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Posts published in “Writing”

A Refreshed Approach

I’ve been feeling stuck. Professionally, emotionally, creatively stuck.

There are many factors.

I don’t love where we live and having moved here in the height of COVID while working from home and then having a couple sets of children, I’ve never developed a community or social life to speak of. We have no local family, which means no local relief. Down state, where we were living for the first few years, the area clears out in the colder months, leaving row after row of darkened vacation properties and empty developments with no one to talk to save the committee of turkey vultures holding court on a half-filled dumpster.

We’ve since moved upstate about halfway to a town that doesn’t empty out when beach season ends, yet I find myself in a similar situation. I spend the days at home working (or not). Then my afternoons and evenings are devoted to the children because Sarah works dinner shifts. Saturdays are likewise spent solo parenting with the children. Sundays in the offseason are time for all of us to spend together. The time to be social is blocked off. And even if I had time, I have no idea with whom to be social around here. There’s a bowling alley, but that’s not really my tempo.

So, no friends around.

Work has been incredibly spotty and unreliable. After I laid myself off from the greenhouse business in June of 2022, I went back to freelance video editing. It hasn’t been so easy as that, though. I allowed the network I’d been part of for so long to dwindle over five years of greenhouse building. Re-entering the workforce as a remote-only editor from the glorious land of Delaware made it difficult to reintroduce myself. In the years of my absence, the industry shifted toward further corporate consolidation and cost cutting, limiting opportunities for freelance work. Even edit houses I once considered stalwarts were struggling to keep the lights on. To further complicate the issue, my availability was limited with my dad responsibilities. And there just isn’t work locally. The closest hit I got was about a job to edit real estate videos for like 15 dollars an hour, which wouldn’t pay for the childcare required to do the job. Bleak!

It has been picking up a bit, year after year, but the volume of work—and the income—has not yet reached a sustainable level. I am forever grateful that my wife has a good, stable job, and that she doesn’t mind carrying the household finances for awhile. I’ve applied to too many jobs on LinkedIn and other places only to be lost in the sea of résumés.

So, insufficient work.

I feel a lot of emotional burnout. Three small children—4, 4, and 2—are a lot of work. A lot of emotional labor. I try very hard to be a levelheaded, authoritative, communicative parent. I want my children to feel safe asking me for help. I want them to feel safe asking me hard questions. I want them to feel safe engaging with me and the family and the household. These may seem like sort of unimportant things for such little kids, but laying that groundwork now is critical for when they are older and their problems are bigger, more complicated, more serious.

All of that, though, requires a whole lot of mental and emotional bandwidth when your primary interactions are with little people who have a lot of really big feelings and really big ideas without the tools to manage them. So, the onus falls on me, as the parent in the room, to help them process and resolve, but also to make sure that meals are on the table and baths are taken and clothes are clean and relative peace is maintained, no matter who originally started playing with the unicorn blanket. That’s exhausting! And the incessant whining and complaining? It takes a Herculean amount of control (that I don’t always possess) not to flip my lid. And sometimes I do, but I pride myself on rallying quickly and not letting myself spiral out of control.

By the end of the day, I am totally worn out. I barely have the energy to make dinner for myself. My capacity to engage in anything else is spent. There is no break from it, either. It’s day after day after day, with some brief moments of quiet scattered throughout. But there isn’t enough time to recover. There isn’t enough outside-the-nuclear-family connection to vent adequately. There is no recharge.

This is not to say that my wife is absent or anything; she’s not. She is an active, committed parent, and we make a strong team. I feel supported by her. I mean only to describe my experience when I am alone managing children who lose their absolute shit when I’ve had the audacity to sprinkle some salt on their avocado.

So, real deal burnout.

The grand effect of all this is that I don’t make anything for myself anymore. I make things for what little work I can scrounge up. I make dinner for the brood. I try to stay on top of the house’s chores. But the creative generation that makes me feel like myself isn’t present. I don’t write. I barely voice over. I don’t make. That makes me feel bad. Lost.

When I do have windows of creative juice, I overvalue the time because of its rarity, get stuck figuring out what to spend it on, and then just squander it, producing nothing. I’ve written about this before. It’s a stupid cycle, but it’s also meant that in the last many many years I’ve made very little that fills my cup.

