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In Memoriam – Round (December 25, 2003 – March 12, 2009)

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Beloved bunny, fluff-ball, and happy-dancing poop-machine Round passed away this morning after a brief, but sudden, illness. She was 5 1/2 years old.

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It was a bright, cold Valentine’s Day when Juli, her brother Peter, and I were walking along Houston street where it provides the northern border of the Lower East Side of Manhattan. Where we were going, I don’t know, nor does it matter. What does matter is that as we walked, we passed a mysterious pet store that never seemed to be open. On this day, there was a small glass terrarium at about eye level that nothing but a tiny grayish brown lop-eared bunny and some wood shavings. Maybe 6 inches long, the little fluff pressed her face against the glass, catching Juli’s eye. We stood and admired the adorable little thing for a moment before continuing on our way.

Two weeks passed during which Juli brought the bunny up as often as she could.

“Do you remember that bunny?”

“Wasn’t that bunny at the pet store cute?”

“It lives in a terrarium, like a turtle!”

“I wonder what the bunny is doing right now?”

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One morning we were on our way to the library at NYU to work on something when she asked, “Can we stop by the pet store?”

“It’s out of the way,” I said.

“Pppplllleeeeeeeeaaassssseeeeeee!!!!” she argued.

“Ok,” I said, and off we went, out of our way along Houston from her apartment on E 6th and Avenue A. As we approached the pet store, she noticed that, for once, it was actually open. Of course we went in. Juli asked the crazy lady who ran the store all about the bunny in the window. She went over to the little glass box holding the bunny and pulled it out. She told us that she had picked this bunny especially and then asked if Juli wanted to hold it.

She looked at me with a “should I?” look in her eyes and then took the baby rabbit in her hands and held it against her chest. In that instant she melted and I knew that we were walking away with that rabbit. Round was so small that she fit in her hand from the tip of her fingers to the heel of her palm. She was a ball of wild, unbelievably soft fur with ridiculous dangling ears. Juli was in love.

Tucked into a cardboard box, we brought the rabbit directly back to Juli’s apartment and set up all her various accessories. I don’t think we ever made it to the library that day, but I’m not sure that it was meant to happen. I think that we accomplished that day what we were supposed to and the school work was unimportant. It seems like a lot of important things in my life happen like that.

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One of my favorite memories is of my brother Nicholas chasing you down the hallway at Mom and John’s house, you scampering away from him as he ambled behind you, his arms out like some menacing creature from a Japanese monster movie. You spent a lot of that day trying not to be humped by my Mom’s Yorkie, Duffy.

I also remember the first time you flopped in your cage. We were living at 175 Stockholm street and eating dinner and you decided that was a good time to unveil this new trick you’d figured out. It had me and Juli laughing for hours.

I remember when you were very little and Juli still lived on East 6th Street. We would take you into her little backyard area that had some planters and you would tear ass around in the dirt, digging like crazy. One day a cat was stalking you on the fence and you went flat to hide. Juli chased the cat away. You never really had any cause to worry.

Round, you were indomitably sweet even if you could be a cantankerous old bitch, but you were a member of our little family here in Brooklyn and we will miss you. Though your life was not ideal by bunny rabbit standards, we took as good care of you as we were able, providing you with all the greens you could eat, space to run around, a spacious (kind of) hutch to live in, and as much affection as we could give. I will miss the way you would run up and nudge my ankles while I was cooking dinner, hoping that I would get you a treat. I will miss the way that you would lay by the toilet on hot days, earning yourself the nickname “white trash bunny”. I will miss the way that you could be sitting on the floor looking utterly normal and then explode into a body-twisting happy dance and then bounce off. I will miss the way you would take your treats and run off like a dog. I will miss the way you would force your head into my hand when I stopped petting you because, god damn it, you weren’t done being petted yet. And most of all, I will miss the life you brought to our tiny, dark Brooklyn apartment.

