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Posts published in “Life”

I’m back from Tulum and here’s what I’ve learned.

Sarah and I recently revisited Tulum, Mexico and, as with any good vacation, I learned a few things. In no particular order, here they are.

It’s probably too dang hot by April. Coming off a particularly nasty New York winter, walking straight out of the plane into 95°F weather was a bit of system shock. There’s a reason our Airbnb hosts kept referring to April as the start of the off-season. It’s because the Yucatan turns into an arid, sweltering hell pit. And that was just in April. I cannot even imagine the place in June. To be fair, if I had been acclimated to the heat before going to Mexico, it probably wouldn’t have been that bad. I mean, what’s a 98°F (Real Feel™ 107) day when you’ve already been sweating through your clothes for six months? Most likely not that bad.

Taqueria El Carbonsito. A perception exists that you can walk into any taco joint in Mexico and order the most delicious tacos of your life. That is patently false. You can no more walk into any Mexican taqueria and have your brains blown out than you can walk into any American burger joint and have the sort of burger that makes your reality quiver. Luckily for you (and us), we are adventurous eaters with a nerdy tendency to keep notes on where we’ve eaten. We spent three nights canvasing the various hole-in-the-wall taco places in Tulum centro and can unequivocally state that Taqueria El Carbonsito is the best. Get the al pastor tacos. You’ll probably need 5 of them, but at 7 MXN a pop, or about 45¢ at the time of this writing, you can probably afford them. Plus, the place is jam packed full of locals and you can’t get a better recommendation than that.

A thousand-piece puzzle is really too much for two people over the course of a week when there is no bad weather. Trust me on this one. We were defeated by the dragon. If you stay at Casa Tuluminus, it’s in the Marlin Room. Go nuts.

Most ceviche pescado is really just fish salsa. I am fine with that since, for the most part, it was delicious fish salsa. I mean, imagine a lime-y pico de gallo with chunks of citrus-cured white fish in it. It’s good. We ate a lot of it with a lot of chips. However, there was one ceviche pescado we had that transcended fish salsa status, but more on that later.

All the beers taste the same. Hot places are not good at beer. If you want interesting, powerful, nuanced beer, you need to go to a place that is cold, or, at least, one that has a cold season. Hot places don’t make the sort of sobriety-punching beer that cold places do because who the hell wants to drink a 9.5% ABV double IPA when it’s 98°F (Real Feel™ 107) out? No one! NO ONE. Mexico is no different. All the beer you can get in all the bars and restaurants and hotels tastes exactly the same, especially once you squeeze a lime into it. And you squeeze a lime into every single one. It could be Tecate, Tecate Light, Sol, XX Lager, Modelo Especial, León, Negra Modelo, Corona, or basically anything else. They’re all interchangeable. If I were forced to pick the one that stood out above all others, it would be Montejo. It is just slightly better than everything else, but in no way so superior that it is worth seeking out when the other options present themselves.

I don’t really like being in boats on the ocean. It scares me. I keep imagining the boat capsizing and all of us being swallowed by the waves and eaten by some colossal squid angry that I ate his cousin Marty for lunch the day prior. It is a thoroughly irrational fear, but one I’ve never had to face since a vast majority of my life’s boat-time has been spent on lakes and rivers. I like lakes and rivers. They are relatively known quantities. But who knows what lurks in the ocean dreaming beneath the waves?

The octopus at Hartwood. I was real hesitant about the Hartwood hype. Who needs to stand in line to get a reservation for a place that doesn’t even have a roof? Seems kind of dumb right? Like, maybe this place is just so hyped because it’s the only half-decent place to eat in the whole area. Or maybe it’s because the chef is another highfalutin Brooklyn chef who’s worked at some prestigious NY restaurants or some bullshit. Or maybe it’s because Eater/Gothamist/The Internet/our peers just love to suck Hartwood’s metaphorical dick.