None of this is to complain, though. I am not complaining. I am just explaining the funk I’ve found myself in these last years. I am laying the groundwork so we are all on the same aggravated page.

I’ve had a client for the last few years who has had me on retainer. The retainer was not nearly enough for the work I put in or for what I brought to the table with my skill level, but it was consistent money and sometimes the only money I saw for months and months. I felt beholden to them, but I also hated the work. They were difficult to work with (with a few bright lights). The work itself was poor, repetitive, and ineffective. I did good work for them, but the quality of the output can only be so great when the quality of the media provided as input is low. How do you edit video for someone for years and not produce a single piece you would put on a showreel? Not a single piece. I’ve cut everything for them.

This summer, I started seeing videos show up on their Youtube account that I didn’t put my hands on. That was a little distressing, but could be chalked up to their sourcing the videos elsewhere or whatever. Organization and metrics and thoroughness were never the group’s strength. Three weeks ago I saw they had someone else cut a video recap of their annual fundraising event, a video which I’ve cut yearly since 2020.

That hit me at exactly the wrong time. I fell into a complete panic about this little piece of income I’d been holding onto as the only consistently earning part of my professional life drying up. For a few days I was in a hole about it. Spun out. Just bad. Big bad. Woof.

But the work for them continued, and I kept plugging away, doing my best to meet my responsibilities to them. Then one of the ladies in charge emailed me. They had their budget meeting with the board coming up the next week and would I mind getting on the phone with them. Of course, I wrote, no problem, just let me know what time you want to talk and I’ll be there. There were thankful, and we set up a time. I didn’t worry too much about it.

The call went exactly like I thought it would. Oh thank you for all your hard work, we love the movies you made for us, you have been such an important part of the team, we couldn’t do it without you, blah blah blah, but donations are down and the money isn’t there and we need to cut costs and we cannot afford to have you on retainer anymore.

There it was.

Instead of my stomach dropping out or the panic button getting slapped, I just felt kind of blasé about it. Like, ok, that’s it then. I’d already had my panic about the prospect, dealt with those feelings, cooled off, and moved on. In what I guess was an effort to make themselves not feel bad about all this, they asked me how I felt, if I was ok.

I responded, “What does it matter how I feel? You have made your decision and I am powerless to affect it either way. So here we are. It’s done.”

They were stunned a little bit. I suppose they expected something else from me? Who knows. Who cares. It’s not important. It wasn’t my job to make them feel better. The thing here is that I just sort of felt nothing about losing them, and over the hours following the call I started to feel a little free. The long, dark, seething annoyance for chicken scratch was over. They told me they want me to come back in the future on a per-project basis. I told them that’s fine. They won’t like my rate, but that’s on their shoulders.

Now I am no longer under that thumb. I’d always just waved it away as a thing I did in my extra time, the extra (only) money was fine, the work was easy, rationalize, rationalize, rationalize. The truth of the matter is that I was always angry about them. Always. Sometimes a little, sometimes raging, but always angry. That’s not a nice way to live, especially in light of all the other burdens we manage. No, not good at all. They also ended up using what little creative time I did have, causing me to overvalue the time they didn’t use further, leading to feeling even more stuck at the intersection of decision making. Two roads diverged in a yellow wood, but I didn’t take either of them and just sat down in the mud to make some crappy videos I didn’t care about.

The last days since the phone call have gotten my brain going again. I feel less blocked. I feel, dare I say it?, inspired. Inspired to make things again. Inspired to pour myself into creative projects and allow myself to make things for the sake of making things.

I need to figure out how to earn consistently, and I’ve been banging my head against the wall for ages to make no progress. I believe that diving into the act of creation without worrying about whether it’s contributing to some misconceived forward progress in life will give me the mental and emotional space to solve the problem. In the act of doing, I will find the thing that will lead me forward. In creation, there are answers. There is truth. Or, you know, at least guidance. It’s the thing that always steered me toward making, and I’d lost sight of it, but now I feel clear. This is the right thing for me. That is also a new tack.

I’ve been so stuck trying to ensure that I made the most out of my time that I made nothing out of it.

