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Posts published in “About Music”

The Theme for 2012

It is that time of year again! Time to announce the coming year’s theme! And I know you’ve all been waiting patiently for me to have an excuse to ramble on wildly about my musings about creativity and my own personal journey with it. I know you all love it. Or at least the three of you who read these don’t completely hate it. So, that’s good.

In previous years, the themes have been The Year of 5000 Photos and 50 Short Stories (2009), The Year of 3 Music Videos and 12 Short Stories (2010), and, this year, The Year of 12 Projects (and Slowing My Roll) (2011). Of course, in previous years I had other themes—The Year of Trying New Things, The Year of Writing, The Year of Focus, The Year of Finishing Things, and The Year of Self-Care—but those have not been documented here on The Black Laser, so we’ll mostly ignore them for the purposes of this one-sided discussion. If you’d like to read more on my thoughts on previous years’ themes, go right ahead.

This year, The Year of 12 Projects, has been remarkably successful so far with 13 of my 12 projects completed at this point. I won’t go too much into my thoughts about the year as a whole yet—I’m saving that for its own year-end write up—but let’s just agree that it’s been great. And let’s also acknowledge that it’s the first time ever that I’ve met the goals I set out for myself at the beginning of the year.

Wait, that bears repeating. It is the first time in eight years of giving myself themes instead of resolutions that I’ve actually accomplished what I set out to do.

Holy shit.

Amazing!

I think a lot of what made this year such a success was that I allowed my brain to sort of go anywhere in terms of being creative. I wasn’t limited to one specific type of thing. I could do whatever caught my fancy, and, in turn, I got a lot done. That is great. In fact, a posting I recently read at NPR’s blog about Leonardo da Vinci’s to-do list seems to reinforce that allowing your brain to wander, to be unfocused, is beneficial for getting things done. Not that I am da Vinci, but I seem to have stumbled upon the same results. It goes against years of myself trying to focus on one thing, one goal, one idea. No wonder I was never able to do a damned thing; I worried so much about being focused, driven, single-minded about my creativity that I limited what I could be accomplishing otherwise. Knowing that I do better when I let myself be free is rather refreshing, actually.

While thinking about what I wanted to accomplish for 2012, I recognized that part of my creative palette that I have been really missing this last year and a half or so is my writing. I haven’t written any fiction at all in ages. Do you, avid reader of The Black Laser, recall the last time I posted fiction here? No you don’t. Do you know why? Because it was January 28, 2010. That is terrible. A couple (few?) weeks ago I tweeted, “Do you remember when I used to write stories??? Whatever happened to that, huh??” I wrote it as sort of a joke, but the more I thought about it, the more I realized that it is actually kind of sad. For something that was so important to me that I was going to give up a decent career twice for it, how could it have fallen so far out of my life that the last time I wrote anything of consequence was in January of last year? It’s like having a really awesome girlfriend and then suddenly you stop talking to her at all and then 20 months later you’re all, “Hey, where did she go?? How did she get away from me????” And then after you recognize that you’re all, “Damn, I’d better do something about this because I really miss her.”

And that is what writing feels like to me: an amazing supportive relationship with its ups and downs and pitfalls and triumphs. It has always felt so much more real to me than my ventures into filmmaking or photography or drawing or animation any of the other things I’ve dabbled in. Writing is challenging and because it is challenging it is rewarding like nothing else I’ve ever experienced. It feels good and it hurts and it is scary and I love it. I mean, duh, obviously, look at how I get going on things like this when I give a damn about them. I’m just blah blah blahing all up and down the East River like a crazy man with a garbage bag for a hat.

So that brings us to this year’s theme:

The Year of Writing

A question remains: how do I reconcile the success I had when I let my brain wander with the desire to focus on one specific kind of output? I thought of this, too. I think the key lies in not forcing “writing” to be any one thing, but allowing it to take whatever form I think I want to mess around with at that moment.

The astute reader will notice that this is in fact my second Year of Writing, the previous one being an abortive effort before I had any sense of how to structure these things for maximum efficacy. But I know how to do that now and that means giving myself limits that allow me to be flexible. Funny, right? Limits that allow me to be flexible. But it’s true and it works. Full open-endedness is daunting, but limit the creative sandbox a little and you’ll be surprised what you can come up with. Creativity is problem solving. Give yourself problems to solve.

So what are my limits/goals for this year?

  • 100,000 words – While chit-chatting with Lindsey on the IMs about what my goals should be for this year I recalled that at my peak output, I was writing at least 500 words a day. If I could maintain that every day of the year, my output would be 182,500 words. A massive amount. But I am not going to be so unrealistic and believe that I am actually going to write every single day of the year. Let’s don’t be ridiculous. There are going to be nights where I’ll have my face buried in the computer doing nothing but fucking off on the internet and nights where I am stuck at work late and nights where I just won’t want to write. And 100,000 is a nice, round number.

