I think Sonny-boy here has some people making fucking fantastic videos for him. Along with the video for “First Of The Year”, the director Tony T. is doing some wonderful work.
The video features a group of young boys holding up an ice cream truck and their eventual transformation into hardened thieves…with heart. AWwwwwwww so cute! Enjoy.
Now that it is embeddable, here is Huoratron’s new track from his forthcoming album Cryptocracy. And it totally rules. Charles described this video best, I think, when he wrote, “so much danish forest bloodrave zombies”. I don’t think I even need to say anything else about this, except that they are probably Finnish forest bloodrave zombie, not Danish forest bloodrave zombies. Watch the video. If you have epilepsy, don’t watch the video. The warning up front is accurate. Lots and lots of flashing things.
Jesus built my hotrod. It was a love affair. Mostly Jesus and my hotrod.
I love this damn song. It comes from Ministry’s 1991 record Psalm 69, an perfect example of early 90s electro/metal fusion. It totally rules. Enjoy it.
Firmly at the top of my “Am I Secretly a Lesbian” playlist in Spotify, Austra is a Canadian group that I sort of stumbled on somehow but that I really dig. They’ve written an excellent record of dark electro-pop that is kind of Bat For Lashes, kind of Fever Ray, kind of old school Ladytron, but still totally their own thing. I’ve been listening to it a lot on my commute.
As far as the video goes, I have no damned idea what’s going on. Probably some super cool, next level, Canadian artsy lesbian shit that I don’t know about. Whatever it is, they seem to having a very earnest time. Good for them.
I read that Huoratron is coming out with a record and thought, “Man, did I ever post that on The Black Laser????” And guess what?!?! I hadn’t! What the hell! How could I let you all down like that?!?
On the strength of this one track, Charles and I went to see Huoratron (pronounced “whore-a-tron”) at Webster Hall. Prior to the show we sat in front of a college dorm and drank a couple 4 Lokos (the old, good kind) each. They we went into the seething madness that is a party at Webster Hall and danced until we were sweaty, awful messes. It was great. Huoratron’s set was fucking awesome and jarring and dissonant. A lot like this video, but, you know, like an hour long.
I am pretty psyched about the new record coming out. I just preordered the LP on Amazon. I wanted to share this with all of you. There’s another one coming later on.
I have these new buddies who have this band called The Click Clack Boom. They’re damn good. I like to describe them as a spacey, modern, prog-rock jam band if that makes any sense. Actually, that description sounds like complete bullshit, but go see them live and I think you’ll understand what I am talking about. I am totally right in this.
Today, during a slow moment at work, I youtubed them to see if they had any music videos. Lo and behold, they did. This is it. They have some other performance videos on their channel, but this is the only legit music video. I like it. It’s simple and beautifully shot and cut nicely. You should watch it and, if you live in places where they play, you should go see them. Check out their Facebook page. Support them.
Now good. Spread their names to the corners of the Earth.
Just a moment ago, I was going to make another joke with the video above: Steve Austin is my favorite classical music composer.
But then I realized I have a little more to write about Today is the Day than just the one liner above. I first encountered Today is the Day in the late 90s around the release of In The Eyes of God. At the time I had no idea what to do with them. They sounded exactly unlike anything I’d ever heard before. I wasn’t even sure if I liked them, but for some reason I was compelled to stick with the album. What started as a punishing wall of noise became a tautly crafted punishing wall of noise. An enjoyably punishing wall of noise. Even now, 13 years on, I have rarely heard an album quite as heavy as In The Eyes of God or a band as heavy as Today is the Day. There are louder bands, there are faster bands, but very few bands as purely brutal as these guys. If we define heaviness (as I have written about before) as the eschewing of melody for rhythmic force, then Today is the Day is shifted far to the rhythmic end of the scale.
If you are a fan of extreme music and you’ve never sat down with Today is the Day, do yourself a favor and do it. You’ll find a rewarding, difficult musical experience that will be so different than what you are used to from most modern heavy music that you’ll come back here and thank me. If you’re not a fan of extreme music, why are you here? You should listen to Today is the Day too.