Instead of trying to force myself into one creative pursuit in my usable time, I want to cast a wide net. Just make stuff. Don’t worry about the big picture. Do the best I can with the time I have. Finished is better than perfect. Learning happens at every stage, even in failure. Devalue the time. Explore. Waste time. Feel things out. Start things. Finish things. Abandon things. Pick things back up. But never stop making, never stop doing.

Let this post stand as a statement of intent for what I want to be a new stage in my creative life and also the start of it. It is the foreword to something refreshed. Creativity is a core part of my identity. The act of creation—and through that act connecting with people across the void of space and time and experience—gives my life meaning. It is integral to everything I do and want and need. I have been missing it and my psyche has suffered for it.

Let’s make some things. Let’s figure it out.

The Black Laser Reads: Episode 9 – “From Beyond” by HP Lovecraft

One of the things I like to do while I am home alone during the day is to put on whatever old horror film I can find included in my streaming services. The cheesier, the weirder, the more off-putting, the better. I often don’t even watch the film; I just put it on and walk away. Sometimes it’s nice to have some noise in the house, you know?

Some greatest cinematic hits of this pastime are Running Man, Big Trouble In Little China, and Prince of Darkness. It’s no surprise, I think, that two of those are John Carpenter films. There are also lots of more niche horror and science fiction films in the mix. Suspiria. The Beyond. The Visitor. The House By The Cemetery.

You get it.

A few days ago I picked From Beyond, 1986’s best Lovecraft adaptation. If you haven’t seen it, you should. It’s a Stuart Gordon classic and it’s got everything: gore, nudity, intense practical effects, Jeffrey Combs. Everything! The film is wild and tasteless and messy and great. If you care about horror cinema, you need to see it. In all likelihood, of course, if you care about horror cinema you’ve already seen it.

As I ate my lunch and watched Jeffrey Combs’ pineal gland erupt phallically from his forehead, I thought to look up the short story the film is based on. I’d never read it before and discovered that it’s only like 10 pages long. The perfect length for a “get back in the saddle” episode of The Black Laser Reads. And that’s what I did.

I spent two hours on this yesterday. The total run time is just over 19 minutes. That works out to about 6 hours 20 minutes per finished hour of audiobook. Seems like a lot, right? But if you consider how long I spend to cut a single 30 second TV commercial, this ratio starts to look pretty good.

Anyway! The story is embedded below or you can find it on my Bandcamp where you can download it for absolutely nothing.

The text for this episode came from Standard eBooks. If you are interested in reading “From Beyond” which is found in Short Fiction, you can download a public domain e-book here.

I’m working on the first full novel of this series and it’s taking me quite a while to work through. I will probably post another couple shorties in the meantime because they are nice palate-cleansers for when I need to taste something other than hard-boiled detective on my tongue. I promise the next one won’t be Lovecraft.

The Black Laser Reads: Episode 8 – “The Colour Out of Space” by HP Lovecraft

Our good old, problematic boy HP Lovecraft is back on this episode of The Black Laser Reads. This time we’ll be reading “The Colour Out of Space” which was originally published in March, 1927.

It’s a bright, cheery story about a New England farmer slowly watching his home, his family, and the world around him slowly decay to ash and madness as he is utterly powerless to resist. It really sings to my own current existential dread due to my inability to care for my family. Very close to home! Very stressful! Except I don’t have a nightmare outer space meteorite to blame.

Enjoy.

The text for this episode came from Standard eBooks. If you are interested in reading “The Colour Out of Space” which is found in Short Fiction yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something new to the public domain in 2025.

The Black Laser Reads: Episode 7 – The Damned Thing by Ambrose Bierce

The days are getting shorter, the clocks have been set back, and the weather is (finally) getting colder. Time for (more) horror stories! Also a little bit of literary horror escapism from the current real life political horrors unfolding on the national stage is welcome.

This time on The Black Laser Reads, we’re reading Ambrose Bierce’s 1893 science fiction story which is also sort of a proto-eldritch horror story. It’s good! And there are no problematic elements in it which is a blessing for a story from the nineteenth century. Good work, Ambrose Bierce.

You might recognize the author’s name from your high school American literature class when you read “An Occurrence At Owl Creek Bridge”, another science-fictiony, time-wimey sort of story from the 1890s. What can I say? Dude was ahead of the curve of genre fiction.

Enjoy the story.