    What counts toward my 100,000 word count? Anything: letters to my brain, long articles on The Black Laser about whatever, anything for Vox Critica, any fiction, screenplays (who knows???). Basically anything where I give a damn about the quality of the writing. This encompasses quite a lot of what I do and should make hitting 100K for the year not such a daunting challenge. The only things that won’t count are when I’m bullshitting about music videos (unless I actually have something to say, my prerogative) and things like Twitter/Facebook/whatever. I mean, this thing is already 1200 words long. I’d only need to do 84 posts like this and I’d be done.

  • Dance EP – I’ve been talking about making a dance record for a long time. I love dance music. It’s so stupid and fun but can also be really beautiful in the right hands. Those hands are not mine, but that doesn’t stop from wanting to put my own music out there. And it fits under the header of “writing” quite nicely and is so different than writing words that it allows me to play around in a different medium but still be working toward my theme for the year. It will allow my brain to wander when I don’t have anything particularly meaningful to say otherwise.

    What constitutes a Dance EP? Well, as we all know an EP is longer than a single but shorter than an album, so like 3 to 5 songs. I think that is about right. I just want it to be a fun project that makes people want to move and shake their asses and do all that stupid shit that people do that makes them look really funny in photos.

There you have it. 2012, The Year of Writing. 100,000 words or whatever and a dance EP.

And if you think that I think about this stuff too much, I’ll just leave this little snippet of yesterday’s conversation here for you to enjoy.

The Space Pope
4:39 PM The year I did 50 short stories, I kept a word/story count by each date I finished one so I could graph the work.
4:39 PM Jeez, I think about this too much maybe. But whatever.
4:40 PM I could keep a spreadsheet of writing by wordcount/type/date

lfkaufman
4:40 PM You think about most things too much. :)

Now I’ve blown my little secret that I intend to graph my progress. Here’s to 2012!

Jeff Magnum is coming back to Brooklyn!

Man, I was super bummed when I missed Jeff’s Town Hall show recently. The show sold out within seconds and I was not nearly quick enough on the uptake to make it happen. Even worse, Charles ended up not going (what an asshole) and then didn’t even tell me he had extra tickets! WHAT AN ASSHOLE! But he made up for it yesterday when he sent me the link to the listing for Jeff’s January show at BAM. Everything is ok now, Charles.

Now, I don’t know if you’re a Neutral Milk Hotel fan or not (you should be), but I am so excited by the possibility of this show that I felt compelled to share it with all of you. Of course, I feel compelled to share all the time which is what has made this blog stay alive and bristling with nonsense.

Neutral Milk Hotel’s In The Aeroplane Over The Sea was one of those records that resonates strongly with people of a certain (read: my) age. I defy you to find anyone between 27 and 32 with even decent taste in music that doesn’t rank it as one of their all time favorites. Go, now! Before I get angry! Find someone! Anyone!

You can’t do it. That’s because they don’t exist.

Here’s a selection of my favorite tracks from the record.

Don’t you want to go right now?!? I know I do.

Akwarian Sea Rebel’s “Urban Tropical Rebel Pop”

I have this friend Mandy and I think she’s pretty fucking cool. But what’s more is that she’s also this super rad musician who has just put out a new album of some soulful, dub-inspired, low tempo, electro hip hop and it’s awesome. Like really awesome. But don’t take my word for it… I mean, do take my word, but also listen to the album embedded above and go see an ASR show if you live in Brooklyn.

The Atlas Moth’s “An Ache for the Distance”

I recently ordered this as an LP after listening to their first album A Glorified Piece of Blue Sky on Spotify. A lot. I fell completely in love with their sludgey/proggy sound. The album’s a downtempo wall of sound piercing your skull and sending you into the corner to hide. Fear The Atlas Moth. Worship The Atlas Moth.

It’s funny, as I get older I find myself drawn toward this sort of raw, less-produced, noisey, sludgy, loud sort of metal. There was a point when I was really into that super clean Killswitch Engage/Unearth/Darkest Hour sort of sound, but when I listen to the output of those bands these days, it just feels too sterile, a little boring, wildly over-produced. I still love their older records out of some sort of nostalgia, but I can’t help but be turned off by the cleanliness of their recent records.

In fact, the vinyl I’ve been buying is split effectively into two groups: black/sludge metal and indie music. You’ve got Barghest and The Magnetic Fields, Dark Castle and Bonnie Prince Billy, Coffinworm and Andrew Bird. And now we’ve got this new Atlas Moth record on the way and I am super super psyched about adding it to the collection. Maybe, The Atlas Moth and Neutral Milk Hotel?

Anyway, give the album a listen up there if that’s your jam. I am listening to it right now and it’s making these 20+ hours of Under Armor dailies all that much more palatable. I was going to tell you to head on over to Profound Lore and get a copy of the vinyl, but it looks like they’re sold out. Oops! HAHAHA! Suckas!

