Press "Enter" to skip to content

Posts published in “Writing”

Thoughts on the Hunter alumni reading last night

Last night, Juli and I attended the Hunter Alumni reading night at the KGB Bar in the East Village after enjoying a meal of lentil soup and potato pancakes at B&H Dairy on 2nd Avenue. I have one word to describe the event—Wow. Now, that sounds fucking cheesy as shit, and it is, but let me explain.

But first, here’s the brief.

Please join us for the Fall 2009 reading featuring, Vanessa Manko (Fiction, 2008), Maya Funaro (Poetry, 2008) and Jason Porter (Fiction, 2008).

Vanessa Manko earned her MFA in Fiction from Hunter College (2008). After training in ballet at the North Carolina School of the Arts and dancing professionally with the Charleston Ballet Theater, Vanessa returned to school to earn a B.A. in English from the University of Connecticut. She went on to receive her M.A. in dance studies and cultural history from NYU’s Gallatin School. In addition to writing fiction, Vanessa writes about dance. She is the former Dance Editor of The Brooklyn Rail, and has written articles and reviews for Dance Magazine, NYFA’s Current, Dance Teacher, and Dance Research Journal. Vanessa is currently completing her first novel. She lives in Brooklyn Heights.

Maya Funaro’s chapbook Setting in Motion was released in 2009 by Fox Point Press. She completed her MFA in poetry at Hunter College in May of 2008. Her poetry has appeared in Ekleksographia, and Ology, the Graduate English journal of Hunter College. She holds a B.A. in Visual Art from Brown University and has studied printmaking, bookbinding and letterpress printing in Providence, Bologna and New York. Born and raised in South Jersey, she currently makes her home in Sunset Park, Brooklyn.

After a brief career as an online news editor and a less brief non-career as a rock musician, Jason Porter completed an MFA in Fiction at Hunter College in 2008. He has since written a short novel titled Why Are You So Sad? and is hard at work on a new novel about a fallen celebrity boxer. Despite a perfectly happy childhood in southeastern Michigan, he is even happier to now call Brooklyn his home, where he is gradually aging along with his girlfriend and their two nearly perfect terrier mutts.

The KGB Bar, as awesome and Communisty and red as it is, is a tiny little upstairs affair you’d never know was there save for the sign on the street. The windows are curtained and you have to walk into what was clearly once a tenement building that has been converted into a bar/theatre/performance space. The KGB Bar occupies the second floor with the other things on other floors. Tidy! When we got there at about 7:40 for an 8 o’clock start time, only a couple of tables were filled. Mind you that there are probably only 8 tables in the whole place. Nevertheless, it was still relatively empty. By the time the first reader went on, it was packed. Passage to the bathroom was impossible.

The turn out was incredible. I recognized a number of current and former Hunter MFA students from the two open houses I’ve attended. It’s demonstrative of the strength of their community that they could fill this place up on a cold Tuesday night. It is certainly a good sign to me that Hunter is the right place for me. A program that inspires that sort of loyalty is attractive. I would like to be part of it. Now, I just have to convince them that I am right for them.

27 – Not Fair At All

He is smarter than I am.  He is smarter, taller (slightly), more handsome, funnier, faster, stronger, and does way better with the ladies than I do.  I bet he fucks way better than me too.  I bet he’s able to do all sorts of crazy sexual shit that I’ve never even thought of before, stuff that would blow my fucking mind.  And I bet he’s so good at it that he makes chicks explode.  Literally explode from having sex with him.  But, I bet it doesn’t phase him at all.  He just makes chicks explode by banging them and then some other chicks just line right up to get freaky with him with the full knowledge that allowing him to dip his wick into their most wonderful and mysterious piles of wax might make them explode.  They’re down.  He’s just that great.  I’ve never gotten close enough to check, but I bet he even smells good, like some fancy English cologne or cookies or some crazy thing that makes women go totally nuts for his junk.

Every day after football practice he comes into my deli and orders the same thing: turkey with provolone and pickles on a dutch crunch roll.  Then he buys a single bag of chips and a Gatorade and leaves.  Turkey and provolone?  Seriously?  He even orders sandwiches better than I do.  I usually just go with ham and american cheese on white bread.  Why don’t I think to order turkey and provolone?  I even work in a fucking deli!  I make his god damned, perfect turkey and provolone and pickles on dutch crunch every day, and I still lack the imagination, the foresight, to order something so utterly perfect.  It haunts my dreams.  In all honesty, I will go to my grave never having ordered a sandwich quite as perfect as that.  It’s disgusting.

