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Posts published in “Music”

Disasteradio’s “Drop The Bomb”

A new video from Disasteradio just a day after I was enjoying “Gravy Rainbow” again so much I decided to put the album on my phone for my commute? Kismet!

This track comes from 2010’s Charisma (like “Gravy Rainbow”). I quite like this song and am glad they decided to make this bizarro, mutant-filled music video for it. And, if nothing else, it’s tiding us over until the next Disasteradio release.

To the future!

Further thoughts on Ihsahn’s Eremita

I realize that I forgot to use the word “jazzy” yesterday when discussing the new Ihsahn record. How terrible of me! The record is definitely jazzy as fuck. It is the best proggy, jazzy, post black metal, Norwegian metal record I’ve heard in ages. In fact, it might be the best metal record I’ve heard since Protest The Hero’s 2011 release Scurrilous.

Unlike the Protest the Hero record, however, Eremita is not a record that will sway non-metal listeners. Indeed, this is a metal album for the truest of the true metal nerds. If you know the difference between Goregrind and Slam, this record might be for you. If you know the difference between Cascadian Black Metal and the New Wave of American Black Metal, this record is probably for you. If you have an intricate knowledge of what made Emperor stand out amongst Black Metal bands in the early 90s and why this is relevant at all, then this record is definitely for you. If you fall into that last camp, you’re already listening. Julian Knöx, I am looking at you.

I was also totally wrong yesterday when I described the record as less heavy than 2010’s After. Eremita is just as heavy, but perhaps more varied, more dynamic. Eremita is a metal adventure

If I was forced to sum it all up with a clip from the Simpsons, I would use this one.

http://www.youtube.com/watch?v=b1kLxLdtIiE

Ihsahn’s Eremita full stream

Click the image for the stream.

So, does Ihsahn’s newest proggy, post-black-metal release sound anything at all like Metallica or Daughtry? Of course the fuck not.

Is it way more awesome than that specious comparison would suggest? Absolutely.

Should you be listening to it right now? Yes. Yes, you should.

Ihsahn (ex-Emperor) is getting spacier and spacier with each release, and I couldn’t be happier with the progression. The man who singlehandedly convinced me that brass instruments could be used effectively in metal (sorry, Gwar), a thing I considered impossible, seems to be able to do now wrong. Eremita is markedly less heavy that 2010’s After, but there’s no doubt this is a metal record. It is one of my most anticipated releases for this year next to Gojira’s forthcoming album.

Stand out tracks for me so far are “The Paranoid” (with Devin Tonswend!) and “The Eagle and The Snake,” the latter of which is particularly huge. Check the sax in that one.

I’ve also found that the whole thing is on Spotify, so if that’s your jam, check it out there.

The opening number from The Book of Mormon on the Tony Awards

http://www.youtube.com/watch?v=ekwiXQDdhSk

This morning my sister Christina messaged me with this link and told me that the first guy singing in the video was the young man who sang at my brother’s funeral years ago. I don’t know him, but I remember him having a remarkable voice. Now, apparently, he is part of the cast of The Book of Mormon. I’ve not seen the show, but I hear great things about it from everyone who has seen it. I am a little hesitant to pay 200 bucks for a ticket and certainly have no intention of going alone.

But, anyways, that was pretty cool and some absolutely strange and bittersweet news. Bonus: dude’s singing on broadway. Sadness: remembering Nicky’s funeral.

Happy Monday!