than what most people could ever dream of experiencing that his tale serves as almost like this abstract object lesson, this parable of how not to live your life.

Second, what struck me about the film was that it really doesn’t follow traditional documentary techniques. Based on Tyson’s clothes and the set ups, it’s like they had four or five days of one on one interview with the man and then used that interview SOLELY as the basis for the film. Where as other films might get interviews with people from his past, from his current life, director James Toback has used only Tyson’s words, along with a smattering or archival footage, to tell the story. It is incredibly effective. To enhance the sense that the inside of Tyson’s head is a jumbled mess, Toback overlaps sections of the interview both visually and temporally with bits of dialog coming in on top of each other and trailing off, a web of ideas and thoughts barely distinguishable from the next.

So, long story short, go see it. You have no excuse.

Narrative Magazine Spring 09 Short Story Contest

Matt Toder of the inimitable Steve’s Word sent me this today. It’s a short story competition held by Narrative Magazine. I’ve never read or seen Narrative Magazine, and with the current downturn in the print industry, who knows how long it will be around, but a contest is a contest and who am I to turn down the possibility of earning a little money? So I intend to enter. And since the deadline isn’t until July 31, I have time to write a new piece. What the hell, right? I’m going to try for the full 15000 words. I’ve never written anything that long before; I think the challenge will be exciting. I know that when writing for Hunter I thought I was going to have a hard time getting to 20 pages with my idea, but really I ended up having the opposite problem. I think that Julian & Clive suffered because I was trying to shove so much into 20-25 pages. I ended up cutting a bunch of ideas that probably would have made it better, or at least made the plot make more sense, feel less stilted.

Now I just need an idea.

Anyway, Matt Toder you get the seal of approval.

seal_of_approval

Elektronik Supersonik

My friend JJ sent me an e-mail with the subject “Best video ever.” that said:

Joe this will be your theme video for the blacklaser.

http://www.youtube.com/watch?v=kKO9h-gG4Qg

JJ was absolutely right. Of course, the video and song are nothing new to me. But that does not make JJ wrong, just late to the party a little (you are strong and handsome, JJ).

In case, for whatever reason, you’ve never seen the video for Elektronik Supersonik, here it is.

It contains all the things that make my life wonderful: lasers, science fiction, synthesizer music, bad English, mullets, pink hair, Eastern European crap, space flight, cheesy video effects, sexual innuendo—the list goes on and on.

Zlad, a fictional pop music star from the also-fictional Molvania, went on to star in a second video called “I am the Anti-Pope”

I think the second video, while certainly higher in the blasphemy department, isn’t quite as good as the first. Elektronik Supersonik is special, zany and lo-fi just before zany and lo-fi became the cool thing to do. I approve.

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Sunshine

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seal_of_approvalJuli and I watched Sunshine tonight, the 2007 Danny Boyle film about a group of astronauts on a mission to give the sun a kick start. I heard a lot of bad mouthing about it when it came out and it scared me away from the theatre, but having seen it I have no idea what people were complaining about. It was great. I know some people thought the midmovie twist was weak, but it worked for me. It’s no feel-good movie, and it shouldn’t be. It’s bleak, filled with tension and despair, and wonderful. It is a science fiction film yes, but it almost crosses the line of being a horror film in outer space. The film is a spiritual descendant of Ridley Scott’s Alien, but lacks the more overt horror elements. It is also clearly inspired by Stanley Kubrick’s 2001: A Space Odyssey, but lacks the oblique abstraction. It’s a different beast altogether and I loved it. Approved. I’m only disappointed that I didn’t go see it theatrically.

Plot aside, the film is just fucking beautiful. Alwin Küchler’s cinematography has to be some of the most beautiful work done last year, right up there with The Assassination of Jesse James by The Coward Robert Ford. The film’s CGI is stunning, but the real beauty is in the delicate, painterly photography that is rich and sumptuous while portraying the stark bleakness of the crew’s predicament alone in the far reaches of our solar system on a mission to save mankind. One shot that stands out is early in the film when the ship psychiatrist is sitting in the observation room and there is an extreme close-up of his eye behind sunglasses and the depth of field must have been something like a centimeter, yet Küchler totally nails it, giving us this extremely distorted yet recognizable, intimate shot of the man’s eye as he stares straight into the sun. And the blurry camera work in the end sequence? Holy crap. Just astounding. A truly incredible accomplishment.