But no, the worst part about all this?  He’s nice.  I know, right?  He’s fucking nice.  All of this perfection—the turkey and provolone, the athleticism, the blowing chicks up with his dick—would be tolerable if he were a total, raging dick bag.  But guess what?  He’s fucking decent, man.  No no no.  Not just decent, he’s practically a fucking saint.  I mean, he walks around and birds land on his shoulders and chipmunks run up to him like Saint Francis.  Everyone in our town stops him and says hello in the street, how are you doing, I’m fine, thank you.  And how could you not?  He freaking radiates good will.  

Do you even know what that feels like?  To be shown up by someone who is totally perfect in every single way?  To want to be liked, to be popular, to finally make it with some girl in your high school class—she doesn’t need to be perfect, just not fat or ugly, I’m not that picky—and have every effort trampled unwittingly by some golden locked Adonis who can save the world with his smile?  Do you comprehend the frustration that brings?  Can you smell my seething rage at this horrid state of injustice?  It’s not fair, man.  It’s just not fair.

26 – Eggs & Toast

She woke and found him gone.  She cleared the gunk from her eyes and stared out the window at the gray day outside, the kind of day that never cleared up, but never rained.  She stretched and looked around the room, tidy, minimal, nice big windows.  And high off the ground.  She suspected that the view was great on clear days.  

Though she did not fully recall what happened here or how she got here, mostly, or the name of the man whose apartment this was, her clothes were still on which told her that she was, in the very least, not a complete tramp the night before.  That was always a nice thing to discover.  She hated the alternative.  She rolled on her back and felt something dig into her spine, realized that she still had her bra on, and sat up.  I guess I was better than I suspected, she thought.  Upon sitting up, her head swam and he consciousness swayed, found a handhold, and righted itself.  

“Whoa,” she whispered ad rubbed her face.  Today was going to be an interesting one.  Before she could deal with the impending misery this afternoon held and all the ‘cuddled under a blanket half-comatose on the couch’ness of it all, she had to figure out how to get home.  But more importantly than that, she had to pee which meant finding the bathroom.  She had never been a fan of peeing in her pants or the bed and she had no intention of starting now.  She stood, buckled her pants, and stumbled across the room, passing the alarm clock on the dresser which yelled “9:15” at her in angry red letters.  She hated alarm clocks, so fucking smug.

Thinking about the Theme for 2010

December is upon us and about to crest, leading us into the descent of 2009. This means the end of the first decade of the 21st century, an utterly meaningless metric, but one that has provided me with no fewer than four “Greatest Metal Albums of The Last Decade” lists. Not bad. Everyone seems to like Mastodon’s Leviathan, which I’ve never really listened to. I’ll have to give it a go.

And with the fading of 2009 another year’s theme comes to an end. The Year of 5000 Photos and 50 Short Stories, though not yet through, has been a success as far as I am concerned. With the express purpose of getting me to be consistently creative and come out of the year with some work done, the year has been a resounding success. While I am not yet at my quota for either task, I am confident that within the next few weeks I should be able to make it. 50% of the stories are finished at 92% of the photos. Pretty good. I have a lot of writing to do and a few photos to take, but we’re in the home stretch and I feel good about it. Let’s not also discount the film I am cutting right now and all the time and effort poured into this site for my 10 readers. I love all of you.

With three weeks left in the year, it’s time to think of my theme for 2010. In my statement for the Theme of 2009, I discussed some previous years and the efficacy of those choices. I’m not going into it again here, but I’ll sum it all up and say some were hits and some were clear misses. Last year I described a good theme as being “broadly applicable with recognizable short term goals”. I still think this is a good way to evaluate a potential theme, but I’d like to add that the theme should have demonstrable results, that is, I should be able to show something for my efforts. The best way to improve myself is by doing. All the thinking about something in the world won’t make you better at it. You have to get out there and get your hands (proverbially) dirty. It’s old wisdom, but true.

Another aspect of my yearly theme is that once complete the theme should continue into the next year. I intend to take another 5000 photos and write 50 more short stories next year and to keep a counter of those on the right hand side. But since they’re a secondary goal, I won’t be killing myself to get them done. My primary focus will be the Theme of 2010, of course.

But what is the Theme of 2010? I don’t know yet, but I have some ideas.