Oh cybergoths, will you ever stop amusing me?


It would have been better if they’d been choreographed. And moved their feet more.


“So, uh, Karl, where do you want to have this tanz party?”
“Oh, how about that underpass about 3km from here?”
“Ok, yeah, uh, sure. What time?”
“I think noon is good.”


Learn to kick with the left leg too, bro.

I’ll give you one guess as to where all of these videos were made.

TIME’S UP!

If you said anything but “Germany”, I have one question for you: how does it feel to be so utterly wrong?

I kind of feel like cybergoths are Europe’s juggalos: I will never truly understand either subculture, but the members are devoted as all hell to looking like complete idiots. And, man, are cybergoths serious about what they do. Look at all these dance parties! All outside during the…day? In parks? And underpasses? And town squares?

Wait a second.

First, what is “cyber” about dancing in a park? And second, what is “goth” about the daytime? Shouldn’t all you Karls and Dieters and Manjas and Gretels and shit be dancing at night in some warehouse surrounded by technology? To me, the word “cybergoth” conjures images of your traditional goth type in some sort of William Gibson cyberpunk realm, dark and brooding and integrated into technology. Kind of like how Priss looks in Blade Runner once she’s done her make-up before Deckard smokes her. But these rainbow-dreaded, zipper-saturated, glowstick Krauts dancing badly on the lawn are not at all what I have in mind.

At what point do you think to yourself, “Man, you know what would look great and definitely get me laid like nonstop? Neon green fake dreads and a black respirator. I am going to be drowning in pussy, bro.” Not that a cybergoth has ever used the word “bro” but I thought it would add a little something to the statement.

Maybe I’m getting old. Maybe I lack imagination. Maybe I am a stupid, terrible prick, but I don’t get it. I don’t understand what would drive you to this sort of thing. I understand gangs and gang violence. I understand hipsters. I understand all sorts of people. But I do not understand cybergoths. Hell, I feel like I’ve got a better grip on juggalos than I’ve got on cybergoths. Does anyone want to explain these four-on-the-floor, Hot-Topic-pants-wearing, schnitzel-eating goobers to me? I need help from you, the internet. Someone tell me why I shouldn’t spend the rest of my life laughing at these clowns. Wikipedia’s not helping at all.

And don’t even get me started on the dance moves. Holy shit. It makes me want to go to one of these clubs and bust a fucking move where I don’t just spin my arms around.

What a bunch of g-d assholes.

Fuck the Facts Die Miserable stream

ARE YOU LISTENING TO THIS?! WHY AREN’T YOU LISTENING TO THIS?! GO LISTEN TO THIS RIGHT NOW!!


Fuck the Facts Die Miserable stream.

Holy shit, I am so excited about this album. I preordered the LP yesterday before even listening to the stream. Let me tell you, I was right to do it. This album is amazing. Ridiculously amazing. I regret having missed them play the last time they were here in NYC.

God damn, Mel Mongeon’s vocals on this shit are so brutal. She out-metals nearly every male vocalist I can think of except for maybe Erik Rutan. MAYBE.

If you’re a fan of grind and you’ve never heard Fuck The Facts, prepare to have your face blown off, your wallet lightened, and all your stress blasted out of you by Montréal’s finest.

Spank Rock’s “Nasty”

02 Nasty by The FADER

Charles sent this to me yesterday, but I only just listened to it a moment ago. Damn is this track fucking hot. It’s awesome while Spank Rock is doing his business, but the super secret guest who drops at 1:45 is amazing. It’s all hinted at throughout the track with the slowed down triggerman beat and any regular reader of this site will recognize the voice. Of course, you could be sneaky and read the tags to see who it is, but listen to the track and tell me you don’t move a little bit.

Booty booty booty booty rockin’ e’rywhere.

A side note, it makes me laugh to post this directly after posting Agoraphobic Nosebleed.

ANBRx Pharamceuticals II

This might be one of the most perfect slices of electrogrind insanity I’ve heard in a while and I feel compelled to share it with you knowing full well that basically everyone who listens to it will hate it. But if I reach even one person who understands the genius of this, I will have accomplished something wonderful for the future of humanity.

Below is Agoraphobic Nosebleed’s Pharmaceuticals II, presented under the moniker ANBRx which they use when the music is of a more electronic nature. Typically, Agoraphobic Nosebleed sounds like grind made with drum machines, whereas ANBRx sounds like electronic music made into grind. Does that make sense? To me it does, so that’s ok. Listen and be afaid:

Did you listen on shitty speakers? Bullshit. Do it again on a good set of speakers and get back to me.

If for whatever reason that iframe above is behaving badly, you can listen to and download the record free here: ANBRx Pharmaceuticals II.

AWESOME.