This morning my executive producer Toni walked into the office and put some music on in her office and this was the first thing that started playing. Now it’s stuck in my fucking head and I will be god damned if I don’t get it stuck in yours today, too. All you need is a little bit of the song and then it will slowly start fucking your brain and you cry, “Stop! Stop!” but it won’t stop. It will tell you that it loves you but it doesn’t. It just wants to control you. It wants to own you. It wants you to be an object. Then later, when the song gets off and you’re lying there on the floor, a shuddering, quivering mass of tears and shame, you’ll realize you’ve been song raped.
And you’ll hate me for doing it to you with La Bouche, the same way I hate Toni for doing it to me. I understand. It’s all right. I still love you, and I’m sorry. So so sorry.
I’ve always liked the name “Wagon Christ” though it sounds more like an industrial/ebm name than this mellow, sample-based groovy stuff here. But, that doesn’t mean that this video and track aren’t sweet, just that I think of buzzsaws and four on the floor beats and distorted vocals when I hear the words “Wagon” and “Christ” put together. Maybe I’m just mixing it all up with Velvet Acid Christ? That’s probably it. And maybe “wagon” is associated with Wumpscut???? Because that’s what I expect Wagon Christ to sound like, but he does not. Not even close.
I mean, has Luke Vibert ever put out a hard edged electronic music record? I have no idea. Probably not. It’s just that the name Wagon Christ is so evocative. Someone get this guy on Metropolis Records already. Christ.
Man, I was super bummed when I missed Jeff’s Town Hall show recently. The show sold out within seconds and I was not nearly quick enough on the uptake to make it happen. Even worse, Charles ended up not going (what an asshole) and then didn’t even tell me he had extra tickets! WHAT AN ASSHOLE! But he made up for it yesterday when he sent me the link to the listing for Jeff’s January show at BAM. Everything is ok now, Charles.
Now, I don’t know if you’re a Neutral Milk Hotel fan or not (you should be), but I am so excited by the possibility of this show that I felt compelled to share it with all of you. Of course, I feel compelled to share all the time which is what has made this blog stay alive and bristling with nonsense.
Neutral Milk Hotel’s In The Aeroplane Over The Sea was one of those records that resonates strongly with people of a certain (read: my) age. I defy you to find anyone between 27 and 32 with even decent taste in music that doesn’t rank it as one of their all time favorites. Go, now! Before I get angry! Find someone! Anyone!
You can’t do it. That’s because they don’t exist.
Here’s a selection of my favorite tracks from the record.
http://www.youtube.com/watch?v=iipO9Tvk1EI
Don’t you want to go right now?!? I know I do.
Hell yes! Die Antwoord is back with a fresh single from their forthcoming record TEN$ION to be released on their new indie label Zef Records after a messy, public split from Interscope. You can’t blame them for leaving Interscope either since the label tried to water down Die Antwoord’s sound and image, to make them more pop-friendly. And that’s just plain wrong. Good on Die Antwoord for sticking to their guns and taking the artistic—if not commercial—high road.
The title of this track translates loosely to “Fuck you fuckers,” which is a perfect title. I was going to say the this video had a paucity of penises compared to their other ones, and then I got the end of the third minute and DJ Hitek came in with his “I’ll fuck you in the ass” section and all my worries about a lack of penises dissipated.
I have this friend Mandy and I think she’s pretty fucking cool. But what’s more is that she’s also this super rad musician who has just put out a new album of some soulful, dub-inspired, low tempo, electro hip hop and it’s awesome. Like really awesome. But don’t take my word for it… I mean, do take my word, but also listen to the album embedded above and go see an ASR show if you live in Brooklyn.
This is an absolute classic. This was the theme song of the time I lived with Mike and Leah. I don’t have anything particularly smart to say about it, so I’ll just throw it at you and let you enjoy it too.
This is a pretty nice little video for “Calculate” from this year’s ISAM. Though it seems simple, it’s definitely not. Imagining the number of keyframes in this thing’s timeline makes me tired. And uncomfortable.
But I like it.