  • The Year of 3 Music Videos – In September, I wrote about building a body of motion work. Amongst my various bodies of work, my film & video work is easily the most poorly represented. I have plenty of photos to share and fewer but still ample stories, but how many pieces of motion work have I posted here that I have done? If you answered “Zero”, you’d be correct. And it’s clear I like music videos and the music that supports them. The only real drawback to this theme is that each video is a big project in itself and to get behind would certainly spell doom for this theme. There are a lot of steps involved though, so perhaps it could still fit the pattern of work posting I’ve established with The Year of 5000 Photos and 50 Short Stories which would help me stay on task and stay honest.
  • The Year of 12 Short Stories – “But, Joe,” you say, “didn’t you just do The Year of 5000 Photos and 50 Short Stories? What’s with cutting the quota down so much? Are you lame or something?” No, I’m not lame. Instead of writing 500 word chunks, these 12 short stories would be much more finished pieces, actually receiving—GASP!—revisions. These would be multiple-sitting efforts. I think the one per month pace would allow for some breathing room, and let me think about the work more. In terms of length, let’s call them somewhere in the range of 5,000 to 15,000 words. This year the longest thing I’ve written is about 3000 words. It was the first thing I posted for this year’s theme. The Biker Kills a Mexican. That one took me a few nights at the computer, but received no revisions. I’m proposing 12 stories of at least double the length. It’s a good amount of work, I think, but manageable.
  • The Year of the Novella – Here the idea is to write the longest single thing I’ve ever written. I like the novella, it’s like a long short story, or a baby novel. I suppose it depends on which direction you’re coming from. It would be an exercise in developing something more thoroughly than I ever have before and sticking to it. The SFWA defines a novella as a piece between 15,000 and 40,000 words, but other definitions go as low as 10,000 and as high as 70,000. That’s certainly a fairly broad range and suitable for work throughout the year. Maybe this could evolve into The Year of 2 Novellas in order to keep me busy. If I wrote 500 words a day, my current per-day volume of work, then 70,000 words would take 140 days. Average in some days without writing, and we’re still looking at barely half a year. Just something to keep in mind.
  • The Year of 3 Screenplays – It has been a long time since I’ve written for screen, but that doesn’t mean it’s not something I still care about. Writing is writing. Writing 3 feature length screenplays of roughly 120 pages each would be a great way to get back into it. I’ve got some ideas boiling around the back of my brain that would be great for films. I just need to get them out and onto (electronic) paper.

I think that in those suggestions, somewhere, lies the theme for 2010 that will make the year a great one. Perhaps I combine Short Stories and Music Videos, or Music Videos and Novella, or Music Videos and Screenplays, or Short Stories and Screenplays? The cross disciplinary approach worked well enough for me this year. When I didn’t write, at least I could take pictures. When I could take pictures, at least I could write.

Anyway, food for thought. I need think about this a little more. What do you all think out there in Black Laserland?

25 – His Blood Was Boiling

His blood was boiling.  He could not take his eyes off them.  Everywhere.  Every unrestrained jiggle.  Every poorly padded nipple.  Every sweet, shapely ass.  Every curve, every bulge, every stolen glance down the shirt.  His blood seethed right behind the eyeballs and his lizard brain screamed its primordial mating call in the subconscious recesses of his self.  There were beautiful women everywhere and he felt utterly powerless to resist them.  The streets were a minefield of libidinous hazards.  He had to hide or he feared his head might explode, hormones rushing through him, torrential, violent, powerful.  

Yet, sitting there alone in the cafe sipping his tepid coffee and staring at the buxom brunette with the fancy Italian-named drink he could never hope to pronounce correctly, he suddenly felt very old.  His suit felt like shackles, the unfulfilled dream of his squandered youth.  His graying hair another reminder of his drained virility.  His belly hanging over his 15 dollar belt a harbinger of the end.  His sad, useless life in decline.

He wanted so badly to bury his face between the young supple breasts of the brunette he had been staring at for almost an hour that he could almost feel the warmth of her breath on his threadbare scalp and smell the secret drop of perfume he suspected she placed in her cleavage, a reward for any man lucky enough to find his nose there.  But not for him.  Never for him.  His days of unrestrained lust were behind him, memories of the way things should have been but were not.  Now he was relegated to the role of suffering silent observer.  There was not a woman in the whole world that would look upon his tired paunch with desire and he knew it.  And he felt it.  He felt it in the very core of his loins.  Everything was lost.

24 – The Day I Met a President

I stood at the corner by the diner lost in thought waiting for the stupid red hand to turn into the stupid little man.  I thought about something that seemed really important at the time, but that I’m having trouble recalling now.  It was work, or a girl, or something.  Normal stuff, really.  The kind of utterly regular garbage a person spends so much of their life obsessing over that is, in the end, completely unimportant.  It’s funny what your brain thinks is important in the moment.

Anyway, I was at this corner, waiting to cross so I could go down into the subway and then to work, which was really exciting.  The air was crisp with the onset of autumn and I was wearing a jacket.  Morning was bustling with people on their way to work.  Garbage trucks roared down the street collecting the diverse refuse of the neighborhood.  The day was starting like thousands of others had.

