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Posts published in “About Photography”

L’esprit de l’escalier

“Oh those pictures are dope. But it’s because you have such a nice camera.”

“Yeah, that’s right, I just manually set aperture, ISO, and shutter speed, composed based on desired effect and available light, focused, chose the proper lens, picked the exact right moment to release the shutter, picked the nicest photos from the set, and developed them so as to extract the most detail possible and further enhance the effect I had in mind when shooting. The camera really does most of the work.”

An inspired triptych.

While in Minnesota, I was looking out at the hazy expanse of seemingly endless water on Lake Superior and I was reminded of Sugimoto Hiroshi’s Seascapes. Standing on the edge of the inland sea there I thought I should probably see if I can create something like I remembered them to be. I ended up taking three photos, all of Lake Superior, at different places and times of day. I am going to get them printed and put them on my wall which I think will be nice, but I am having a hard time deciding which ones I like more, color or black and white.

Here are the color ones.

Here are the black and white ones.

They will hang in this order, left to right, on the wall as 12″ square prints. I highly recommend clicking on the photos for a closer look or even going to Flickr to look at the 2K sized ones.

My only hesitation is that the last time I printed black and white photos for the wall, I ended up hating them. But that might be because that was a whole lot less thought out than this. Anyway, I’d love your comments.

Amortizing Creative Expenditures

I’ve long contended that for each dollar I spend on a particular piece of photographic equipment I must take at least one photograph with it. So, if I spend 1800 dollars on a Canon 70-200 f/2.8L IS zoom lens, then I’d better well take 1800 photos with it. (note: I have. More than that, in fact.) It’s simple math, easily managed, and, most of all, it makes sense. I’ve written about it on here somewhere else before, I think, but I can’t find the post so you’ll have to just trust me. It has worked quite well for me as a guideline while informing new purchases and once I’ve purchased an item. Am I going to use x piece of equipment to take y number of photos or is it something I can live without? Now that I’ve purchased item z, I’d better throw it in my bag because there’s no way I’ve taken n photos with it yet. It has protected me from frivolous purchases in the past and made me think about using the tools I already have. It’s a good system. I recommend it to any photographers out there.

But photography is not my only artistic endeavor. I am also a writer (as you well know), a professional in the moving image field, and I dabble in songcraft. It occurred to me while I was walking to the Apple Store to purchase a laptop backpack—the current messenger style bag I use hurts my fucking back—that I don’t have a useful metric for justifying those purchases. No, “justify” is the wrong word. It makes it sound like I’m making an excuse for the purchase; I’m not. I don’t have a useful metric to ensure that I get my money’s worth out of an item. What sort of production quotas make sense to meet to make the expenditure, and thereby the time I’ve spent working to make that money, a fair trade? With the photography, it’s easy. I’m constantly producing. Look at my hard drives. They’ll tell you all about it. But that’s not necessarily true of video editing or music creation software. They are tools I use to create things but are not inherently productive in and of themselves. Music production software (Logic) can be used to make something from scratch. Editorial or VFX software is even more difficult because they are often just PARTS of the chain of production. Making beautiful photographs and making beautiful films are both difficult things, but photography is a much more solitary craft than filmmaking. A craftsman can make beautiful photographs all by himself, but good luck making a beautiful film all by yourself. It’s all but totally impossible.

But difficulty has nothing to do with it. The difficulty is just a challenge to the creator, a hurdle, a bump in the road.

Therefore, I propose this system to make my purchases of music and video tools feel reasonable. Consider it a challenge to myself to make the time I spend working, earning money to spend on tools, fruitful. To make the late nights and weekends at the office work toward making me a self-sufficient creator of things so that I can get myself to a point where all this dicking around IS THE JOB. Imagine that.

Guidelines for expenditures on video tools
For each hundred dollars spent on video tools, I must create at least one minute of finished footage. Dailies do not count. That’s absurd. Finished means that I’ve put time and thought into it. A finished piece is something I would not be embarrassed to show someone. I do not have to provide qualifications for rough bits in finished footage. 1 minute of footage per 100 dollars spent.

Guidelines for expenditures on audio tools
For each hundred dollars spent on audio tools, I must create at least one song or three minutes of mixed audio. Audio demands a higher creative price since I can sit and create without outside help. Audio also has two possible avenues for amortization since using audio software to mix for video is a perfectly valid use. A song is defined similarly to a piece of finished footage, that is, I’ve put thought and effort into it. I would not hesitate to post it here on The Black Laser. I do not need to qualify it in any way.

I think these are pretty useful guidelines, and will definitely help me focus my energies into short term, highly feasible goals. I’ve already mentioned plans to put together music videos, and many people know about the mystery that is Fantasies About Time Travel. I’ve also been thinking about dropping some choice Ghettotech beats under a pseudonym, like DJ Muad’Dib, MC Kwisatz Haderach, or Duncan Idaho. Bonus points for pinpointing how badly I just dorked out there.

