So, does Ihsahn’s newest proggy, post-black-metal release sound anything at all like Metallica or Daughtry? Of course the fuck not.
Is it way more awesome than that specious comparison would suggest? Absolutely.
Should you be listening to it right now? Yes. Yes, you should.
Ihsahn (ex-Emperor) is getting spacier and spacier with each release, and I couldn’t be happier with the progression. The man who singlehandedly convinced me that brass instruments could be used effectively in metal (sorry, Gwar), a thing I considered impossible, seems to be able to do now wrong. Eremita is markedly less heavy that 2010’s After, but there’s no doubt this is a metal record. It is one of my most anticipated releases for this year next to Gojira’s forthcoming album.
Stand out tracks for me so far are “The Paranoid” (with Devin Tonswend!) and “The Eagle and The Snake,” the latter of which is particularly huge. Check the sax in that one.
I’ve also found that the whole thing is on Spotify, so if that’s your jam, check it out there.