Press "Enter" to skip to content

1000 Words – Lady Boxers

“Why, Mr. Hardy, I do believe that my lady boxer shall best yours in this contest.”

“Nonsense, Percival! I would wager my pith helmet that my Gertrude will knock the fancy hat off your pugilista this very day.”

“You have my Myrtle confused with some common barroom brawler, sir. I have no doubt she shall be the victor in this contest of fisticuffs.”

“Would you like to make this a little more interesting, Percival?”

“Quite, Mr. Hardy.”

“Let us say that whoever the trainer of the lady boxer who loses this fine match is will be obliged to shear his whiskers and look like some wretched Chinaman unable to grow a fine mustache like my own. Or, in your care, Percival, a beard.”

“I accept your terms, Mr. Hardy.”

“Thank you, Percival.”

“No, thank you, Mr. Hardy.”

“I hope you are prepared, Percival. I’ve brought along this white bucket and towel for when Gertrude defeats your unkempt Myrtle.”

“Unkempt, sir! You have crossed the line!”

“Unkempt, Percival. Look at the crudeness with which she applied the detail to her skirt. No man with functioning eyes would claim that to be the work of a fine seamstress.”

“The gall, Mr. Hardy! I might also comment on the utter lack of decoration on your Gertrude’s dress! Or do you consider her black sash the finest of French fashion?”

“Simplicity is in the vogue, Percival. We are entering an age when needless decoration will be a thing of the past. You look on Myrtle’s poor embroidery and see elegance, where as I, a man of the times, see the old fashion. She resides in the past, my loyal servant.”

“Your father never would have stood for such words, Mr. Hardy. No, he was a man of great tact and kindness. You do his memory a disservice.”

“Percival, this era of Victoria as Queen, long may she reign, is nearly at an end. Why, soon it shall be the twentieth century and the British Empire has never been stronger. We must look to the future, not only in the way we clothe our lady boxers, but also in our attitudes toward change. We have great steam engines now! Miraculous balloons that float delicately upon the air! Coal for every family that can afford it and jobs for the children of the families that cannot! Percival, do you not see we are living in a gilded age? That we are living on the very precipice of the future?”

“Mr. Hardy, I must confess that you have lost me here.”

“What I am telling you, Percival, is that you and your Myrtle are woefully out of touch with the times. You are much like those giant lizards being dug from the earth by intrepid British explorers.”

“If I did not know better, Mr. Hardy, I would venture that you were trying to insult me.”

“Never, Percival. I only seek to express that you shall never win this wager of our, for your fighter has no chance of defeating mine. Surely you’ve heard of the Chinese Wu Shu?”

“No, sir, I have not.”

“Heavens, Percival!”

“My apologies for my grave misstep, Mr. Hardy.”

“Do see that you take measures to correct this, Percival. Anyhow, Wu Shu is a barbarous oriental fighting technique much too base for a good British gentleman like myself. However the study of this technique is not unlike dancing and I’ve found a great many women are quite adept at it. And when this ‘dance-fight’ is incorporated into a lady boxer’s repertoire of moves, I do find she becomes significantly more formidable. Would you like a demonstration?”

“No, sir, I consider the use of heathen knowledge to be a blight on our fair contest and tantamount to cheating. Indeed, if I did not know you to be a good Christian man, I would suspect you of indulging in the Devil’s handiwork.”

“Oh, Percival, you are so very superstitious. These are the Chinese we are discussing, not some heathen darkies from Africa. Have some sense, man. The Chinese may be no better than vermin, but heathens they are not. All right, granted, I will allow that some of them may be heathens, yet I know a good many Christian Chinese in Hong Kong who can prove to be quite white in their disposition. And those people do know their way around a duck.”

“If I believe you allow your Gertrude to execute some of your…what did you call it? ‘Woo shoe’ arts, I will consider you a scoundrel and scab, sir, and accuse you of foul play.”

