Category: Music


Sublime.

The only video you’ll see today starring a white guy impersonating Michael Jackson (the pop star, not the beer writer). Do you remember when the “Black or White” video premiered and it had all the morphing and shit and it looked really impressive? That was weird, huh?

Last week my brother sent me this song and it is my new favorite song of all time forever. Please enjoy it. Although, this track—also sent by my brother—might be my favorite cover since Travis covered “Hit Me Baby One More Time” and Bonnie Prince Billy covered “Am I Demon”.

God, there’s so much good music out there.

Happy motherfucking power metal Friday! Wait, is that a thing now? Power metal Friday? It should be. So, I guess, it is now. Fuck it, why not, right?

To celebrate our very first power metal Friday, here’s Rhapsody’s new video from their forthcoming album Ascending to Infinity. I am not even sure which Rhapsody this is, since at some point the band split in two and they both call themselves the same thing which is really weird and annoying, but it means that we get twice as much Italian, dragon-infused power metal and no one can be mad at that. No one.

The main take away from this video, for me, is that Rhapsody’s production values have certainly improved since the video for “Holy Thunderforce”. Also, “Holy Thunderforce” is a fucking rad name. I don’t like the new singer as much as the last dude, but he works.

Anyway, power metal. Do it. Love it. It is all for you.

Holy living fuck, this is awesome. I know the other day I was all, “It’s going to be slow here,” but how could I not share this? This is fucking amazing.

Sure, the opening drags on a little, but I think it sets the stage for the second half of the video nicely. And if you don’t have 9 minutes for Cattle Decapitation, what do you have 9 minutes for? Probably nothing. I really like the distorted video superimposition on the live footage they repurposed for this video. It all blends so seamlessly you’d never know it wasn’t shot together. And the bloodwall/screaming/eyeballs editorial crescendo at 8:21ish? So good.

Between revisions today, I was listening to School of Seven Bells new album Ghostory (thoughts soon), and then wondered why I had never sought out any of their music videos. It’s weird because “I L U” from 2010′s Disconnect From Desire was hands-down my favorite track of the year. It’s just so damn catchy but also really pretty. I still really like it.

Well, a quick Yotubs search turned up the official video for the song. Here it is, nearly a year and a half after I wrote about how much I love this track. The video is really good too, even if I think the papier-mâché marionettes are incredibly creepy. It has all the things I like in music videos: simplicity, strength of concept, and beauty. It’s touching AND terrifying. “Awwwww, the dude and the chick are in love and they’re going at it! OH MY GOD THOSE CORPSE MARIONETTES ARE FUCKING EACH OTHER AND, HOLY LIVING FUCK, IT’S REACHING IN AND PULLING THE HEART OUT OF THE OTHERONE!!!!!

Great work all around.

Remember IDM? Of course you don’t! Don’t lie! No one remembers IDM unless you were a total EDM nerd in the 90s and early 00s.

So, assuming you don’t remember, did you know that Aphex Twin wasn’t the only person making music like he did? Of course you didn’t. No one does. No one! Well, Charles does. For sure. Anyway, there was this cat who called himself Squarepusher who was doing a whole lot of excellent bleep bloop music in the 90s and early 00s and now he’s back (not that he’s gone away) with a video from his forthcoming album Ufabulum which I am not sure how to pronounce.

The video is pretty sweet, delightfully minimal, and perfectly complements his sound. If you were wondering (and I know you were), this is what college sounded like to me.

The Atlas Moth released one of my favorite metal records of last year, so it should come as no surprise that I am posting this first video from An Ache for the Distance for the track “Your Calm Waters.”

The video is kind of…eh. It has moments (some of the underwater stuff looks nice) but is kind of mired in boring metal video tropes and cruddy post production. (The chroma key at the beginning of the video? Wow.) It’s too bad, too, because I really love this song. But I am willing to forgive them this minor misstep on the strength of the record. It is really incredible and any fan of heavy music should seek it out and add it to their collection. I sincerely promise you won’t regret it.