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Failure State – My MBA

Welcome to Failure State, a series exploring my (many) failures in life and what, if anything, I’ve learned from them.

I’ve been feeling a little fragile recently, a little bit like I’ve made too many messes in my life. Maybe not fragile. Maybe tenuous, or volatile, or prone to melancholy. Maybe fragile. Perhaps the lack of sleep only a sleeping newborn can provide is doing it. Perhaps it’s tied to my current lack of gainful employment. Perhaps it’s because I have no friends here in Delaware and no good way of making them. Perhaps perhaps perhaps. In reality, it’s all those things and more.

My hope with this series of posts is to work through some ventures in my life that I feel missed the mark. Maybe at the time I thought they were doing ok, but in retrospect they weren’t. And other times I knew I screwed the pooch in the moment.

Everyone has these experiences, but not a lot of people talk about them. Sure, everyone loves to discuss their successes, their triumphs, how they conquered their fears and won the day. But I want to digest the trials I lost. What could I have done differently? How could I have changed my thinking about a problem that might have instead lead me to success? How have my bad habits, my bad patterns of thinking about things, led me astray?

Join me over the next few months as I do some critical thinking about my life through my finger tips. This first entry will be pretty straight-forward as a way to ease us all in.


In waning hours of 2018, I was excited about what we were doing with the greenhouse business. It was tough, but I was learning a lot all the time. It soon became quite clear to me that there was still quite a bit I was completely clueless about when it came to the running, growth, and expansion of a business. How do you expand a business? How do you market a business? What the hell is a stock option?

Now, we certainly didn’t have any of that stuff on our plate with Verdant. We were busy enough trying to keep jobs going and making sure people were getting paid. But what about the future? There was going to be a future, right? (spoiler: not really) And, if there was to be a future, then this was stuff we should probably know about.

I decided to start looking at MBA programs. I wasn’t going to move anywhere for school, so close to home was ideal. I went a couple open houses for various programs. I spent months studying for the GMAT. I bought some books. I taught myself Statistics because I had never learned it before. I dug out my old Ti-82 calculator. I called up people to get recommendations. I filled out the applications. I took the test, and I did pretty well on it.

I was accepted to Santa Clara’s Leavey School of Business with a scholarship. Nice! Santa Clara worked great for me: it was close to work, close to home, and with the scholarship not unaffordable. I started the program in the summer of 2019.

I was excited! I had worked hard to get there and it felt good to be surrounded by smart people who wanted to learn. It was a feeling I missed in my greenhouse construction life. Sure, JJ and I were working and learning for Verdant, but intellectual curiosity was not a job requirement for most employees.

And the material was fun at the beginning. Certainly quite different than what I learned in film school nearly two decades earlier. It was great for a while!

Soon, however, I started to realize that I wasn’t actually learning about how to run a small business like the one we had with Verdant. Instead, we were learning how to be middle managers in large corporations of the type that cover Silicon Valley. A type I find to be particularly onerous, unfortunately. A huge focus was put on tech companies, how they are run, how they go public, and how they are eventually sold. And it makes perfect sense! Santa Clara in located right in the heart of Silicon Valley, so why not learn about how business is done there?

None of this is inherently bad, either, no matter how I feel about the funny-money “disruptors” who fuel the wild speculation of Silicon Valley and are more interested in extracting value at all cost than creating it. The ethics in the situation rely more on what you do with the knowledge than the knowledge itself. Not everyone who runs a technology company wants to pull together angel investments on a business model that cannot possibly run profitably but looks compelling on paper, put traditional forms of the industry they are disrupting out of business, make absurd amounts of money going public, and then sell it all off for it to collapse under its own weight once the angel investment is spent. But lots do. Too many do. And that’s not me.

Why, then, was I in the program? What was I looking to get out of it?

Was I going to leave my life to be a manager somewhere at Google/Facebook/Whatever? No, of course not. What I wanted from running a business was more autonomy, not less.

Was I going to start my career over? No way. At one point I was exploring some sort of lateral moves based on what I had already spent many years doing. The job counselor suggested I look into taking an entry-level position in the AV department somewhere. That was eye-opening. First, I understood in that moment that she had absolutely no clue about what my previous work was, even though I explained it. Second, she was incapable of giving useful advice. Third, a lateral move probably wasn’t likely. I guess eBay doesn’t really care about how much DaVinci Resolve experience I have?