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I never knew a bunny before you, Round, but I suspect that you were something special. You were certainly special to us. It was good of you to wait for Juli to come home this morning. Her heart aches for you, but at least she got to say goodbye. We will miss you.

The Black Laser Reads: Episode 11 – “Young Goodman Brown” by Nathaniel Hawthorne

If you had asked me a couple months ago if literally everyone who went to high school in the United States had read Nathaniel Hawthorne’s 1835 short story “Young Goodman Brown”, I’d have said yes. It’s a seminal part of American literature (where you would have read it) and so would have been on the syllabus of pretty much every American lit class. And Hawthorne certainly was a very important writer of his era, laying a lot of ground work for future work in writing and theater and film.

But then I mentioned the story to my wife and it turns out she didn’t know it. She’s well educated, too. Now I have to assume that a bunch of other people also haven’t read the story. Which is totally wild! That lit a little bit of a fire under me to record and publish this episode of The Black Laser Reads.

“Young Goodman Brown” is the story of a young feller named Brown who lives in Puritan-era Salem, Massachusetts. He leaves his wife behind to tend to some nefarious, unspecified errand in the woods during the night of the story. There he meets a suspicious man and then the story unfurls.

It’s got twists! It’s got turns! It’s got allegory! It’s pretty short!

Honestly, if you have any sort of ability to read critically, you’re going to understand the thrust of this one. It’s great, but it doesn’t really make you work too hard to extract its meaning. And, you know, it’s got the devil in it. Sorry for spoilers for a short story from 191 years ago.

Enjoy.

The text for this episode came from Project Gutenberg. If you are interested in reading “Young Goodman Brown” which is found in Mosses From An Old Manse, you can download a public domain e-book here.

Girls Music Playlist

The two older children are in a funny place right now. They absolutely do not want to listen to any music with a male singer. And I get it! They’re little girls and trying to figure out what being a little girl means, what it means about them, and how they fit into the world as little girls. They couldn’t tell you all that because they are just on the edge of turning five, but their actions, what they talk about, and what they ask me and mom reveal this sort of childhood quest for understanding of self.

It will get more complicated, I’m sure. Right now, though, we’re stuck on disliking music where men sing.

In response to this preference, I have compiled a playlist of songs featuring female singers. With a catch.

I do not want to just fill it with contemporary pop junk. That can be some of it, no doubt. Just not all of it. Instead, I want to be sure they are listening to a broad spectrum of things so they can develop a more nuanced taste in music. I am under no illusion that they will grow up listening to the same things Sarah and I like. I don’t want that! What I want is for them to listen to music that interests them in expanding their musical horizons when they are old enough to search out music for themselves.

I don’t want them to get stuck and complacent listening to the next generation of corporate, generic, totally interchangeable pop music garbage. I’d like them to find something that really resonates with their lives, even if it’s weird or niche or maligned by their peers. And the most important way to help them down that road is to lay the groundwork now.

So this is all cool and heady and aspirational and whatever, but what does the playlist actually look like? Good question! You can check it out for yourself.

Sorry for the Qobuz link. I know it’s not the most popular option, but I prefer it. I ditched Spotify after something like 15 years because of the insane amount of evil they are doing to both the community of musical artists that feeds them and to the world in general. Spotify can get bent. Try Qobuz! They pay their artists fairly! (This is not an ad).

Listen to the playlist and let me know what I am missing. It’s got a huge variety. Sure, we’ve got K-pop Demon Hunters and Celine Dion, but we’ve also got Lambrini Girls and Unleash the Archers. Linda Ronstadt! Röyksopp! Whitney fucking Houston!

I’m open to suggestions. What else should we be listening to?

Happy Holidays from me, The Black Laser

This is your annual reminder to have a happy, safe, and fulfilling holiday season, no matter what you celebrate or if you celebrate. Everyone deserves to have some time to fill their cups at the end of the year.