The Year of 50 Short Stories and 5000 Photos – 6 months on

Today is June 1st which means it’s time for an update on my progress toward the Year of 50 Short Stories and 5000 Photos. Astute readers will have noticed that I continually update the box on the right side of this page with my current progress as I make photos or write, whether or not I post them here. What you will not know is that I have been keeping a log since January 14th of the progress I make per update. Here is the breakdown for my photographs.

Jan 14 23/5000 (0.460%)
Jan 17 152/5000 (3.040%)
Jan 19 230/5000 (4.600%)
Feb 16 354/5000 (7.080%)
Feb 21 659/5000 (13.180%)
Feb 24 1104/5000 (22.080%)
Feb 26 1202/5000 (24.040%)
Feb 28 1318/5000 (26.360%)
Mar 06 1834/5000 (36.680%)
Mar 07 1904/5000 (38.080%)
Mar 22 2013/5000 (40.260%)
Mar 23 2131/5000 (42.620%)
Mar 28 2206/5000 (44.120%)
Apr 20 2276/5000 (45.520%)
Apr 26 2400/5000 (48.000%)
May 08 2821/5000 (56.420%)
May 09 2919/5000 (58.380%)

You can see that not only has my progress been consistent, but that even early in May, I was beyond the 50% mark before half the year had elapsed. All in all, I think my progress has been appropriate and, frankly, pretty impressive. I’m surprised and pleased that I’ve stayed on track with this. Good job, Joe. Even better is that merely half way through my quota for the year, I can see and feel my photography improving. That is really encouraging and makes me want to get out there and keep making photos. The remaining 2000 (I have some on my camera waiting to be offloaded) should be a piece of cake. I will be interested to see what the final tally will be for the year.

Ok, thats great and all, but what about the other half? Let’s look at the breakdown.

Jan 14 0/50 (0.000%)
Mar 31 1/50 (2%)
Apr 07 2/50 (4%)

Ooooh. Not so good. 4% at the halfway point? Pretty fucking pathetic actually. So what’s my problem? I think I’m being my own worst enemy here. I’m getting caught in creative webs, constantly trying to write brilliant material so that when what’s coming out isn’t sparkling, I get dismayed and stop. BAD JOE! I need to learn from the photos—not every photo I take is brilliant, but every one counts. I just need to put the words down and then worry about them later. Luckily I have 6 months left, which averages out to about 2 stories every week. Totally doable. I just need not to be so fucking hard on myself with the writing and just let it be loose and creative and dark and funny and whatever. Not everything needs to be perfect. I need to remember that.

And with my impending unemployment, I will need to learn to schedule better and make time to be creative for the remaining 48. I can do it.

I will update on my progress when I hit 3/4s on September 1.

A Life In Art – John Camp

I think this is an interesting article: “A Life in Art” By John Camp

This is a particularly inspired idea.

Of the successful artists I’ve known, I’d say that the two things that led to their success were compulsion (virtually to the extent of mental illness) to do the work, and the eventual ability to monetize the effort. Most of them never get that success—they’re finally ground down and give it up….

Both suggest that while inborn talent is of some utility, the thing that really determines success in the arts (or any other field) is simply doing it. Gladwell even suggests a standard: ten thousand hours. He suggests that if you work very hard a particular art form—art in the widest sense, including sports, music, law, medicine and so on—that you will begin to reach a mastery of it after 10,000 hours of hard work. That’s 40 hours a week (no cheating!) for five years, or 20 hours a week for ten.

Check it out. Camp has some interesting ideas about what makes an artist and what it takes to excel at your chosen craft, writing or photography or editing or whatever. It boils down, as he notes above, to being a little crazy about it. Food for thought.

But most artists tend to be somewhat reclusive, because of the “compulsion” and “10,000 hours of work” aspects of their lives. They’re not back-slappers, drink-buyers, hale-fellow types.

So selling can be one of the toughest hurdles for a real artist to clear, even those who put in their time, who are doing excellent work.

Hah! I am definitely a “back-slapper, drink-buyer, hale-fellow type”, often to the detriment of my creative pursuits. I guess I have that working for me…and against me.

2008 – The Year in Photographs

The Big Picture, which I mentioned last week, put up a series of articles called 2008 The Year in Photographs. They are some of the best images of some of the most important events of last year (duh). I’m not even going to try and post my favorites. Just get over there and look.

2008 – The Year in Photographs, part 1 of 3

2008 – The Year in Photographs, part 2 of 3

2008 – The Year in Photographs, part 3 of 3

Some pretty incredible moments in there.