Was I going to drink the Kool-aid and prostrate myself at the altar of that year’s Elon Musk so that I might imagine I could one day be another billionaire king, even though I don’t have the same South African diamond mining wealth? No, not in a million years. I’ve never been much of a joiner. In fact, I might be a bit too much of an iconoclast to exist in a big corporation. I could barely keep it cool in the ad industry.

So what was I doing in a place where the target was a life I didn’t want to lead? What, exactly, was I investing in? I wrestled with that. And, I am not sure that those feelings were enough for me to leave the program by themselves. As Sir Francis Drake wrote in a letter to Sir Francis Walsingham in 1587,

“There must be a begynnyng of any great matter, but the contenewing unto the end untyll it be thoroughly ffynyshed yeldes the trew glory.”

You might have heard the more popular version of that quote as it was adapted 1941’s Daily Prayer by Eric Milner-White and G.W. Briggs.

“O Lord God, when though givest to thy servants to endeavour any great matter, grant us also to know that it is not the beginning, but the continuing of the same unto the end, until it be thoroughly finished, which yieldeth the true glory”

You, dear reader, will know I am not a religious man. Yet I often think about these words when I am considering dropping a pursuit or not. They have become deeply ingrained in the way I think about things. It should be no surprise, then, that I would probably have continued through the MBA program except for one other, little thing that happened.

My third quarter began in January of 2020 on the eve of a world-stopping pandemic. We began the quarter as any other. We met in person. No one had a stash of masks in their car. You were weird if you were constantly sanitizing your hands. Do you remember those sweet, innocent days?

Just before the quarter’s end in March, all classes went online-only. Everyone struggled with the transition, as can be expected. And we all sort of thought it would just be a temporary thing and that we could hopefully resume in-person classes in the next quarter.

Oh how wrong we were!

The entirety of the next quarter was online. It made sense. Covid-19 was ripping through the world and creating all sorts of havoc, not to mention killing and incapacitating people all over the place. It was terrifying. All the protective measures—as restrictive as they were—were put into effect to keep people safe. That’s not up for debate. I understood why things had to be the way they were.

But that didn’t change that I did not click with the online class format. I’ve never been good at paying attention, not in class, not at home, not at work. It’s a miracle that I get anything done at all. A shiny thing off to the side? Oh hey neat! Attention shattered. Something to tinker with while I should be doing something else? Fun! What was I doing? Oh well, time for a coffee.

If I am to dig in and focus, I require that all distractions be removed or that I am being held liable by other people. The classroom environment was great for both of those requirements. I wouldn’t even bring a laptop; I was fully pen & paper only. Internet access in class? Prescription for total focus loss. Plus, I was surrounded by other people. They weren’t paying attention to me in the slightest, but I still would have felt weird slacking off in front of them.

With an online class, though, all that is out the window. Surrounded by no one. Constant internet access. Everything’s on the computer. The ability to turn off my Zoom camera and wander to the kitchen for a snack. Can we see how bad this was for me? And that’s just on my side. Never mind that regular technical issues got in the way from all angles. Or that the professors, no matter how knowledgable or proficient at teaching, had a hell of a time adjusting to this new format. Or that everything was slowed down at every step by the remoteness. Or that I felt totally disconnected from my classmates. It was a disaster for my learning. I don’t think I remember any of what we learned that last quarter, just how miserable the process was.

And then my scholarship ran out. I knew that was going to happen. It wasn’t a tragedy. But it did weigh into my feelings about continuing.

It was clear at that time that the rest of our MBA program was going to be online-only. We had four quarters left and the pandemic wasn’t slowing down. Was I going to go into 60 grand of student loan debt to learn material I was reasonably sure wasn’t going to play into my life? Was I going to struggle through four more quarters of online classes when I could barely manage to get through one, during which time I had learned absolutely zero? Was I going to invest the time and energy into a program that was not going to pay for itself through career opportunity? (Not to say that it doesn’t pay for other people, just that it wouldn’t have paid for me.)

