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Posts tagged as “Bloodbath”

New Old School Death Metal (NOSDM)

Today I learned about a genre of metal called “New Old School Death Metal” or NOSDM. While I think the resurgence of old school style Death Metal is awesome, I’m a little surprised by it. Had it really gone anywhere? I was always of the opinion that since its inception, there have been dudes playing Death Metal the same way. Sure, the bands change and the members of the bands change, but hasn’t there always been a core of old school Death going on somewhere?

Did I miss out on something? Was I too busy listening to Old Old School Death Metal (OOSDM) records to notice?

Did Death Metal change so much that we’re experiencing a revival of the classic form much in the same manner as thrash suddenly became huge again about three years ago? Do we refer to Municipal Waste and Toxic Holocaust as “New Old School Thrash Metal” or NOSTM? Are all these labels really necessary? If we didn’t call these new DM bands NOSDM, but just plain called them Death Metal, would it be so hard to understand? Would it be wrong?

Let’s posit that Death Metal in its traditional form peaked about 1994, to be superseded by the Swedish style that dominated the later 90s and early 00s. (No, nü-metal doesn’t fucking count.) The earliest known uses of the term “Death Metal” were found somewhere around 1984, giving Death Metal a 10 year run. Now, if a style falls out of favor but does not disappear completely, can we really call its resurgence by a new name? Composers wrote Baroque music for 160 years. It’s not like when Baroque first showed up, went through a wave of initial popularity, decreased slightly in public opinion, and then showed up again they called it New Old School Baroque Music (NOSBM), did they?

The whole thing, and really the extreme fragmentation of metal subgenres in general, seems pretty silly to me.

And, because I am such a caring person, I won’t let you go without some examples.

Let’s do a chronological survey of some of my favorite Death Metal, shall we?

1987’s “Beyond the Unholy Grave” – Death
[audio:|Artists=Death|titles=Beyond The Unholy Grave]

1987’s “Bleed for the Devil” – Morbid Angel
[audio: Bleed For The Devil.mp3|artists=Morbid Angel|titles=Bleed for the Devil]

1989’s “Sacrificial Suicide” – Deicide
[audio:|artists=Deicide|titles=Sacrificial Suicide]

1990’s “Burden of Evil” – Monstrosity
[audio: Of Evil.mp3|artists=Monstrosity|titles=Burden of Evil]

1991’s “Jesus Wept” – Suffocation
[audio: Jesus Wept.mp3|artists=Suffocation|titles=Jesus Wept]

1992’s “Hammer Smashed Face” – Cannibal Corpse
[audio: Smashed Face.mp3|artists=Cannibal Corpse|titles=Hammer Smashed Face]

1993’s “Preacher of Sodomy” – Broken Hope
[audio: of Sodomy.mp3|artists=Broken Hope|titles=Preacher of Sodomy]

1994’s “Born Headless” – Cryptopsy
[audio: Headless.mp3|artists=Cryptopsy|titles=Born Headless]

1995’s “Nothing But Fear” – Morbid Angel
[audio: But Fear.mp3|artists=Morbid Angel|titles=Nothing But Fear]

1996’s “Permanently Disfigured” – Dying Fetus
[audio: Disfigured.mp3|artists=Dying Fetus|titles=Permanently Disfigured]

1997’s “Save To The Cross” – Deicide
[audio: To The Cross.mp3|artists=Deicide|titles=Slave To The Cross]

1998’s “Flame To The Surface” – Cryptopsy
[audio: To The Surface.mp3|artists=Cryptopsy|titles=Flame To The Surface]

1999’s “Blowtorch Slaughter” – Cannibal Corpse
[audio: Slaughter.mp3|artists=Cannibal Corpse|titles=Blowtorch Slaughter]

2000’s “Christians To The Lions” – Behemoth
[audio: To The Lions.mp3|artists=Behemoth|titles=Christians To The Lions]

2001’s “Blind The Vision That Shatters” – Neuraxis
[audio: The Vision That Shatters.mp3|artists=Neuraxis|titles=Blind The Vision That Shatters]

2002’s “Dead Sea Scroll Deception” – Lock Up
[audio: Sea Scroll Deception.mp3|artists=Lock Up|titles=Dead Sea Scroll Deception]

2003’s “History Is Rotten” – Misery Index
[audio: Is Rotten.mp3|artists=Misery Index|titles=History Is Rotten]

2004’s “Sensual Sickness” – Decapitated
[audio: Sickness.mp3|artists=Decapitated|titles=Sensual Sickness]

2005’s “The Victorious Reign” – Hate Eternal
[audio: Victorious Reign.mp3|artists=Hate Eternal|titles=The Victorious Reign]

2006’s “The Crawl Inside Me Uninvited” – Coldworker
[audio: Crawl Inside Me Uninvited.mp3|artists=Coldworker|titles=They Crawl Inside Me Uninvited]

2007’s “Rebirth In Blood” – Blood Red Throne
[audio: In Blood.mp3|artists=Blood Red Throne|titles=Rebirth In Blood]

2008’s “Slaughtering The Will To Live” – Bloodbath
[audio: The Will To Live.mp3|artists=Bloodbath|titles=Slaughtering The Will To Live]

2009’s “Carrion Sculpted Entity” – Cannibal Corpse
[audio: Sculpted Entity.mp3|artists=Cannibal Corpse|titles=Carrion Sculpted Entity]

Sorry, for some reason I don’t have any Death Metal from 1988 on my iPod right now. I’ll fix that oversight when I get home tonight.