And then behind me I hear a man’s voice say, “Excuse me, sir?”  I turned around because I am, apparently, one of those people that always looks like he knows how to get everywhere and so am asked regularly for directions.  Prepared to tell this guy that Grand Street is four blocks down, he just has to keep going, I was shocked to see him standing there in what I thought at the moment was one of those Renaissance Faire costumes, but which I would later learn was formal wear of the late 18th Century.

“Uh…”  I couldn’t say anything I was so shocked by this guy’s appearance.  I lived in a particularly funky neighborhood in Brooklyn and I was used to seeing people dressed up in all sorts of crazy shit—dudes in dresses, chicks like they’re from the 1940s, people riding those weird tall old bicycles.  But this guy in his crazy history outfit had me dumbfounded.  I eked out, “Yeah?” after a moment.

23 – These Fists

These fists.  These fists have known such discord as I cannot begin to recount.  In times before men lived upon this land, I rode across it, aimless.  I knew neither form nor consciousness, yet I was.  I remember those times, but I do not remember being.  And then the first men crossed the ice bridge in the north and spread down, adapting, changing, learning to live in this hostile, giving land.  And they told stories of the wind and the night and the lightning and the thunder.  They told stories of the great tusked beasts that roamed the land, of the fire that burnt the forests, of the place they went when they died.  They sought to make sense of so many things they knew nothing about, so they used what they knew—the animals, the birds, the seasons, the plants.  Each little group of these men created a web of stories, of belief, about the genesis of this place.  They created symbols to explain the inexplicable.  They gave names to the things and places and moments and stars that had no names, never knew they needed to be named.  It was then that I took form, though I was and am known by many different names to many different people.  As the years progress, I am known less and less.  My form has become a blending of so many cultures and traditions and ideas, the sum of so many thoughts, that I have become hard to recognize to all except the most attune to the natural world.  The modernization of the world has drained my once vibrant colors.  So few still believe, but I shall never cease to be for deep within them they know I am there.  To some, I am a benefactor, bringing with me change and growth and development.  To others, I am a malefactor, ushering in the end of an age, the death of what they had always known.  To be fair, I have never been either of these things.  My role is subject to their interpretation, to the context of the situation.  I only am.  I will only be.  I will continue to ride as long as the sun rises and sets.

And though I am impartial, my time amongst the people has imbued me with something like what they call emotion.  I have found myself taking part in their struggles, often against my better judgment.  When I have had time to stop and think about it—such a strange thing thinking—I recognized that my role is only to lead the change, not to fight for or against it.  Yet that is what I do.  I take sides.  While so many people thought I was preventing change from taking place, I knew that change would happen regardless.  Nothing can stop the change once it begins.

And here, again, I embarked on this cycle of change and rebirth, the cycle of death and destruction, leading the vanguard of discord to welcome an era of concord in my wake.  But on whose side shall I fight?  Whose blood shall I spill?  What shape shall the future take when my role, for the moment, is done?

22 – Jacob Donner, Apt 23

It was Spring after a long, cold, dark winter, so I never noticed when the apartment across the hall from me was filled.  January and February had been particularly cruel and I spent most of it inside, alone.  I’m not entirely sure how it was that I missed something as noisy and drawn out as someone moving in.  I guess I was asleep that day.  Or hung over.  Or drunk.  Or something.  It didn’t matter.  The point I’m trying to convey is that it was March (or was it April?) before I discovered that the apartment across from me, long vacant since the old woman who previously lived there disappeared, she must have died, was filled by someone new.  New blood in my apartment building was refreshing.  A nice change from the old ladies who live here on pitifully tiny rents their sons pay for them.  They were nice, but quiet and shy.  A little fire never hurt.  

I was coming up the stairs from somewhere, the liquor store around the corner probably, cradling a fifth of Turkey in my jacket pocket.  I like Jim Beam, but when a man is faced with the prospect of nothing to drink versus something to drink of maybe not the exact preferred brand, then he has an easy decision to make.  I was going up the stairs with my Turkey, when beside me I noticed a tall, soft Asian boy, maybe 21, dressed nicely I guessed.  He smelled like a woman without a doubt.  I never trusted a man who smelled like anything other than a man, but this kid looked harmless enough.  He looked at me like I was the boogie man.  It’s not good to be scared of neighbors.

“You live here long?” I asked him.

“Oh, no, we just, uh, moved in, like, maybe two months ago?” he said.  Light in the loafers, this kid for sure.  Definitely light in the loafers.