Oh! And we were also asked to move out of the house we were renting because the owner needed to sell to pay for the full-time care of her mother in law. No hard feelings. She did was she needed to and was reasonable about allowing us time to get our shit in order. It was nevertheless a bummer. Our house search during these early pandemic days of the eviction moratorium was a nightmare. Our only real options were wildly inflated dumps up in the mountains that we couldn’t have afforded anyway since Sarah lost her restaurant job. That was when we were offered shelter here in Delaware and decided to move.

Add that to the list of questions. Was I now going to be doing an online MBA in California from Delaware with zero chance to go back even if in-person classes did resume? Would I add “timezone difference” to the list of things that made it basically impossible for me to pay attention during online classes?

No, I wasn’t.

In July of 2020, just before we packed up and moved across the country, three little embryos cooking away in Sarah’s belly, I sent Santa Clara notice that I was taking a leave of absence. I knew I wasn’t going to return, but I bought myself a year to change my mind. And that was the end of my MBA journey.

At this point, I have no intention of finishing. I don’t see the value in it for my life. When I need to learn about business again, I can buy a book. Or books. Many, many books with the money I didn’t spend. Sometimes I feel like I should have finished, but only because of that Drake’s Prayer mentality burned into my brain.

On the eve of the three year anniversary of that fateful e-mail, do I regret that I dropped out? Yeah, sometimes. A little. Maybe more than a little. Mostly because who knows where it could have led in a different life. Am I like 80% confident that I made the right choice? Yeah, I am. And sometimes 80% is all you can ask for.

I hope you’ve enjoyed reading this dive into one of my personal failures. As I wrote in the intro, this was an easy one. Next time, we’ll dive into a subject I feel much, much more conflicted about. Guilt! Shame! Regret! It will have it all. I’m not even sure which topic it will be yet, exactly, because that description fits most of them.

Monarchy’s “The Phoenix Alive”

After bitching about being sad last week, let me start this week with a music video because it means I don’t actually have to provide you with any meaningful content. You might get a letter later, not sure. We’ll see.

I’ve been listening to this Monarchy record a bit recently and I am a little mixed on it. I like the music, but the dude’s lyrics are kind of bullshit sometimes and kind of good other times. And when they’re kind of bullshit I get pulled right out of the music. Too bad. But I really like this song and I dig the astronaut video all in close up that they probably shot in a dark room. Simple, nice effects, cool song. A smidge emo, but who isn’t a smidge emo right now?

One other question, Monarchy. Is this the fucking obelisk that turns into the phone booth in Bill & Ted’s Excellent Adventure on your album cover?

Because if it is, that is awesome.

A Peek at my Reading Queue

Goodreads gives you a little tool to track the number of books you read over the course of a year. In 2021, I wanted to read 52 books—a book a week—but that proved a little ambitious. Who knew that infants were so much work? I got half way. A far cry from my 2020 peak of 62 books.

This year I’ve set my goal at a more reasonable 26 books, or one every other week. That is the same number I managed last year, so I feel pretty good that I should be able to make it happen. And if I don’t? Well, that’s how the cookie crumbles, I guess.

I try to read a variety of things, but the reality is that I end up actually reading a bunch of SFF, horror, and technical stuff. A scan through my previous years’ lists confirms this. The examples I’ve considered for this post are all in line.

What *do I have in the list for this coming year? Let’s look.

Rhythm of War by Brandon Sanderson – I’ve already started this one. I anticipate that I am going to finish it some time in September. Sanderson is not known for his brevity. Coming to this after finishing John Langan’s The Fisherman was a bit of a shock. Their two styles of prose could not be more different. Langan is dense and literary while Sanderson is like watching a comic book movie. Both are good. Both have their places. But, dang, are they different.

Bird by Bird by Anne Lamott – I started this book like two years ago during my writing class at Cabrillo. Fortunately, it’s a collection of essays. Picking it back up will not be difficult. Lamott is charming, hilarious, and just enough of a pain in the ass for her writing to resonate strongly with me.

Akira by Katsuhiro Otomo – I’ve read the entirety of Akira before when it was first collected into five volumes in 2000. A long time ago at this point. I purchased the 35th anniversary collection last year and it’s been sitting on my floor waiting to be read. This is the year. Akira is massive and, along with the film version, a formative work for me.