“But, my man, that is the beauty of Wu Shu. You will never know. I defy you to call out Gertrude’s Wu Shu moves when she employs them on the manly countenance of your Myrtle, for she does resemble a man of poor breeding even when she is dressed in her finest.”

“Sir!”

“Where did you find her, Percival? On the docks lifting crates onto a ship bound for India?”

“Well, I never! I will have you know, Mr. Hardy, that Myrtle is the daughter of my late brother Albert. I have raised since she was a child. She was a childhood playmate of your cousin Gertrude there.”

“I do say, Percival, I never knew that such a homely little girl would grow up into such a homely man.”

“You wound me, Mr. Hardy.”

“I vow not to cut your face as I shear your beard off later, Percival. I shall treat you like the most delicate of spring lambs as I remove your whiskers. Your wife will not recognize you when I have finished.”

“My wife has been in the grave these three years past, Mr. Hardy.”

“Oh, yes, quite. I do now recall. Be that as it may, were she alive today, Percival, she would not be able to recognize you.”

“Yes, sir.”

“You would do well to continue to agree with me, Percival.”

“Yes, sir.”

“Let us get this little match on, shall we?

“Yes, sir.”

In a lady boxing match for the ages, Myrtle defeated Gertrude in 10 rounds by technical knockout. However, instead of honoring his end of the wager and allowing Percival to shave his whiskers, Mr. Hardy accused Percival and Myrtle of incest and they were both hanged by the local constabulary.

Introducing “1000 Words”

Recently I have been toying with the idea of starting a new feature here on The Black Laser called “1000 Words” wherein I take a photo I find on the internet and write at least 1000 words inspired by it. It’s that simple. The photo can be of anything at all and the writing can be anything at all, but it must be inspired by the photo. And with Tumblr and reddit and Facebook and all those things, there is no short supply in random weird photographs to inspire me to write.

If you have been keeping up (you have, haven’t you?!?!), you are aware that I am slipping behind on my 100,000 word quota for this year. Bad news. But, writing in 1000 word chunks is a great way to start making good progress on the overall quota. And who knows what will come out of these little exercises? I might be inspired to write something great well beyond the scope of that particular piece. I might just write a funny 1100 word story. I might write a steaming pile of crap. Who knows?! Only time will tell what “1000 Words” will yield.

The idea is a riff on the old adage that a picture is worth a thousand words (duh). You’ve heard it, I’ve heard it, we’ve all heard it. I shopped the idea around a few of friends to see what they thought about it and the response was universally and overwhelmingly positive. Always a good sign, eh?

With that, I announce the beginning of “1000 Words” here on The Black Laser. I’ve already got one written which I will post after this and two more photos lined up.

Enjoy! And if you find a particularly choice photo you think I should write about, send it to me!

What to do with the hours between 6am and 9am?

Recently I have been waking up bright and early sometime between 6 and 6:15 in the morning. “Sure,” you say, “I wake up at that time every day so I can be at work at 9. It’s called an ‘alarm’.” But no! I am waking up at that time completely unaided. My alarm is set for a more reasonable 7:15 which allows me ample time, usually, to snooze (such a weird word) for about 30 minutes, get up, shower, and leave the house to be at work a hair before 10. Totally normal.

But now I am waking up well before my alarm without any desire to snooze. There’s no need; I am rested and awake and ready for the day at 6 o’clock in the morning. Weird.

And then there is the obvious question of what to do with all this extra time. Today I woke up at 6:20, got up, took a long shower, got dressed, cleaned my house, paid some bills, and still made it to work by 9. While riding the M train into Manhattan and listening to the new Fear Factory album, I got to thinking about what else I could do with said time.

First, however, let’s talk about what has changed. Over the last month, my roll has slowed dramatically. I am not sure what caused it, but I suspect my body and sub-conscious got together and were all, “Hey, this isn’t working. Let’s shift some shit around, huh?” I started getting tired at regular human being times and am often asleep for the night by midnight, which means I wake up the next morning well-rested but much earlier than I am used to. And because I got up so early, I am then tired again early that night. The cycle repeats.