The text for this episode came from Standard eBooks. If you are interested in reading “The Damned Thing” which is found in Can Such Things Be? yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: you’ll know when I do!

The Black Laser Reads: Episode 6 – Rip Van Winkle by Washington Irving

Happy August, friends!

A recent trip up to the Hudson Valley inspired me to finally dig into my Washington Irving collections. I am familiar with the plots of “Rip Van Winkle” and “The Legend of Sleepy Hollow”, two of Irving’s most famous stories, but I’d never actually read either of them. There are so many things to read, and life is a finite resource. But you can’t go anywhere up in the Hudson Valley without seeing Rip Van Winkle this, Rip Van Winkle that, Rip Van Winkle whatever. Rip Van Winkle Realty. Rip Van Winkle Adventure Guides. Rip Van Winkle Brewing Company. You get it. That absolute in-your-faceness made the decision to start with this story an easy one. Also, it’s pretty short, so not a ton of work to get it done.

“Rip Van Winkle” is the story of a shiftless, good-natured dingus who lives in fear of his wife. Like, pure, white knuckle terror. And Irving does not hesitate to let us know how much she sucks the joy from Van Winkle’s life. Eventually he meets some ghosts, falls asleep for 20 years, wakes up, and learns that the Revolutionary War has happened. And that’s all super weird and disturbing for him! Then he learns that his wife is also dead so he is now free to live his life of aimless wandering and hanging out at the bar, and he is finally happy.

Seriously. That’s it.

Sorry for spoiling it, but the story is more than 200 years old. The moratorium on spoilers expired some time around the Gettysburg Address.

It’s quite dated both in form and attitude, but it’s still a pretty important piece of American short literature. For that reason, probably worth listening to me read it to you for the astonishing price of nothing at all.

Enjoy!

The text for this episode came from Standard eBooks. If you are interested in reading “Rip Van Winkle” which is found in The Sketch-book of Geoffry Crayon, Gent. yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: I have no idea! Let’s be surprised together.

The Black Laser Reads: Episode 5 – In Our Time by Ernest Hemingway

One of the struggles with The Black Laser Reads is to find material that feels modern. It’s really easy to find old-fashioned texts with too many semicolons, but the nature of copyright law means that recent materials are pretty rare. Just the nature of time, I suppose.

To my surprise, the original 1924 version of Ernest Hemingway’s first “novel” In Our Time came into the public domain a few years ago. It’s not really a novel, more of a collection of vignettes. I wouldn’t even call them short stories. They’re at most a couple pages long. But here is a piece of writing with a distinctly modern feel and which presents a new challenge for my narration skills.

I think I gave it a different feel, too. It was nice to read something where I didn’t have to worry about running out of breath mid-sentence. I hope you enjoy listening.

The text for this episode came from Project Gutenberg. If you are interested in reading In Our Time yourself, you can download a public domain e-book here.

Next time on The Black Laser Reads: something distinctly unmodern.

Some creative thinking for the dawn of 2024

Happy New Year, everyone! I was fumbling around the internet recently and came across a post on Fstoppers that provides a framework about how to process your creative output from last year and your creative goals for this year. I thought it would be fun and interesting to go through this list here to share with you all.

Note that I am going to change some of the photography-specific language in the questions to be broad. I’m a photographer, sure, but I’m also a bunch of other things all lumped together.

Ok? Ok! Cool! Let’s get going.

  1. On a scale of 1 to 10 how do you feel about your year as a creator?

    Pretty iffy, overall. I posted 18 times here for the entirety of 2023: 8 were photos of my kids, 4 were TBLR posts, leaving just 6 that were actual writing. Not so great? But I did restart my TBLR project and am pretty happy with how that’s going. There’s been a bit of a lull through the holidays and all that business, but I have one in process that will go up soon. So that’s fun. I also have six more Failure States planned for when I feel like wallowing a bit.

  2. What is one big lesson you learned as an artist this year?

    I wish I could say I learned something, but I am not sure what that would be? I haven’t pushed myself too hard this year. Granted we had a baby which took up a whole lot of time between January and the summer, but that’s not a good excuse. The honest truth is that I just didn’t make much time to be creative this year. Anxiety, depression, shit even just distraction. I’ve been not so good for myself this year as with many other years.