The Terror by Dan Simmons – I’m about 45 hours into the 50 hours of the audiobook of Simmons’ Carrion Comfort and I’ve enjoyed the hell out of it. I’ve read the Hyperion series, but didn’t know until Carrion Comfort that Simmons also wrote novels that weren’t just love letters to John Keats. Further, the audiobook version of The Terror I spent an Audible credit on is produced with background music. This is going to either be a big hit or a big miss. Either way it is going to shine some light on an idea I’ve had for The Black Laser Reads about doing audiobooks with more production elements than just voice. Also, it’s another horror novel that is well regarded. I am sure it will be a fun one.

Piranesi by Susannah Clarke – Jonathan Strange & Mr. Norrell was one of the best books of the year in whichever year I read it. Goodreads tells me I finished the Kindle version in 2016. It is so rich and such a fun adventure that I felt pretty bummed that it was her only novel. One hell of a one-and-done, you know? Shortly after moving to Delaware, Sarah and I went into the bookshop in Bethany and I saw she had a new book, Piranesi, available only in hardback. Instant purchase. My copy is signed by the author, too, which is fun. Piranesi has gotten a lot of good chatter around it, which makes me look forward to it even more.

House of Leaves by Mark Z. Danielewski – This was one of the suggestions by my friend Mike when I solicited Facebook for horror novel recommendations a while ago. The format of this book doesn’t lend itself well to e-reading, which is my preferred way of consuming novels. I hesitated a long time until I finally just bit the bullet and picked up a paper copy. I know almost nothing about what happens in House of Leaves, only that people whose opinions I respect think it is fantastic. That is enough.

The Rhetoric of Fiction by Wayne C. Booth – My understanding is that this work gave us the name for the “unreliable narrator”. It’s dense. It’s academic. He writes about a lot of works I’ve never read. Seems like the perfect thing to shift my brain into a different gear.

Books of Blood, Vols 3-6 by Clive Barker – I find that toggling between horror shorts and other books is a good way to break things up without getting distracted from the main text much in the same way as how I like to have one nonfiction and one fiction book going at any one time. So, really, I guess it’s actually one fiction, one nonfiction, one collection of short stories, and one audiobook in progress at all times. Clive Barker’s Books of Blood fit in perfectly with any combination of things I’m reading. It’s nice to have that short, sweet, horror fix. Palate cleansers.

Off the top of my head and a quick glance around my desk that’s it for now. Certainly I will think of some other things I intend to read this year. I’ll revisit this in a few months and we can check in on my progress. Completing these books will get me 15 books further toward my goal of 26. Not all the way, but not too bad either.

Did I miss anything you think I should definitely read this year? Is something on my list so stupid I should give it a pass? What are you reading (besides this post)? Suggest a book that is outside my normal consumption and tell me why I should read it.


Download the audio of this post.

Photo by Alfons Morales on Unsplash

The Theme for 2020: Wonder

Cynicism is a shackle.

Cynicism is a shackle and being jaded is uncool and dumping on people who are putting themselves out there is a drag.

For too long I have indulged this sort of needless negativity and I feel pretty done with it. It’s a habit I (and many others) developed as a teenager and so thoroughly internalized that it’s become a dominant personality trait. But that sucks! When you have a bad habit, you try to undo it, right? Drinking too much? Cut it out. Get soft around the tum-tum? Go to the gym. Being a cynical jerk about stuff? Embrace wonder. I limit myself and the potential richness of my life by immediately writing things off that maybe aren’t the best. Or things that I perceive might not be the best. How might my life now, as a 37 year old man, be fuller if I hadn’t spent so many years thinking things were stupid because it made me feel cool? It’s terrible, and if that makes me cynical about cynicism, then so be it.

I want to get to a place where I can just be excited about things without tempering that excitement with a bad attitude. I want to go to an open mic night and genuinely think to myself, You know, that was pretty good. I want to see a dad-rock band at a local festival and not roll my eyes. I want to read the clumsy poetry of the world and not dismiss it out of hand. I want to like things because I like things and not justify my tastes. I want to take pleasure in the weird experiences that I find myself in all the time. I want to find the magic in creating things that are not masterpieces. I want to welcome the broken and wonky into my heart. I want to silence that damned voice that says so many terrible things to me. I want to embrace the joy of small, imperfect things because life is full of small, imperfect things and dismissing them robs you of so many chances for happiness.