It also means that I haven’t been drinking nearly as much. Maybe it’s summertime, maybe it’s some other stuff in my life that’s cleared up, maybe it’s just fatigue, but the idea of sitting at the bar until I can’t has finally crossed that fine line between “good time” and “undesirable”. I mean, I still go to the bar and everything, but I’ll got for just a couple of drinks and then go home at 10:30/11 and be asleep within the hour, sober. And then I wake up the next morning feeling fine. So, I am not drinking as much, and then also not wanting to drink as much, and then too tired to shut the bar down. My body is sending me a clear message about what it wants and needs, and being an unrepentant drunk is not it.

We’re not just talking about days I need to get up for work either. We’re also talking about the weekend, holidays, bank holidays, and whatever other kinds of days there are. Boom! awake at 7 on a Saturday before the majority of Greenpoint is up, much less the late-rising Williamsburgers, and I have no idea what to do with myself. There are only so many errands you can run, so many coffee tables you need to get (read: 1), so many trips to the hardware store before you run out of things to do.

“But Joe, we’ve heard this before,” you say. Indeed you have, my loyal friends and readers. This time, however, it’s not something I am trying to affect but something that is happening on its own without my intervention. Hell, I’ve even tried to do the super late night thing and all that happens is that I get tired, go home, pass out, and wake up after 5 to 6 hours of sleep. Hello 6:30 on a Sunday morning! How are you doing?

My friend Charles is a regular early riser so I asked him today what he does with his extra time.

Yeah, you totally just read that I am thinking about going for runs in the morning. I hate running! But for some reason it feels like a really good idea. Isn’t that terrifying? I even bought an iPod Nano this morning with my Amazon points. I think I am going to go grocery shopping for the first time in months tonight, make dinner at home (!), and go for a run tomorrow morning. Maybe I’ll even make breakfast tomorrow morning! Man, it feels good not to feel sad.

What do you do when you wake up early? Or are you not one of those people? I guess the more important question at the base of all this is, how do you take care of yourself?

Fear Factory’s new album The Industrialist

I am about to write some words I conveying a thought I never thought I’d have for the rest of my life. Worthy, I think, of the strong and em tags I am about to use.

Fear Factory’s new record is incredible.

Unbelievable, right?! The Industrialist might be the best Fear Factory record since Obsolete. Holy living fuck, I know, I can’t believe I am writing those words either! It all started innocently enough with a series of IMs between me and my friend Deegan.

Deegan: Dude, have you heard the new Fear Factory!

me: Nope.

Deegan: go listen

me: Does it sound like Fear Factory?

Deegan: sounds like demanufacture

me: Ah. I am listening now.

I never would have bothered with the record had he not used the magic word: Demanufacture. My love for that record knows no bounds. It literally made my brain explode when I first heard it in 1996. I remember when it was too. I was at home, after school during my freshman year of high school. As usual, I was listening to the afternoon metal show on Stanford’s radio station. It was always a nice place to find new bands in that pre-internet era. I learned about all sorts of great bands then, Fear Factory being one of them.

Gwar was coming around and they were having a contest to win a couple of tickets to the upcoming Gwar show at The Warfield in San Francisco. If you could name the Gwar song and record it came from that he played in the coming set and called in with the answer, you won the tickets. Well, during the set he played “Demanufacture” so I called in to find out what it was. I’d heard it a bunch of times, but never knew what the hell this magnificent piece of metal that sounded so unlike anything I’d ever heard before was.

Me: Hey man! What is that awesome “I’ve got…no more…god damn…respect!!!” song?!?

DJ: Yeah, it’s sick, right? That’s Fear Factory.

Me: Awesome! Thanks! By the way, the Gwar song you played was “Ham on the Bone” from America Must Be Destroyed. (Note: I figured at this point that someone must have already gotten the tickets. There’s no way people would have lagged on something that important, right?)

DJ: That’s right! You won the tickets!

Me: *head asplode*

Holy shit, just writing that story gave me the chills. That was honestly one of the best moments of my teenage years. It didn’t matter at all that I’d already purchased tickets to the show. Two more was nothing to be scoffed at.