I was wrong. I was very very wrong. Hartwood was amazing and well worth the hassle of dealing with their unorthodox procedure for securing a table. We ate the best, spiciest, most delicate ceviche of the trip there. We had an incredible, tender piece of pork. And we had another appetizer that I can’t even remember right now, but which I am sure was wonderful. But the real star of the dinner was the octopus, grilled and served on a bed of pickled red onions and potatoes. Get the fuck out it was so good. I wanted to flip the table over. Octopus is a difficult type of meat. Undercooked it’s kind of weird, and overcooked it’s like eating rubber, but when you prepare it to that exact perfect sweet spot it is wonderful. Hartwood’s octopus was almost worth the trip to Mexico alone. Seriously, just pack your bags right now and camp out in front of the restaurant until you get some. It’s totally worth it.

Tulum is not a place to go if you want to party. Sarah and I had no interest in late night parties on either of our trips to Mexico together. We were more than happy to get up early with the sun, spend the day outside, retire when the heat of the day became overbearing, take a nap and chill for a bit, head out for dinner just after sunset, and end up back where we were staying to read or watch a thing or whatever early. Rinse. Repeat. If we’d been looking for the late night Ibiza-like party scene, we’d have been disappointed because it just isn’t there that we saw. Sure, there are bound to be isolated pockets of people going balls out with the fiesta, but they’re neither obvious nor plentiful. If you want that, go somewhere else.

That’s about it for now. I think that is probably plenty. Tulum is nice. You should go there.

Physical goals and stuff, April 2015

In October 2013ish, I was at the gym and we were doing heavy deadlifts. As a lark, I was all, “Fuck it, let’s throw 305 on this thing and give it a go.” I pulled the shit out of that bar and got it off the floor. I remember thinking, Whoa. That was crazy heavy.

Yesterday I pulled 405 lbs.

And today I back squatted 305 lbs for 2.

I am pretty proud of that.

Of course there’s a ton of stuff I have plenty of room to improve on. I can’t run to save my life. My overhead movements are still pretty bad (but getting better). My handstands are pretty wobbly. I can barely chain together a few double-unders at a time. I get pretty psyched out when I see high volume wods. I’m not super great at pushups. My shoulders are tight and inflexible. And there’s probably a bunch more stuff I’m missing right now, but you get the point.

And of course, I can still improve on my deadlift and back squat. Of course!

But that is part of the fun of this whole “reconnecting with the potential of my body” thing I’ve been working on the last few years: seeing how far I can improve. There is no end game, there is only continued learning. And I like that a lot.

A belated theme for 2015 – Reset

Every year for something like 10 years (with the exception of 2014), I’ve picked a theme to describe my goals for the coming year. It has been a way to approach what I wanted to improve with broad-ish concepts and goals, rather than a set of limited, narrowly focused resolutions. I’ve written about it extensively. Feel free to go back and read some of the old posts for greater clarification on the idea. It’s all there.

With the revamp of the site, I’ve been thinking about what a good theme would be for 2015. Though I’ve missed my usual December announcement by 4 months at this point, it’s my life and I’ll make whatever choices I like. If I think it’s time to declare a theme for 2015 in April of 2015, I will. And you’ll just be fine with that.

A few days ago, a friend of mine wrote something on his Facebook that really clicked with me.

I firmly believe that some of the best writing and creative ideas I’ve ever had have come to me in the late hours of the night, when I’m the closest that I can actually get to being relaxed. Having said that, it’s equally amazing how much simpler the editorial process is in the light of day. Build up at night, rearrange during the day.

He’s totally right. Those wee hours of the night before bed, but after all the day’s chores are done, have always been my most focused, productive hours. The buzz of the day is gone and I am finally tired enough to focus, but not yet so sleepy I can’t think. The world is quiet, even here in New York City, and I can usually get something out in the little bit of time when my brain can actually produce.