The theme for 2020 will be:

The Year of Wonder

Maybe I mean something closer to “the year of positive attitude” or “the year of not being a judgy dickhead” or “the year of just giving it a damn rest already with the negativity”, but none of those are as punchy as The Year of Wonder so that is what we are going with.

It seems to me that embracing wonder comes in two distinct flavors: inward and outward. That is, am I directing my bad attitude at myself or am I directing it at others. I think this differentiation is pretty easy to follow.

My struggles with being creative are legendary and well-documented. I have written about it extensively before here on The Black Laser. I am sure all this results from this persistent negative voice inside me. I am sure that the same sense that makes me think someone else’s work is worthless is the same sense that makes me think my work is worthless. Where there’s smoke, there’s fire, right?

Why beat myself up for the imagined failures of work I am not producing? It is better to produce and release 85% perfect work, than it is to beat myself up forever because the work isn’t 100% perfect and then never release anything at all. Get over it, Joe, and just be happy that the 85% work is out there. If I consider every single thing I’ve ever created professionally, there might be a handful of works that were in the 85% to 90% range. The rest were lower than that for whatever external reality causing issues. And I made a living that way! The world isn’t looking for works that are 100% perfect. That is impossible. Just do your best and people will respond.

And this attitude is never limited to just myself, either. Why can’t I just accept that someone has worked hard on something and is doing their best to share something of themselves? Perhaps they don’t sing with Bing Crosby’s syrupy voice, or perhaps they don’t shred like St Vincent, or perhaps they don’t craft the taught, lurid prose of Shirley Jackson, but so what? The creative drive is within all of us. For the most part, I really believe, people are just doing their best to express their own truths. Why poo-poo that? Encourage people to live their lives. That starts with not being yet another negative voice in a sea of negative voices. Negativity is easy, but negativity is lazy.

It’s a bad behavior it and it needs to stop.

This year is the year I work to stop it. I imagine it will be a difficult path, one from which I will stray regularly. You don’t change 37 years of bad behavior in a single blog post. But, it is something I want to work on. Just getting over the mental hump that kept me away from The Black Laser for so long is the first step. Christ, it’s not like I haven’t had anything stewing in my head the last few years. It’s just that the voice was so loud, so persistent, that I felt stuck.

Well, I’m back. Hi. Missed you too. Let’s be positive this year.

Where have I been?

Hi there, The Black Laser friends. It’s been a while. Nearly three years, in fact, if we’re judging by the date on my Donald Trump post directly following this one. And, boy, is that post still unfortunately timely.

But where have I been since January 21, 2017? Here! Everywhere! Lots of changes! In the interest of keeping things brisk, let’s do a nice, vaguely chronological list.

  • I quit my job at Wax and left the industry all together. I loved my crew there, but I was burnt out on the ad industry and needed to change. My energy output was far greater than my energy input.
  • I moved from New York City to San Jose, CA. Similarly, I was pretty burnt on New York City. It’s the most fun place when you are 28 and single, but that gets old and you get married and move out to Queens and, one day, you wake up and think, “What the hell am I schlepping through the fucking snow for?” So we moved. Even better, I moved away without writing a break up letter with the city. Feel free to search for some examples of one of those on the internet.
  • I started a construction company that focuses on greenhouses called Verdant Construction with JJ, his dad John, and an Australian named Jason. I figured that it would be easy to jump head-first into an industry I knew basically nothing about. Whoops!
  • We moved from San Jose, CA to Soquel, CA, which is not too far, but the quality of life near the beach is wildly superior to San Jose.
  • I bought a monster grill that I get to cook on 4 times a week, even through the dead of winter. I haven’t seen snow, or my arch-enemy “the wintry mix,” in nearly three years.
  • I spent a semester at Cabrillo College in Aptos, CA taking some basic business classes. I realized that, suddenly!, I was a business man who knew pretty much nothing about business. Whoops again! So I thought to fix that problem without having to learn everything the hardest way: by failing.
  • After whetting my appetite for higher learning at Cabrillo and recognizing that community college was never going to meet my standards, I started an MBA program at the business school at Santa Clara University. Because I was not busy enough working full time and traveling all over the west coast for work. Whoops whoops whoops!
  • Our old cat Henry died. He grew more and more threadbare over his last six months and spent a lot of time sick, barfing much more frequently than even his usual high level. Eventually his motor control gave out and he quickly wound down. Rest in peace, business cat.
  • We got a kitten, Noodle, to keep Baby company. Her name was Dixie at the foster home, and I wanted to call her Cup. Sarah thought Cup o’Noodles which matched the fact that she (the kitten) is a floppy, cross-eyed, little cuddle monster who loves belly rubs. And, it turns out, that Baby didn’t want to company. We hope she warms up to Noodle over the next year.