Now, listen to the bands on an article by Decibel Magazine about NOSDM. It seems to me that besides some basic evolution in the quality of the productions, that Death Metal has been alive an well since at least 1987. So, do we need this new label at all? Can we not just keep calling it Death Metal? Do we need OOSDM, MEOSDM (Mid-Era Old School Death Metal), and NOSDM? What happens when NOSDM becomes Old New Old School Death Metal (ONOSDM)?

For the initiated and uninitiated out there who take the time to read and listen to this, what do you think? Comment away.

Bloodbath’s “Hades Rising”

A few months ago I did a little mini-review of Bloodbath’s The Fathomless Mastery. I expressed a bit of reservation about the quality of the record, but, as time passes and I’ve had the chance to give it repeated listenings, it’s fucking awesome. The album is now breaking any new ground, but that’s not the point at all. Bloodbath have created a massive, heavy as fuck, brutal death metal record of the old school style that I find so heartwarming. Totally awesome. Check it out.

This is a video for their first single (do death metal bands have singles?) called “Hades Rising”. It’s rad. Watch it.

I have been on a metal buying spree as of late

Between last Friday, the 16th, and Tuesday, the 20th, I purchased quite a few heavy metal records. 9 to be precise. I thought it might be nice to share a little break down of what I thought about these purchases.


Architect – Ghost of the Saltwater Machines


The first Architect record, All Is Not Lost, came out of nowhere. It was a recommendation by my friend Deegan who is always a consistent source for bands I need to check out. That first record completely blindsided me with it’s pure intensity. I was blown away. And then, while browsing the record store on Friday for some death metal (sometimes you just need it), I saw that Architect had a new one out. Done and done. I had to get it after how amazing their last effort was. I was not disappointed. In fact, I’d say of the whole haul, that this is far and away the best record I purchased. It’s not as heavy as some of the others, but it is just too awesome for words. Any fan of extreme music owes it to themselves to go out and get this right now. You will not be disappointed.


Belphegor – Bondage Goat Zombie


I encountered Belphegor on Blabbermouth a week or so ago. I had heard of the band before in metal magazines and the internets and wherever, and always thought “Belphegor” was a pretty sweet name, up there with Borknagar. I watched the video and thought it was a pretty decent mix of black and death metals, which I am down with. I’m certainly no purist when it comes to metal genre; it would only limit my intake. After getting the album, it’s obvious that the members of Belphegor have a 6th grade metalhead’s sense of humor, evilness, and sexiness. The album title is ridiculous, the song titles are ridiculous, and the liner notes are riddled with badly Photoshopped photos of evil sexy chicks with horns and bondage gear and shit. Lame. I mean, “Bondage Goat Zombie”? Seriously? Is this, like, some sort of concept album for 12 year old Norwegian retards with a leather fetish?

The irony of this is that the record itself, the music—the whole point—totally rocks. If you can get past the silliness of it, it’s actually pretty good. Funny how that works.


Bloodbath – The Fathomless Mastery


Sometimes the thing that will draw me to a band is its name (as we will see later), and Bloodbath is no exception to that. These guys are some sort of Swedish Superstar death metal band with members of Opeth, Katatonia, and some other bands filling their ranks. Their website states that the original intent of this band was “to thrash out some classic death metal in the style of early Entombed, mixed with some of the US Florida death metal scene bands.”

Now, if I had read that description before buying their record, I probably would have gotten in ages ago. Entombed? Floridian death metal? Thrash? I love all those things. What’s not to love? Does this record live up to that massive hype? Hell no. Does that mean it’s bad? Of course not; in fact it’s a quite adept death metal record, but it’s nothing all that special. It’s a good listen and if you’re looking for something new, check it out, but be prepared not to be amazed. It definitely puts off that old school death metal vibe though. Listening to it as I write this, I get flashes of old Dismember, Deicide, Malevolent Creation, Gorguts, Suffocation, definitely Morbid Angel, with a slight twinge of a more modern, more Swedish sensibility. Even their band photo looks like something Deicide would have taken in 1990. Cool, if you were into that shit. I don’t know, listening to this even more, I might be wrong and this might end up being totally awesome. We’ll see. It’s making me feel all nostalgic.


Brain Drill – Apocalyptic Feasting


Holy living fuck, this album is gnarly. And by “gnarly”, I mean “awesome”. And by “awesome”, I mean “totally fucking awesome”.

