Just. Uh. Yes. This.
Posts published in “About Music”
I heard Nick Cave and The Bad Seeds’ Murder Ballads the first time maybe a year and a half ago. I was in a telecine session with Ben over at Smoke & Mirrors and he put it on. One of the advantages of a telecine session is that you don’t need to hear audio from the cut, so you can listen to whatever the hell you want. I’ve discovered a load of new music that way over the years, and this record is a prime example of that.
When he put it on, I immediately perked up and was all, “What the hell is this?!” and he told me that it was Nick Cave’s Murder Ballads. “Murder Ballads?!” I said. “Murder Ballads,” he said. “I LOVE murder ballads,” I said.
“Where The Wild Roses Grow”
[flv]https://www.theblacklaser.net/blog/wp-content/video/wildroses.flv[/flv]
And, really, what good, red-blooded son of a bitch doesn’t enjoy a murder ballad? I can only take so many love songs before I want to get sick. But dish me up a plate of songs about murder and you’ve got my attention the whole time. And we’re not talking your typical heavy metal, horror movie murder stories. No, we’re talking about salt-of-the-earth, regular folk kind of murders. The best kind.
Wikipedia describes the murder ballad thusly.
Murder ballads are a sub-genre of the traditional ballad form, the lyrics of which form a narrative describing the events of a murder, often including the lead-up and/or aftermath. Traditional ballads are independent from broadsheet ballads insofar as the typical broadsheet form does not use the same formulas or structures and is rooted in a literate society: traditional ballads flourished within non-literate groups within society.
Pretty dry for something so juicy.
“Stagger Lee”
Armed with a direction and something to look for, I left my telecine and sought out the album. This was, perhaps, March of last year, and I was, even then, still buying a lot of music on compact disc. Remember those? Unfortunately the album was long out of print and not readily available. So I did what any conscientious consumer of music would do; I pirated Nick Cave’s entire discography.
I am glad I did it too, because the album is amazing. Originally released in 1996, I completely missed it the first time around. I was 14 years old and did not have ears for anything that wasn’t metal. I remember I had a CD alarm clock then and was woken to Napalm Death’s Fear. Emptiness. Despair. every day for a year or so. Murder Ballads would have been lost on me at this point in my life even if I had heard it. Besides, who wants to listen to some crap record that has not only PJ Harvey but also Kylie Minogue on it?? (Read: I do.)
“Henry Lee”
[flv]https://www.theblacklaser.net/blog/wp-content/video/henrylee.flv[/flv]
I added this album to my “For the Phone” playlist on Spotify recently and it has provided a perfect companion for nighttime walks through the suddenly-below-freezing New York City streets. I wander around, looking at people, singing “I’m a bad motherfucker, don’t you know/And I’ll crawl over fifty good pussies just to get one fat boy’s asshole” from “Stagger Lee” to myself, and wonder what they would think to hear the music I am using to hide from them in plain sight.
Yesterday I was complaining about how the “singer” from The Man-Eating Tree can’t sing. And the truth is that Nick Cave does not have a good voice at all, but he’s in that same realm as Lou Reed or Tom Waits. That is, it doesn’t matter if he can’t sing, because that’s part of his schtick. His vocals would actually be worse if he had some dulcet singing voice. His coarseness complements his lyrical content, and that is what is important.
“The Curse of Millhaven”
Give the album a listen. And then listen again. It’s that good. Then listen again with headphones and pay attention the lyrics. If you generally like the recommendations I make here on The Black Laser, I promise you will like this.
If anyone out there really loves me, I think you know what to do.
The other day as I was clicking through Tumblr, a network I am finding increasingly strange, I happened upon an image with three points labeled “Incomplete Manifesto for Growth”. After following the tumble trail to its absolute origin, I found this: Bruce Mau’s Incomplete Manifesto for Growth. Man, I love shit like this.
Originally written in 1998 by designer Bruce Mau, the list outlines his design process. But, more importantly, I think the little snippets of advice and guidance can inform any creative process, from writing to design to filmmaking to music. Whatever it is you’re struggling with creatively can benefit from some alternative perspective. You may not always take the advice, but if it causes you to think differently about the problem you’re trying to solve, then it was helpful. As I said yesterday, creativity is problem solving, and anything that helps you solve a problem is good.
And this list is filled with all sorts of good lits bits. If I were forced to pick my favorite five, they would be these.
2. Forget about good.
Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.3. Process is more important than outcome.
When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.9. Begin anywhere.
John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.11. Harvest ideas.
Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.32. Listen carefully.
Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.40. Avoid fields.
Jump fences. Disciplinary boundaries and regulatory regimes are attempts to control the wilding of creative life. They are often understandable efforts to order what are manifold, complex, evolutionary processes. Our job is to jump the fences and cross the fields.
I know, I know. That was six. I tried not to post the whole list. Get over it.
Check out the remainder of the 43 points here: Incomplete Manifesto for Growth.
Number 15 on the list, Ask Stupid Questions, reminds me a lot of Leonardo’s to-do list from the post yesterday. “Ask Benedetto Portinari by what means they go on ice in Flanders”?? That is a stupid ass question. Maybe I’m not asking stupid enough questions.
Man, I was super bummed when I missed Jeff’s Town Hall show recently. The show sold out within seconds and I was not nearly quick enough on the uptake to make it happen. Even worse, Charles ended up not going (what an asshole) and then didn’t even tell me he had extra tickets! WHAT AN ASSHOLE! But he made up for it yesterday when he sent me the link to the listing for Jeff’s January show at BAM. Everything is ok now, Charles.
Now, I don’t know if you’re a Neutral Milk Hotel fan or not (you should be), but I am so excited by the possibility of this show that I felt compelled to share it with all of you. Of course, I feel compelled to share all the time which is what has made this blog stay alive and bristling with nonsense.
Neutral Milk Hotel’s In The Aeroplane Over The Sea was one of those records that resonates strongly with people of a certain (read: my) age. I defy you to find anyone between 27 and 32 with even decent taste in music that doesn’t rank it as one of their all time favorites. Go, now! Before I get angry! Find someone! Anyone!
You can’t do it. That’s because they don’t exist.
Here’s a selection of my favorite tracks from the record.
http://www.youtube.com/watch?v=iipO9Tvk1EI
Don’t you want to go right now?!? I know I do.
I have this friend Mandy and I think she’s pretty fucking cool. But what’s more is that she’s also this super rad musician who has just put out a new album of some soulful, dub-inspired, low tempo, electro hip hop and it’s awesome. Like really awesome. But don’t take my word for it… I mean, do take my word, but also listen to the album embedded above and go see an ASR show if you live in Brooklyn.