And that’s pretty much it for me for the last 2.8 years. Many changes, some good, some not great. I’ve been a lot of places, met a lot of characters, and eaten a lot of sketchy burritos. Life is pretty good overall. I’ve got some upcoming projects to share, a strong new theme for 2020 I am getting started on early but won’t share quite yet, and a bit of a bug to exercise the old space bar. So, yeah, hi, I love you. Thanks for reading.

A thing I love about metalheads.

A little bit ago, I was listening to the stream for Defeated Sanity’s Passage Into Deformity and reading the accompanying article. I had a thought which I expressed in a comment on the post.

Screen Shot 2013-02-13 at 5.45.01 PM

Nevermind the typo, the point is totally true. How many times have I sat there chatting with my brother or a friend or whoever and said things like, “I think The Bleeding is the pinnacle of Chris Barnes-era Cannibal Corpse. ‘Stripped Raped and Strangled’ is an amazing song.”

Or, “Braindrill’s ‘Forcefed Human Shit’, for all its brevity, is a masterful piece of death metal.”

Or, “When it comes to old school proto-grind, you can’t argue that General Surgery is basically just a very competent Carcass-clone.”

I’ve said things like this thousands of times over the 20 years I’ve been listening to metal, and I don’t foresee it stopping. As metalheads, we are so accustomed to absurd song/band/album titles that it becomes a total nonissue for us. We can talk about Once Upon the Cross by Deicide, or a band called Torture Killer, or whether or not you think Goatwhore is a solid example of the New Wave of American Black Metal without thinking twice about the actual words you are using. I am sure that an intrepid explorer of old blog posts could find tons of examples on this very site.

We can say absolutely vile things unfazed because we’re used to them. Quickly scanning my Spotify death metal playlist reveals the following song titles as perfect examples.

  • Remnants of the Tortured
  • Let The Blood Spill Between My Broken Teeth
  • Trapped, Terrified, Dead
  • Swamped in Gore
  • Regurgitation of Giblets
  • Boiling Vomit Through My Veins

That list took me about 1 minute to compile. Consider it a random sampling of bands that start with the letters A through D. A THROUGH D. THAT IS AS FAR AS I GOT THROUGH THE LIST. And I didn’t even dig into me black metal or grindcore playlists.

No one whose idea of heavy metal ends at Metallica could say the song titles above without being acutely aware that the words they’re uttering are just not normal. But metalheads? Nope. No problem. And there are lots more where those came from.

And I will say this in closing, I’ve only ever really listened to Broken Hope’s The Bowels of Repugnance, but recently gave Grotesque Blessings a listen and, man, that is a good record.

Metal for life.

The Theme for 2012

It is that time of year again! Time to announce the coming year’s theme! And I know you’ve all been waiting patiently for me to have an excuse to ramble on wildly about my musings about creativity and my own personal journey with it. I know you all love it. Or at least the three of you who read these don’t completely hate it. So, that’s good.

In previous years, the themes have been The Year of 5000 Photos and 50 Short Stories (2009), The Year of 3 Music Videos and 12 Short Stories (2010), and, this year, The Year of 12 Projects (and Slowing My Roll) (2011). Of course, in previous years I had other themes—The Year of Trying New Things, The Year of Writing, The Year of Focus, The Year of Finishing Things, and The Year of Self-Care—but those have not been documented here on The Black Laser, so we’ll mostly ignore them for the purposes of this one-sided discussion. If you’d like to read more on my thoughts on previous years’ themes, go right ahead.

This year, The Year of 12 Projects, has been remarkably successful so far with 13 of my 12 projects completed at this point. I won’t go too much into my thoughts about the year as a whole yet—I’m saving that for its own year-end write up—but let’s just agree that it’s been great. And let’s also acknowledge that it’s the first time ever that I’ve met the goals I set out for myself at the beginning of the year.