You’ll notice, however, that the customary Happy Merry card isn’t here this year. That’s because it just dang got away from us this year. Between a late Thanksgiving, three polar vortices, crazy work responsibilities, and a bunch of boogery illnesses, we were unable to make time in time to get cards out. So, a great many apologies, friends! I promise we still love you.

If you typically get a card from us, don’t fret. We have something planned for after the new year. Save us a space on your fridge. If you’re not on my snail mailing list and you’re my friend and you’d like to be, just shoot me a note! If you’d rather not, you can be assured I’ll be sharing the image here as well. All the bases are covered.

All that aside, happy holidays. I hope you are surrounded by love.

“Hold You”

When Penny and Bea were very small—walking but not really expressing themselves well with words yet—they would walk over and ask to be held by reaching their arms up and squeaking. Or grunting. Whimpering? I don’t know. Whatever you’d call that sound that little kids make when they want something. Listen to the narration to hear it.

When they did this, I would ask “you want me to hold you?” and then pick them up and give them the comfort they were looking for. Sarah must have said something similar, too, and we must have been pretty consistent in the phrasing, because eventually they would come up to us, reach their arms out, and say “hold you!” meaning “please, pick me up and hold me.” It was one of the earliest, clearest phrases they both used.

There some variations, of course. “Huggah” was common, especially before they started using more than one word at a time. When Penny was learning to walk, she would say “Wah wah wah wah wah” to get you to hold her hand and walk around with her. But “hold you” was the Homo sapiens to the other phrases’ Homo neanderthalensis.

Imagine these two little goblins coming up and asking to be held.

I tried to find a video where they actually said “hold you” but couldn’t so use your imagination.

Even now, as grown, adult women approaching their fifth birthday, they still say “hold you” to indicate that they need to be picked up and held. If they want a hug, it’s “huggies” which is a totally different request than “hold you”. Feeling sad after some altercation with their sister? Hold you. Don’t want to walk up the stairs for bath? Hold you. Just need a damn bit of human comfort for pretty much any reason? Hold you.

Even as they were struggling with diction, “hold you” was always clear and well pronounced. Always understandable. They really needed to be held. When the request was critical, it became an emphatic “Hold you hold you hold you hold you!” There’s no denying that.

Cheeks explaining something.

Mina, at the ripe old age of two and a half, has spent her whole life hearing her older sisters—who she adores and strives to model in everything—say “hold you”. But because main exposure wasn’t the primary source of the phrase, me and Sarah, her interpretation of the words, of the sounds of the words, is a little bit corrupted. A bad VHS copy of something you rented at Hollywood Video.

So, instead of “hold you” she says “hohnyoo” or “holnyoo”. It means exactly the same thing and is used in exactly the same way, but it’s a funny interpretation of what Penny and Bea say. A strong need isn’t “hold you hold you hold you,” it’s “hohnyoo hohnyoo hohnyoo.” Again, if you want to hear it, listen to the narration at the top of this post.

One day, she’ll be old enough to understand that they’re saying two words: hold and you. Then she’ll probably stop saying “hohnyoo” and start saying “hold you”. One day, they’ll all stop saying it completely which will be a sad day we won’t recognize until much later. For now, whether it’s a “hold you” or a “hohnyoo”, I pick the child up.

What I’ve Done for the Week Beginning November 3, 2025

In an effort to stay true to my statement of intent in Tuesday’s blog post, let’s have a weekly check in with what I am making or doing during the week. Doesn’t have to be fancy. Think of it as a way to keep me honest.

Ok let’s go!

Published three blog posts — Feels nice to write here again.

Wrote another post for next week — Loading up the post schedule.

Recorded narration for three blog posts — This adds quite a bit of time to the postings, but it’s also fun and good practice for me for longform narration, especially in a more contemporary style. I was going to skip the Tiny Chef post, but then I thought ehhhhhh just do it.

Posted current TBLRs to The Black Laser Youtube page — Now, if you want to listen to me read you stories on Youtube, you can. You can only see five of them so far, but they’re all queued up. Of course, if you want to listen to all of them or old post narrations, you can get them all at The Black Laser Bandcamp.