  3. Glance through your calendar for this year, are you happy with how you invested your time? Why or why not?

    Not really. I spent a lot of time in 2023 dicking around and not getting too much done. Not that my value is determined by my output, but there was quite a lot of time that I spent messing around that I could have used better. I log all the time I do professional creative work in a notebook that sits on my desk. For a good part of the year I also logged the time I did personal creative work, but that sort of dropped off. I suppose that I subconsciously felt ashamed or something about how little time I was logging for it. Kind of silly. I should probably start logging it again this year.

  4. What piece or series was the best one you produced this year, and why was it the best?

    I guess we can call this the resurrected The Black Laser Reads. I’ve been thinking about this for years but never felt like I had the technical skill to execute in a way I would have felt good about. But over the last two years or so I’ve been recording a lot of voice over auditions and learning a lot about processing audio for that purpose. Suddenly, this year, I realized I actually do have the skill to execute TBLR v2 in a manner up to my standards. That is pretty satisfying. I have so many books in line. I could fill my entire year just reading for TBLR and do nothing else. A bit of a trap there, actually.

  5. Evaluate your [output]. Are your pieces where you want them to be artistically? Technically?

    Nah, they never are. My work can always be better. I think, for me, that artistic and technical quality go hand-in-hand. If one isn’t in place, then the whole work is a bit of a failure. I always try to accomplish both and consider both in the evaluation of the work after releasing it to the world. And I am not writing nearly enough. Not nearly enough.

  6. What do you like about your [work]? What do you dislike about [it]?

    I like the creation of it. I like the feeling of focusing on a project and doing my best to make sure it comes out well. But I wish it were more varied. I love my kids, but I’d like to take photos of something that’s not just them. I love reading audiobooks, but I also need to be writing for myself. And I have some video work planned that I can’t get off the ground for schedule, childcare, and financial reasons. A lot of things I’d like to have done, but did not do for a lot of reasons that just feel like silly excuses no matter how real they are.

  7. Are you producing great work, mediocre work, expected work, innovative work, or poor work and why?

    Somewhere between good and average. Above average, perhaps?

  8. What did you accomplish this year that you are most proud of?

    I kept my kids alive and they are nice people. That’s it.

  9. What are you most disappointed about from this past year as a creator?

    It’s been a bit of a creative wash. A lot of attempts, a lot of struggle, a lot of effort and thought and learning and support work, but not a lot of results. Frustrating.

  10. What is one thing you want to stop doing (1), start doing (2), and continue doing (3) in 2024?

    First, I’d like to stop sabotaging myself and cutting myself so much slack. Do I need to drink a couple glasses of wine or beers at the end of the night? No, not at all. Do those things affect me? Sure! They definitely allow me to convince myself with excuses and they affect my sleep which makes the early mornings pretty useless. This isn’t even really about alcohol dependence or some feeling that I am an addict. I don’t feel that way. But I do think I could be better about saving that sort of thing for times where it makes sense and not rely on it as a way to blow off steam at the end of the night. Even if I knock out 30 minutes of work that I wouldn’t have done otherwise, that is a positive outcome. This was one of my major takeaways from our most recent Whole30.

    Second, I’d like to start writing fiction again. When we were living in my mother in law’s basement before Sarah gave birth to the triplets, I started a story that I quite liked. I worked on it until Penny and Bea came home from the NICU, but really lost the emotional steam for it when Olive’s health took a downward turn. In fact, that story has opened automatically every time I’ve opened Scrivener since then. That’s like 3 years now. That’s a lot of auto-openings. I need to get back to it. There’s no craft that I enjoy as much as writing stories, but there’s also no craft I feel quite so unsure, so unconfident, so weird about. That feeds into a lot of fear and guilt and other stupid, self-defeating nonsense. I just need to rip off that bandaid and build some momentum.

    I think the best way to do this is to set a real schedule for myself. For the last few weeks I have been deliberately waking up earlier. Trying to retrain my sleep schedule. Once in my younger adulthood, the middle of the night was a fertile creative time. Now, however, in my early forties with three children that just isn’t true anymore. It took me a while to realize this. No, that’s not quite right. It took me a while to admit this to myself. Hence the deliberate schedule shift. My goal is to get to the point where I can wake up early, spend an hour writing, and then engage with my day as a stay at home dad. Because that’s my life. I need to make it work. I want to make it work. The time for it is now.