Wait, that bears repeating. It is the first time in eight years of giving myself themes instead of resolutions that I’ve actually accomplished what I set out to do.

Holy shit.

Amazing!

I think a lot of what made this year such a success was that I allowed my brain to sort of go anywhere in terms of being creative. I wasn’t limited to one specific type of thing. I could do whatever caught my fancy, and, in turn, I got a lot done. That is great. In fact, a posting I recently read at NPR’s blog about Leonardo da Vinci’s to-do list seems to reinforce that allowing your brain to wander, to be unfocused, is beneficial for getting things done. Not that I am da Vinci, but I seem to have stumbled upon the same results. It goes against years of myself trying to focus on one thing, one goal, one idea. No wonder I was never able to do a damned thing; I worried so much about being focused, driven, single-minded about my creativity that I limited what I could be accomplishing otherwise. Knowing that I do better when I let myself be free is rather refreshing, actually.

While thinking about what I wanted to accomplish for 2012, I recognized that part of my creative palette that I have been really missing this last year and a half or so is my writing. I haven’t written any fiction at all in ages. Do you, avid reader of The Black Laser, recall the last time I posted fiction here? No you don’t. Do you know why? Because it was January 28, 2010. That is terrible. A couple (few?) weeks ago I tweeted, “Do you remember when I used to write stories??? Whatever happened to that, huh??” I wrote it as sort of a joke, but the more I thought about it, the more I realized that it is actually kind of sad. For something that was so important to me that I was going to give up a decent career twice for it, how could it have fallen so far out of my life that the last time I wrote anything of consequence was in January of last year? It’s like having a really awesome girlfriend and then suddenly you stop talking to her at all and then 20 months later you’re all, “Hey, where did she go?? How did she get away from me????” And then after you recognize that you’re all, “Damn, I’d better do something about this because I really miss her.”

And that is what writing feels like to me: an amazing supportive relationship with its ups and downs and pitfalls and triumphs. It has always felt so much more real to me than my ventures into filmmaking or photography or drawing or animation any of the other things I’ve dabbled in. Writing is challenging and because it is challenging it is rewarding like nothing else I’ve ever experienced. It feels good and it hurts and it is scary and I love it. I mean, duh, obviously, look at how I get going on things like this when I give a damn about them. I’m just blah blah blahing all up and down the East River like a crazy man with a garbage bag for a hat.

So that brings us to this year’s theme:

The Year of Writing

A question remains: how do I reconcile the success I had when I let my brain wander with the desire to focus on one specific kind of output? I thought of this, too. I think the key lies in not forcing “writing” to be any one thing, but allowing it to take whatever form I think I want to mess around with at that moment.

The astute reader will notice that this is in fact my second Year of Writing, the previous one being an abortive effort before I had any sense of how to structure these things for maximum efficacy. But I know how to do that now and that means giving myself limits that allow me to be flexible. Funny, right? Limits that allow me to be flexible. But it’s true and it works. Full open-endedness is daunting, but limit the creative sandbox a little and you’ll be surprised what you can come up with. Creativity is problem solving. Give yourself problems to solve.

So what are my limits/goals for this year?

  • 100,000 words – While chit-chatting with Lindsey on the IMs about what my goals should be for this year I recalled that at my peak output, I was writing at least 500 words a day. If I could maintain that every day of the year, my output would be 182,500 words. A massive amount. But I am not going to be so unrealistic and believe that I am actually going to write every single day of the year. Let’s don’t be ridiculous. There are going to be nights where I’ll have my face buried in the computer doing nothing but fucking off on the internet and nights where I am stuck at work late and nights where I just won’t want to write. And 100,000 is a nice, round number.

    What counts toward my 100,000 word count? Anything: letters to my brain, long articles on The Black Laser about whatever, anything for Vox Critica, any fiction, screenplays (who knows???). Basically anything where I give a damn about the quality of the writing. This encompasses quite a lot of what I do and should make hitting 100K for the year not such a daunting challenge. The only things that won’t count are when I’m bullshitting about music videos (unless I actually have something to say, my prerogative) and things like Twitter/Facebook/whatever. I mean, this thing is already 1200 words long. I’d only need to do 84 posts like this and I’d be done.