Cathedral’s “Hopkins (Witchfinder General)”

seal_of_approvalIn a previous post I mentioned the Earache My Eye tape. This video by Cathedral was one of the videos on that tape and always seemed totally incongruous because it’s not very heavy and it has a very showy style that didn’t fit in with the videos by other bands like Godflesh and At The Gates. I remember it always being the video I would fast forward through on the way to Carcass or whatever was next.

My friend Deegan just posted it in a comment and, looking back on this, it’s actually a pretty fucking sweet ass video. It’s got intense ass Barbarian metal babes, the Devil doing some crazy shit, Vincent Price, and who knows what the fuck else.

All in all, pretty bad ass. Check it.

See? I officially give it The Seal of Approval.

The Metal Claw, and why I love it.

I have no doubt that many of you are familiar with the Metal Horns, the typical hand sign associated with heavy metal appreciation. I have no problem with the horns on principle. They serve to show how fucking into the music you are. When the metal gets so fucking intense that you just can’t take it anymore, the extended index and pinky fingers are excellent heatsinks for all the metal intensity built up in your frail, human form. God knows that I threw the horns more times than you could believe when I was a teenager. I love the horns. The horns are awesome.

Here are a couple of examples of the horns being used appropriately.

Ronnie James Dio - Popularly considered the inventor of the horns
Ronnie James Dio - Popularly considered the inventor of the horns
Nergal of Behemoth throwing the horns
Nergal of Behemoth throwing the horns

Nevertheless, the horns are subject to rampant abuse. Watch the MTV music awards sometime and notice how many kids in the front throw the horns for all sorts of random bullshit, none of which falls under the “metal” header. You’ll see pop stars and country music stars and assholes on American Idol throwing the horns. What the fuck? Don’t you fucking dipshits get it? The horns are not for you and your bullshit music; the horns are an expression of metal. Yet sometimes the horns aren’t sufficient. And the horns are expected, practiced. The horns, for as great as they are, leave something to be desired these days.

For this reason, I am a supporter of the Metal Claw. When the horns just can’t do it, then you must make the claw. Where the horns send metal from only two fingers, the claw sends metal from all five. That’s 150% MORE METAL.

Typically associated with Satan, though not actually so, the horns can be divisive. The claw on the other hand promotes unity across all metal genres. Here is an example of my favorite Christian as Fuck death metal band of the moment making HEAVY use of the claw. I mean, seriously, check out his Jesus t-shirt.

In contrast, we have Nergal of Behemoth, a profound believer in Darkness, making the Claw while recording.

THE CLAW!!!!!
THE CLAW!!!!!

See the difference here? In the first photo he is on stage, performing, throwing the horns to a photographer. In the second he is focusing on the task at hand in the studio, feeling the slaughter erupt in his veins. Thus the Claw is made.

You might say, “But Joe, this claw you speak of is a new phenomenon. Was not the almighty Dio throwing the horns in the early 80s?” This is a good point, but I have evidence to the contrary. Here is 1995’s “Slaughter of the Soul” by At The Gates.

Too new for you? How about some proto-Claw throwing by Bruce Dickinson? Check it at about 1:30 into the video.

And so, it is with this incredibly persuasive argument in mind that I am pleased to unveil The Official The Black Laser Seal of Approval. Check it out:

How sweet is that shit? My Photoshop skills are legendary.

In conclusion, let us agree that while the horns have their rightful place in the Metal culture, the Claw is a true and brutal expression of what metal is and should be to the true aficionado. If I ever see the Claw thrown on American Idol—I don’t watch the show, so I guess I never will, however—then we’ll have to reevaluate its stance in my heart. But really, I think it’s as likely as hearing blast beats and harmonized growls in pop music, so I feel secure in the Metal Claw’s status as niche expression of intense metal power.