    I’d also like to take photos of stuff again. I feel like I’ve fallen into glorified snapshot mode, which is fine, but is not creatively rewarding. I am still going to take too many photos of my kids, of course, but I would like to also take photos of stuff that’s not my kids. You get it.

    Third, I’d like to continue with TBLR and Failure State. Those are fun projects that I can work on when I am not fresh. That is, late at night, after a long day of small children screaming for my attention. I can absolutely zone out and edit mouth noises out of my performance of “The Legend of Sleepy Hollow” while exhausted. No problem at all. What I can’t do in that state is form compelling thoughts and ideas and then translate them into words. Best to use that time of the day for projects that don’t require 100% of my processing power.

So that’s about it. Some optimization for this coming year. Some places I’d like to put more juice. You know what would also be great? Getting a job. Or jobs. I’ve been seriously underemployed since Verdant collapsed and that is driving me nuts. But I’ll save that for Failure State: Verdant Construction whenever I get around to writing that.

A Great Discworld ReRead & Read

I love Discworld. A lot.

I was first introduced to Terry Pratchett through Good Omens in the late 90s. I’d been a big fan of Hitchhiker’s Guide so the humor spoke to teenage me. Good Omens is great. One of very few books I’ve read more than once. But I didn’t really know anything about the Discworld series. Not that there was a good way to learn about things like that besides word of mouth, stumbling on them in a bookstore or library, or maybe some cruddy Geocities website.

I learned about the books from a TA at a summer film program I attended at the Maine Photographic Workshops and it sort of blew my mind. An entire series like the Hitchhiker’s Guide, but longer and about fantasy? Written by one of the guys who wrote Good Omens? Fantastic! Getting the books was a little tougher, though.

This was an era before easily accessible electronic copies of books and most of the older Discworld books were out of print in the US or hard to find. And I certainly wasn’t going to start somewhere in the middle of the series like some insane person with no respect for order. But then Harper Collins started reprinting mass market paperback versions in chronological order.

That meant the time was right. So I dug in! For years, from the reprinting of Color of Magic in 2000 , I’d pick up the next Discworld book as it was reprinted or printed in the US, careful to read them only in original publication order.

If you ask people, they’ll often recommend you start with some of the later books and then only return to the early ones if you find you’ve become a fan. Nonsense. I think the beginning is the best place to start. You really get to see Pratchett come into his own not only as a writer but also as the creator of a world that starts as a sort of send-up of sword and sorcery tropes but becomes a rich, living, satirical thing of its own that is unlike just about anything else in modern fiction.

Discworld is silly. Discworld is exciting. Discworld is profound.

Discworld is great. I love Discworld.

I’ve wanted to start at the beginning again, reread the ones I’ve read already, and finally read the ones I haven’t. About a year ago I had the idea to start collecting Kindle versions as they went on discount and would work my way through as they became available. By the beginning of 2024, I’d collected three books: The Color of Magic (Discworld 1), Hogfather (Discworld 20), and Raising Steam (Discworld 40). Ok. A start. It’s probably going to take me a long time.

And then yesterday I found that Humble Bundle is selling 39 of the 41 Discworld books for the price of a burger and a beer. It might be the universe’s biggest no-brainer. How could I possibly say no to this?

Sure, the books activate on the Kobo store (what?). Sure, it’s missing the graphic novel The Last Hero and Raising Steam (the latter of which I already have). Sure, Humble Bundle is kind of sketchy now. But almost all the books? In one place? For eighteen stupid dollars?

Done.

I spent about 2 hours converting the files with Calibre and then sending them off to my Kindle for the sheer convenience of having them all in one place with all my other ebooks. Time consuming, sure, but easy and didn’t require a ton of thought. A little metadata clean up here, find new cover artwork there, and boom! All done.

Now I can reread and read the whole series. So follow along with me as I work my way through forty Discworld books over the next few years. I’ll give each a write up here as a way to stay honest about my progress. Honestly, I am pretty excited about it. If you love Discworld, or are at all curious about it, I encourage you to read along with what is sure to be a wild ride. Should be fun!