Got my video camera all set up — For some special projects! Also putting to use the AT815b I’ve owned since the 1900s. I also spilled a little coffee on the camera.

Finished cleaning up some photos from this summer I’ve been sitting on — The distinct disadvantage of shooting on a camera is that you need to touch everything afterward. I get nicer photos, but it takes more time. You’ll see the photos on Monday.

That’s pretty much it. Not at all a bad effort, especially while the entire house is muddling through colds. See you next Sunday for another round up!

A Refreshed Approach

I’ve been feeling stuck. Professionally, emotionally, creatively stuck.

There are many factors.

I don’t love where we live and having moved here in the height of COVID while working from home and then having a couple sets of children, I’ve never developed a community or social life to speak of. We have no local family, which means no local relief. Down state, where we were living for the first few years, the area clears out in the colder months, leaving row after row of darkened vacation properties and empty developments with no one to talk to save the committee of turkey vultures holding court on a half-filled dumpster.

We’ve since moved upstate about halfway to a town that doesn’t empty out when beach season ends, yet I find myself in a similar situation. I spend the days at home working (or not). Then my afternoons and evenings are devoted to the children because Sarah works dinner shifts. Saturdays are likewise spent solo parenting with the children. Sundays in the offseason are time for all of us to spend together. The time to be social is blocked off. And even if I had time, I have no idea with whom to be social around here. There’s a bowling alley, but that’s not really my tempo.

So, no friends around.

Work has been incredibly spotty and unreliable. After I laid myself off from the greenhouse business in June of 2022, I went back to freelance video editing. It hasn’t been so easy as that, though. I allowed the network I’d been part of for so long to dwindle over five years of greenhouse building. Re-entering the workforce as a remote-only editor from the glorious land of Delaware made it difficult to reintroduce myself. In the years of my absence, the industry shifted toward further corporate consolidation and cost cutting, limiting opportunities for freelance work. Even edit houses I once considered stalwarts were struggling to keep the lights on. To further complicate the issue, my availability was limited with my dad responsibilities. And there just isn’t work locally. The closest hit I got was about a job to edit real estate videos for like 15 dollars an hour, which wouldn’t pay for the childcare required to do the job. Bleak!

It has been picking up a bit, year after year, but the volume of work—and the income—has not yet reached a sustainable level. I am forever grateful that my wife has a good, stable job, and that she doesn’t mind carrying the household finances for awhile. I’ve applied to too many jobs on LinkedIn and other places only to be lost in the sea of résumés.

So, insufficient work.

I feel a lot of emotional burnout. Three small children—4, 4, and 2—are a lot of work. A lot of emotional labor. I try very hard to be a levelheaded, authoritative, communicative parent. I want my children to feel safe asking me for help. I want them to feel safe asking me hard questions. I want them to feel safe engaging with me and the family and the household. These may seem like sort of unimportant things for such little kids, but laying that groundwork now is critical for when they are older and their problems are bigger, more complicated, more serious.

All of that, though, requires a whole lot of mental and emotional bandwidth when your primary interactions are with little people who have a lot of really big feelings and really big ideas without the tools to manage them. So, the onus falls on me, as the parent in the room, to help them process and resolve, but also to make sure that meals are on the table and baths are taken and clothes are clean and relative peace is maintained, no matter who originally started playing with the unicorn blanket. That’s exhausting! And the incessant whining and complaining? It takes a Herculean amount of control (that I don’t always possess) not to flip my lid. And sometimes I do, but I pride myself on rallying quickly and not letting myself spiral out of control.

By the end of the day, I am totally worn out. I barely have the energy to make dinner for myself. My capacity to engage in anything else is spent. There is no break from it, either. It’s day after day after day, with some brief moments of quiet scattered throughout. But there isn’t enough time to recover. There isn’t enough outside-the-nuclear-family connection to vent adequately. There is no recharge.