  • Dance EP – I’ve been talking about making a dance record for a long time. I love dance music. It’s so stupid and fun but can also be really beautiful in the right hands. Those hands are not mine, but that doesn’t stop from wanting to put my own music out there. And it fits under the header of “writing” quite nicely and is so different than writing words that it allows me to play around in a different medium but still be working toward my theme for the year. It will allow my brain to wander when I don’t have anything particularly meaningful to say otherwise.

    What constitutes a Dance EP? Well, as we all know an EP is longer than a single but shorter than an album, so like 3 to 5 songs. I think that is about right. I just want it to be a fun project that makes people want to move and shake their asses and do all that stupid shit that people do that makes them look really funny in photos.

There you have it. 2012, The Year of Writing. 100,000 words or whatever and a dance EP.

And if you think that I think about this stuff too much, I’ll just leave this little snippet of yesterday’s conversation here for you to enjoy.

The Space Pope
4:39 PM The year I did 50 short stories, I kept a word/story count by each date I finished one so I could graph the work.
4:39 PM Jeez, I think about this too much maybe. But whatever.
4:40 PM I could keep a spreadsheet of writing by wordcount/type/date

lfkaufman
4:40 PM You think about most things too much. :)

Now I’ve blown my little secret that I intend to graph my progress. Here’s to 2012!

Machine Head’s “Locust”

Oh, Machine Head, you were such a favorite of mine back in the mid-90s with Burn My Eyes and The More Things Change that it broke my heart when you went all nü-metal on The Burning Red and Supercharger. Then there were hints of not only a return to form, but of an entirely new, powerful era of the Machine Head oeuvre on Through the Ashes of Empires. Then came 2007’s The Blackening, which I would never have listened to had it not been for the advice of the internet (Metal Sucks, I think). And holy living shit was I floored by that record. It was as if you guys had just skipped right over that unfortunate flirtation with nü-metal and jumped right into making the most mature, most competent, most thoughtful, most intense record of your career. From its first lilting notes on “Clenching the Fists of Dissent” to the last pummeling bar of “Hallowed Be They Name”, The Blackening is your perfect comeback record, a masterpiece of modern metal that absolutely eclipses both Burn My Eyes and The More Things Change even through the rose-tinted lenses of nostalgia. The Blackening blew my mind in the nicest way possible.

When you announced that you had a new record coming out, I met the news with a mix of excitement and trepidation. How could anything even match the quality of the previous record, much less attempt to surpass it? How do you take a masterpiece and improve on it? I definitely did not expect to have the same leap in quality, but I did expect greatness. When Charlie sent me a track that had been released, my excitement started to outpace my trepidation. When the record finally dropped, I was pumped on it.

But, having listened to The Locust quite a bit more since then, I think that it does not surpass The Blackening, but that it still stands head and shoulders (to rely on cliché) above most other recent metal releases. The Locust is 90% of what The Blackening was, only lacking the prior record’s sense of cohesion. Where The Blackening was a journey, The Locust is a tightly focused package of awesome songs. If the record had been written by any other band, I would have very little to say in the negative about it, but because it came after The Blackening, context demands that it be judged (slightly) inferior. But it is not bad, not bad at all, and I think you should give it a listen or 30 and let me know what you think. Also, go buy The Blackening.

Now that I’ve gotten my love letter to The Blackening out of the way, let’s get to the point of this post. Above is the new video for “Locust”, the first single (do metal bands put out singles?) from the new Machine Head album of the same name. I think the track is a very good introduction into what Machine Head is about on this record. It’s an assault with ups and downs, tempo shifts, tonality shifts: it’s a Machine Head song where they are doing all the things that make them Machine Head quite well.

Unfortunately, the song also houses one incredibly unfortunate lyrical bomb that I just cannot get past. Robb, “descending down” is redundant. To “descend” already implies the direction down. You cannot “descend up.” That would be “ascending.” Phil Anselmo is guilty of the same violence against the English language on “Suicide Note Pt. 2” from The Great Southern Trendkill. And don’t even get me started, Dax Riggs, on your pronunciation of “peripheral” in “Strange Television” from If This is Hell, We’re Lucky. Ok, enough pedantry. If I expected every metal lyricist to be a poetic powerhouse, I would be gravely disappointed all the time.

Wow, this has turned into a long, multifaceted post, hasn’t it? All I meant to do was show this video, but you got a love letter, grammar ranting, and an album review also. Lucky you.