But back to Fear Factory. Demanufacture became a huge part of my metal vocabulary and was directly responsible for introducing me to electronic music in all its myriad forms through a remix album Fear Factory did with Rhys Fulber from Front Line Assembly called Remanufacture. I think I’ve gotten into this elsewhere, so I’ll leave it at that for now.

During my last summer at camp in 1998, I remember vividly the ad for the then-forthcoming Fear Factory album Obsolete hanging by my bunk. I was counting down the days until I could hear what those dudes had in store for my metal-hungry teenage brain. Do you remember being so excited about things that you could barely handle it? I do, too. It’s been a long time since I’ve felt like that about anything.

When I finally got my hands on Obsolete it was like a revelation. They had taken everything I love about Demanufacture and polished it, refocused it, into this pummeling masterpiece of industrial-music-informed heavy metal. My friends and I wore out our copies listening to the album over the next few years.

Then came Digimortal, which felt to me like a step further into the over-polished, over-produced realm. It happened subtly, but the record started to sound sterile, too clean. The ratio of screaming to Burton C. Bell’s always-a-half-step-flat singing (which I hate) started to tip toward the latter. No good. After Digimortal the transition became very clear. Dino left, the band struggled with its identity, there were side-projects, and things basically just faded out. I figured that, as a force in metal, Fear Factory were done. I could write them off in my book as a band that had put out a bunch of great records in the 90s, but then fallen aside as the metal landscape shifted and they were unable to keep up.

But, much like what happened with Machine Head, it seems Fear Factory just needed time to come back into their own. After listening to The Industrialist a few times today, I thought the album worthy of this text message to Deegan while I was still on the train on my way home from work,

I stand behind everything I wrote in that sub-160-character note to my friend. The Industrialist is Fear Factory’s return to form, their great rebirth from the darkened realm of mediocrity, a triumphant statement that 16 years after their genre-busting Demanufacture they are still relevant. Even Bell’s “singing” isn’t bothersome! Unbelievable. I never thought I would ever write that. The album sheds a lot of the production cleanliness they picked up over the years. It feels raw, but competent. It is a more consistent record than Demanufacture by a long shot, though I am not yet sure if its highest highs are as great as the older record, but I do know its lowest lows are not as terrible.

But don’t take my word for it. Listen to the record.

I know what I’ll be listening to tomorrow on the way to work.

My brother sent me this video last night in response to yesterday’s post.

If you don’t want to watch SJ working on her alphabet, skip ahead to 4:12 for the meat of this thing.

I really like this exchange.

SJ: “She has tissue around her like a ghost.”
M: “Why does she have tissue around her.”
SJ: “Because she’s a ghost.”

But the real heart-melter is this bit.

M: “Will you say hi to Uncle Joe?”
SJ: “I can’t see him.”
M: “Just say, ‘Hi, Uncle Joe!'”
SJ: “I want to see his face.”

I am a big fan of her gibberish song, too.

Way Over Yonder In the Minor Key

Man, I have been digging this song like crazy recently. It’s always been somewhere buried deep in my brain, but the other day it surfaced at a mix when I started singing “Ain’t nobody who can read like me” in response to someone who could not replicate the speed and clarity of my scratch VO read. Then it got me thinking that I hadn’t heard it in ages so I checked it out on Spotify and now I can’t stop singing it.

The song’s lyrics were originally penned by folk music legend Woody Guthrie, but he never got around to writing music for it. So, Guthrie’s daughter got Billy Bragg and Wilco (and a bunch of other folks) to write music to a bunch of lyrics that Woody left laying around after his death in 1967. And the song is damned good. My only disappointment is that we’ll never hear Guthrie’s specific voice belting these words against his acoustic guitar. That would be really wonderful.

School of Seven Bells’ “I L U”

Between revisions today, I was listening to School of Seven Bells new album Ghostory (thoughts soon), and then wondered why I had never sought out any of their music videos. It’s weird because “I L U” from 2010’s Disconnect From Desire was hands-down my favorite track of the year. It’s just so damn catchy but also really pretty. I still really like it.