I was on the phone with Charlie in the record store, browsing through the Bs, when I came across Brain Drill. Remember when I wrote about how sometimes all I need is a good name? Well, here it is. First, great name. Second, great album name. Third, great song titles. Fourth, fucking great album art. I am a total sucker for this kind of horror movie gore death metal. It’s just awesome. I was a HUGE Cannibal Corpse fan back in the Chris Barnes days, and The Bleeding is still one of my favorite death metal albums. I think one of the things that prompted this whole “heavy as I can find it” music search was that I felt like folks just aren’t making metal records like that anymore, and I most certainly don’t see coverage for bands like that on MetalSucks, Lambgoat, or Deciblog. Luckily, I knew from my childhood that finding bands like this is usually as easy as finding the holy trifecta of offensive band name, offensive album name. and offensive song titles. You are almost guaranteed with those three things in place that you have a death metal album on your hands. The history is there and these guys are definitely carrying on the legacy of some of the great old death metal bands. Even better is that their brand of death metal is clearly informed by Grindcore, another extreme music subset that I cannot get enough of. All in all, the heaviest record of the bunch. It might not be as technical as some of the other ones, but in terms of pure brutality Apocalyptic Feasting shines.


Cattle Decapitation – The Harvest Floor


Probably my favorite vegan death-grind band from San Diego, I was really excited for this release. Maybe too excited after 2006’s Karma.Bloody.Karma. The Harvest Floor, while a fine album in its own right, does not stand up to their previous effort, but, really, I’m picking nits. This is a serious, no-nonsense party death metal record that does not skimp on the harmonized growls (YES). If Cattle Decapitation had never released Karma.Bloody.Karma, I might feel more strongly about this new one, but I can’t get the old one out of my head. It’s a good record, a really good record, but it just misses the mark set by the last one and that is disappointing. Definitely pick this up and give it a listen or thirty as it is still one of the best metal records I’ve purchased in a while.

I don’t want to come off as harsh. This album is brutal. You will like it.


Decapitated – The Negation


Decapitated, as you would rightly expect, is a death metal band. This is another highly capable death metal band, like Bloodbath, that is good, but not really all that special. They do everything right, except stand out. One great thing about this record is their cover of Deicide’s “Lunatic of God’s Creation”—I love the original SO MUCH. I remember being in 7th grade or whatever and knowing every single word to that self-titled album by Deicide, which, for me, is still the best thing they’ve ever done along with Once Upon The Cross. There is so much good metal history for me with Deicide that the cover on this album automatically gives Decapitated points for good taste.


The Faceless – Planetary Duality


When I described this band to Charlie, I referenced Protest The Hero, which I think is pretty fair, if Protest The Hero was a death metal band. Maybe these guys should be called Prog-Death Metal? Did I just make up a new subgenre of metal? The Faceless are probably my new favorite Prog-Tech-Death-Robot-Metal band, but not to be confused with my all-time favorite Prog-Tech-Robot-Metal band, Genghis Tron. Get it, the difference is DEATH.

This record is great, filled with technical flair and interesting song structures, yet still capitalizing on the pure, straight ahead awesomeness of double bass drums and harmonized growls. And to appease the electronic music dork in me, they liberally throw the vocoder into the mix, which is great. They even have Candiria style jazzy interludes. How cute!

My one complaint about this record is that the lead singer commits, for me, the most grievous sin one can in metal: he sings without the ability to do so. What could have been a truly classic release is relegated to the “Pretty fucking good” category for numerous bad-singing-in-metal-songs infractions. Too bad, The Faceless, you were so close. Maybe next time!


Origin – Antithesis


Another Origin record, another wall of hyper-technical death. If you’re into this kind of stuff, you already know all about Origin and you don’t need me to convince you. Why do I buy these? I already have Informas Infinitas Inhumanitas. Shockingly, the title track “Antithesis” actually has something approaching a groove that’s not just a wall of blast beats. Possibly worth the price of entry for that track alone. Luckily for you, that was not the track I posted so you don’t get some sort of deluded opinion of this release.


Severed Savior – Insurrection


Drunk on my recent acquisitions, I listened to a handful of 30 second clips of this record on Amazon and when I saw it in the store, I threw it on the stack. Even more so than Bloodbath and Decapitated, this album is totally average. At least the former two have something going for them. Severed Savior is just boring compared to the other records in this list. Maybe it’s an issue of context. If this was the only metal record I had purchased while buying a bunch of other music, or if I had made the mistake of buying a Misery Signals record when I meant to buy a Misery Index record, then perhaps this album might feel more special. As it is though, I am totally underwhelmed by it. It does absolutely nothing special. It is technically good, but it’s kind of like the band you see before the band you went to see and you bob your head to the music and you clap, but you’re sure as shit not down there in the pit and you’re not going to be heart-broken if you miss a song while getting a beer or taking a piss.

In the immortal words of Nuutti, this band is pretty all right.

I know a lot of you out there will read this and listen to the tracks and think, What the fuck is Joe talking about? All of these songs sound exactly the same. Well, I say you just don’t know what you’re listening for. I promise that if you had spent half your life listening to heavy metal, you’d understand every single thing I’ve written. In particular, I’m looking at Charlie and Austin, Deegan if he reads this. You guys will understand. The rest of you, I’m glad to have shared yet another tiny sliver of the mess inside my head.

I think Charlie’s header image says it all.


Listen to death metal.