This is not to say that my wife is absent or anything; she’s not. She is an active, committed parent, and we make a strong team. I feel supported by her. I mean only to describe my experience when I am alone managing children who lose their absolute shit when I’ve had the audacity to sprinkle some salt on their avocado.

So, real deal burnout.

The grand effect of all this is that I don’t make anything for myself anymore. I make things for what little work I can scrounge up. I make dinner for the brood. I try to stay on top of the house’s chores. But the creative generation that makes me feel like myself isn’t present. I don’t write. I barely voice over. I don’t make. That makes me feel bad. Lost.

When I do have windows of creative juice, I overvalue the time because of its rarity, get stuck figuring out what to spend it on, and then just squander it, producing nothing. I’ve written about this before. It’s a stupid cycle, but it’s also meant that in the last many many years I’ve made very little that fills my cup.

None of this is to complain, though. I am not complaining. I am just explaining the funk I’ve found myself in these last years. I am laying the groundwork so we are all on the same aggravated page.

I’ve had a client for the last few years who has had me on retainer. The retainer was not nearly enough for the work I put in or for what I brought to the table with my skill level, but it was consistent money and sometimes the only money I saw for months and months. I felt beholden to them, but I also hated the work. They were difficult to work with (with a few bright lights). The work itself was poor, repetitive, and ineffective. I did good work for them, but the quality of the output can only be so great when the quality of the media provided as input is low. How do you edit video for someone for years and not produce a single piece you would put on a showreel? Not a single piece. I’ve cut everything for them.

This summer, I started seeing videos show up on their Youtube account that I didn’t put my hands on. That was a little distressing, but could be chalked up to their sourcing the videos elsewhere or whatever. Organization and metrics and thoroughness were never the group’s strength. Three weeks ago I saw they had someone else cut a video recap of their annual fundraising event, a video which I’ve cut yearly since 2020.

That hit me at exactly the wrong time. I fell into a complete panic about this little piece of income I’d been holding onto as the only consistently earning part of my professional life drying up. For a few days I was in a hole about it. Spun out. Just bad. Big bad. Woof.

But the work for them continued, and I kept plugging away, doing my best to meet my responsibilities to them. Then one of the ladies in charge emailed me. They had their budget meeting with the board coming up the next week and would I mind getting on the phone with them. Of course, I wrote, no problem, just let me know what time you want to talk and I’ll be there. There were thankful, and we set up a time. I didn’t worry too much about it.

The call went exactly like I thought it would. Oh thank you for all your hard work, we love the movies you made for us, you have been such an important part of the team, we couldn’t do it without you, blah blah blah, but donations are down and the money isn’t there and we need to cut costs and we cannot afford to have you on retainer anymore.

There it was.

Instead of my stomach dropping out or the panic button getting slapped, I just felt kind of blasé about it. Like, ok, that’s it then. I’d already had my panic about the prospect, dealt with those feelings, cooled off, and moved on. In what I guess was an effort to make themselves not feel bad about all this, they asked me how I felt, if I was ok.

I responded, “What does it matter how I feel? You have made your decision and I am powerless to affect it either way. So here we are. It’s done.”

They were stunned a little bit. I suppose they expected something else from me? Who knows. Who cares. It’s not important. It wasn’t my job to make them feel better. The thing here is that I just sort of felt nothing about losing them, and over the hours following the call I started to feel a little free. The long, dark, seething annoyance for chicken scratch was over. They told me they want me to come back in the future on a per-project basis. I told them that’s fine. They won’t like my rate, but that’s on their shoulders.

Now I am no longer under that thumb. I’d always just waved it away as a thing I did in my extra time, the extra (only) money was fine, the work was easy, rationalize, rationalize, rationalize. The truth of the matter is that I was always angry about them. Always. Sometimes a little, sometimes raging, but always angry. That’s not a nice way to live, especially in light of all the other burdens we manage. No, not good at all. They also ended up using what little creative time I did have, causing me to overvalue the time they didn’t use further, leading to feeling even more stuck at the intersection of decision making. Two roads diverged in a yellow wood, but I didn’t take either of them and just sat down in the mud to make some crappy videos I didn’t care about.