Well, a quick Yotubs search turned up the official video for the song. Here it is, nearly a year and a half after I wrote about how much I love this track. The video is really good too, even if I think the papier-mâché marionettes are incredibly creepy. It has all the things I like in music videos: simplicity, strength of concept, and beauty. It’s touching AND terrifying. “Awwwww, the dude and the chick are in love and they’re going at it! OH MY GOD THOSE CORPSE MARIONETTES ARE FUCKING EACH OTHER AND, HOLY LIVING FUCK, IT’S REACHING IN AND PULLING THE HEART OUT OF THE OTHERONE!!!!!

Great work all around.

A Letter to the MTA Regarding the Reopening of the 7 Connection at Court Square

Dear The MTA,

Months ago, after spending many months prior building the connection between the 7 train and the E and M trains at Court Square in Long Island City, you decided you then needed to close the brand new same-station connection to do track work on the 7. That was, what, maybe December of last year? People were furious. And understandably. You inconvenienced riders for months to build the connection and, as soon as it was open and they’d breathed a sigh of relief, you closed the damn 7 train at Court Square. Fuck that!

Signs sprouted all over the station informing people that the track work would be finished April 2nd, 2012. No one believed you. I mean, I didn’t take a poll or anything, but I am going to assume no one believed you. Why would they? You don’t exactly have a sterling track record in this area. We lived with exiting at 21st St and walking over to the other 7 stop for months. It was a pain, but we dealt. How the hell else are people supposed to get into town?

We heard the announcement every single time we stopped at every single Court-bound G stop. There was no 7 service at Court Square. You need to get off at 21st and walk over to Hunters Point. So on and so forth ad nauseam. It became like a little song, like the regular “Stand clear of the closing door” announcements you hear so often that they cease to be words and become a collection of sounds, meaningless, musical, abstract.

And then, April 2nd happened and the 7 train at Court Square started running again exactly as you had promised. I was absolutely amazed. Amazed. And surprised. And shocked.

And that’s what this letter is about. I am not writing to express gratitude to you for opening on time, when you said you were going to, but to express how thoroughly disappointing it is that I am amazed, surprised, and shocked that you did something on time, as you initially claimed. Fuck that. Doing things on time and on schedule should be the base. Yes, I understand that sometimes projects get out of hand or things change and deadlines push and expectations have to be shifted, but that should be the exception, not the rule. To have me absolutely astounded that you managed to finish a project when you said you were going to is fucking pathetic.

FUCKING. PATHETIC.

I work in a fast-paced industry where deadlines are tight, nights are long, and the work is hard. We will work around the clock to make sure we meet our clients’ expectations because that is how we keep our jobs. If we were to behave as you do, MTA—letting deadlines slip, projects drag on, budgets explode—we would be out on the street without a penny to our names. And we don’t even do anything that actually has real benefit to people! When was the last time you heard someone say, “Man, I couldn’t get to work/school/whatever on time because the advertisements were late.” Never. But how many times have you heard, “Man, I couldn’t get to work/school/whatever on time because the G is down again for some fucking reason and the god damned L isn’t running into Manhattan and the 7 isn’t connecting and for some reason the M doesn’t come into Queens on weekends, so I had to go all the way downtown, then all the way back up, and what the fuck, I hate the MTA.”

I hear that all the time. Literally all the time. I don’t know if you know, but when you use “literally” to describe something what you’re saying is “the words I am using mean exactly what I am saying and in no way am I using metaphor, hyperbole, or any other literary device”. So imagine, MTA, what it means that I hear that literally all the time. Yeah. I know. It’s terrible.

And can you do something about these fucking metrocard bonuses? Why don’t they just work out to an even number of extra rides? It is infuriating to have like 4 extra metrocards in my wallet, each with less than a single fare on them. Get your shit together!

I hate that I have to rely on you.

Sincerely,

The Black Laser.