Birdy Nam Nam is back with another ridiculously awesome music video. Shit, I don’t even have anything smart to say about it. You should watch the video, enjoy it, and embrace the lyric “I’m going wild for the night, fuck being polite” as your new mantra.
Last night Nina sent me this video in the e-mails and asked if it reminded me of the film House. I replied that it is very clearly inspired by the psychedelic Japanese horror weirdness of House, especially obvious with the cartoony rotoscoping.
Basically, this music video is a funny tribute to a movie that I think everyone with half an ounce of taste should see. If you haven’t seen House (or in Japanese Hausu), get off your ass and do it. You can get the Blu-ray from Netflix, watch it streaming on Hulu Plus, or just buy the damned thing on Amazon. It’s that good. Imagine if Kwaidan ate an entire sheet of blotter acid and you pretty much have House. Doesn’t that sound enticing? I know it does. In fact, long time readers of this site have already seen bits of the film.
The only thing this video could have had to make it better is an animal portrait spewing blood.
Holy shit, I love Covenant. Their music is such a guilty pleasure for me, but one that I don’t really feel all that guilty about. They are, to me, exactly what moody industrial dance music should be. Catchy hooks, emo ass singing, fat as fuck beats, nerdy computer stuff, science fiction references, Swedish. Fuck man, these guys are perfect.
As such, it astounds me that they have so few music videos. I can only find two music videos that seem legit, this one for “Call The Ships To Port” from 2002’s Northern Light and another for “Bullet” from the same record. That means they haven’t made a single music video for 9 years? Crazy! Northern Lights is their sixth studio record and they’ve released two more and a live record since then, so where are all the music videos? That’s not to mention the countless singles and remixes and all sorts of other output.
I mean, like, fuck, right? Pig Destroyer has more music videos than these guys and I am willing to bet that, worldwide, Covenant outsells Pig Destroyer. Not that I don’t love Pig Destroyer, but if we have to judge the relative accessibility of the two bands, Covenant stands heads and tails above Pig Destroyer as the more accessible band. No question.
Enjoy this and go check out the band. If you’re on Spotify, you can listen to basically everything they’ve ever done on there. The newest record, Modern Ruin is so good. And listen to “Dead Stars (Version)”. Oh god, and “Wind of the North”. And “Edge of Dawn”. And “Ritual Noise”. So many good songs. And when you come back here and you totally hate them, just remember that it’s your fault, not mine.
Have you ever wondered what it would be like if Beneath The Remains-era Sepultura were still making music? Well, wonder no more, my friend. This is what it would sound like: a record from 1989. Still, it’s pretty awesome in a super old school thrash kind of way. The video fucking sucks ass though. Totally boring. Oh well.
So, uh, yeah. This is a thing. Christ, I don’t even know what to say about it. There sure is a lot of stuff going on.
Japan is really weird. I kind of love it. My only real complaint about this video is that the edit could have been tighter. There’s so much musical motivation for cuts, but they’re never quite on. Always a little late or a little early. Too bad. What is now a very good extremely weird thing could have been a great extremely weird thing.
Prepare to have this song stuck in your head for the rest of the week.
I can’t tell if this is some elaborate joke or if these guys are serious. Just watching the video seems to point toward it being a joke. But then you go check out their Youtube channel and their website and their Twitter and it starts to get weird.
For example, take “Lemme Smang It”. This video is so patently retarded it can’t possibly be anything but parody. Everything is bad about it. So bad, in fact, that I thought it was deliberate, that they were making a joke. How could anyone look at this video and think, “Man, we are making some tremendous art here. The world will shudder when our magnum opus, ‘Lemme Smang It,’ is unleashed.” They didn’t. They couldn’t have. I just refuse to believe it.
Everything about the production screams “joke.” The zooms, the shitty composites, standard definition, the dancing, the fake beard, the titles, the faces they’re making. Christ, I’m still not convinced it’s not a joke.
And then you have “Fried or Fertilized”.
Again, same thing. So bad it MUST be a joke.
And then there’s “Happy Sexgiving” (Really.)
And “Can He Move It Like This”.
And finally, the real icing on this confusing cake, “Go Grab My Belt”.
Ok ok ok. Stop. Of course, all of this is a complete joke right? It has to be! It’s even a good joke. I am laughing! Ha! Ha! Ha….? Because then I watched this:
My faith in the sureness of the joke has been shaken. This guy is not joking. Not joking at all. He’s 100% dead serious about the music they’re making at Turquoise Jeep.
Holy living fuck.
Go over to their Youtube page and watch some more of these things and then tell me that they aren’t, in some perverse oddball way, totally serious about this stuff. Clearly, they’re having fun doing this, but they are also definitely taking it seriously. It makes me nervous.