The last days since the phone call have gotten my brain going again. I feel less blocked. I feel, dare I say it?, inspired. Inspired to make things again. Inspired to pour myself into creative projects and allow myself to make things for the sake of making things.

I need to figure out how to earn consistently, and I’ve been banging my head against the wall for ages to make no progress. I believe that diving into the act of creation without worrying about whether it’s contributing to some misconceived forward progress in life will give me the mental and emotional space to solve the problem. In the act of doing, I will find the thing that will lead me forward. In creation, there are answers. There is truth. Or, you know, at least guidance. It’s the thing that always steered me toward making, and I’d lost sight of it, but now I feel clear. This is the right thing for me. That is also a new tack.

I’ve been so stuck trying to ensure that I made the most out of my time that I made nothing out of it.

Instead of trying to force myself into one creative pursuit in my usable time, I want to cast a wide net. Just make stuff. Don’t worry about the big picture. Do the best I can with the time I have. Finished is better than perfect. Learning happens at every stage, even in failure. Devalue the time. Explore. Waste time. Feel things out. Start things. Finish things. Abandon things. Pick things back up. But never stop making, never stop doing.

Let this post stand as a statement of intent for what I want to be a new stage in my creative life and also the start of it. It is the foreword to something refreshed. Creativity is a core part of my identity. The act of creation—and through that act connecting with people across the void of space and time and experience—gives my life meaning. It is integral to everything I do and want and need. I have been missing it and my psyche has suffered for it.

Let’s make some things. Let’s figure it out.

Simon & Elsa

My kids are obsessed with Frozen and its sequel Frozen II. Mina will request “Elsha” the very first thing upon waking up in the morning or returning home from daycare or as soon as she’s finished throwing her unwanted blueberries on the floor at dinner. It is relentless.

So, as you might imagine, the music from the movies is a constant stowaway in my head. And as much as I think “Let It Go” is a banger of a karaoke song and that “Lost In the Woods” is a hilarious Peter Cetera riff, I am not always happy to have the snippets of the other songs I only partially know bouncing around my consciousness.

The particular song that inspired this post is from the second film. It’s called “Show Yourself”. It’s sung by Idina Menzel as Elsha and it’s very, very catchy. Beatrice especially loves this one. We have a bunch of videos of her belting it at the top of her lungs. It’s really quite endearing how strongly it sings to her little soul.

When Menzel sings the line “Show yourself!”, it resolves in a way that, in my mind, connects to Paul Simon’s iconic hit “Me and Julio Down by the Schoolyard”. You know the song. We all know the song. Everyone knows the song. It’s been playing non-stop since its 1972 release.

The mental mash-up, the music portmanteau goes a little like “Show yourself! I don’t know where I’m going, I’m on my way, I’m taking me time but I don’t know where”. Try it. It’ll get stuck in your head, too.

All done?

Good.

As you can imagine, such a potent musical melange wouldn’t stay sequestered in my head. When I am doing chores around the house the music escapes, and that means that Sarah has to endure it, also.

“Oh, god, I hate Simon & Garfunkel!” she said to me.

“I mean, yeah, goodbye to Rosie! Queen of corona!” I said.

“Yuck! I hate that song. There’s only one Simon & Garfunkel song I like.” We started to search through Spotify to find the song she was thinking about, but without success.

Then I had a thought, “Maybe it’s just a Paul Simon song?”

Then we found it. “Yes! This one! I love this song!” she said.

“This song?! This is the song you love??”

And do you want to know what the super hot Paul Simon jam my wife absolutely loves is?

It’s this:

Wow. You think you know someone and then you learn that their favorite Paul Simon song is “You Can Call Me Al”.