In the last few years I haven’t been using those hours the way I used to, mostly, I think, because I got out of the habit of using them. Life changed. Schedules changed. Those nighttime hours became unavailable or filled with other activity. Then when I did have them, I squandered them. I have no regrets, but in retrospect I wonder why when I had a lot of hours to use, I didn’t use them. Of course, it’s very likely I needed to get to the point where it bothered me to see that I could have been using them more productively, instead of barreling forward, mindless of time’s passing, letting them slip away.

I realize that I miss using that time for my personal projects because those hours were the only way I got anything done that kept me feeling sane. And sane is important. Sane makes all the other stress and bullshit of life more easily digestible. For the moments I am pissed off about work, at least I can feel satisfied that I am making things for myself when I can. For all the time I am laden with personal and familial obligations, getting just that little bit of something done for myself is critical. And, even if nothing ever comes of all of this extra I do (and feel I should be doing), keeping me feeling balanced is a very important, very valuable, very real outcome.

I’ve been struggling a lot recently to find a mental/emotional place where I can feel some sort of magical equilibrium, where all the things are more or less balanced and I don’t feel like I am going to explode. The more off-balance I feel, the more I get angry, the more I get resentful, the more I shut off from those around me, and that takes its toll on the rest of my life and relationships. I don’t like harboring those feelings. They make everything a lot worse. I don’t enjoy anything. I don’t sleep. My fuse becomes dangerously short at all times. They make me god damned unpleasant to be around. Yet, those feelings come out in full force when I am out of whack and the only way I’ve ever found to address them is to try and reassert some semblance of order in my life.

That said, 2015 will be…

The Year of Reset.

What’s best is that I’ve already begun. Fantastic.

I intend to get back into the habit of making my personal creative goals a priority. I want to get back to creating things for myself regularly. It doesn’t matter what I make. What matters is that the work I do is for me. I can cut all the extra short films and friends’ projects in the world, but those aren’t mine. I can do all the creative work at my job, but that really isn’t mine. My ideas, my projects, my execution. Simple. Bringing back The Black Laser as both a forum for my work and a work in itself (double dipping, yeah) is a big first step. It’s also a bit of what Sarah would call a commitment device. I feel guilty when the activity here dies down. Avoiding that guilt is often plentiful motivation for me. I won’t always post the things I do, but when I want to post, I’ve got a place that is all my own.

I am not going to make any concrete creative goals for this year, though. In years past, I’ve stated an intended quota of production. 2015 is not for quotas. 2015 is for habit rebuilding. We can discuss quotas for 2016.

I’ve been collecting ideas and scribbles and half-finished thoughts for ages, and I want to see what I can turn them into. There are seeds for a wealth of projects and larger works buried here over the six and a half years of The Black Laser, I just have to nurture them. That means sticking to it. That means sitting down even when I am tired or don’t want to. That means doing the god damned work and not letting anything get in the way, even if my output is minimal. There will be nights when I can’t and many more nights where I feel like I can’t. The former cannot be changed, but the latter can. No excuses. No bullshit.

IMG_20150408_001042

Join me and this sleepy little butthead for many more nights of cranking out words and thoughts, and, hopefully, we’ll make something beautiful. Or awesome. Or beautifully awesome.

Welcome to The Black Laser 3.0!

I am proud to announce the launch of the newest version of The Black Laser. If you’re not familiar with the site’s previous design, this is a significant overhaul from the previous, now-very-dated design.

No more fixed-width design!

Now scalable to a multitude of devices and resolutions!

No more white text on a black field!

New logo!

Still quite a lot of pink!

Expect some noodling to take place over the next few weeks as I settle into the new theme and identify things I’ve forgotten or missed. Such is the nature of these sorts of things.

For those of you interested, this is the first time I’ve used a child them in WordPress to customize. Previously, you had to manually edit a theme to make changes to it. That seems like a very direct, sensible way to alter something, and it is. However, if an update is released for the theme you’re using, all your edits are overwritten. That sucks. To avoid that business, you have to carefully update the updated theme to match and that is a royal pain in the butt with lots of opportunities for mistakes to creep in.

With a child theme (new since the last time I redesigned the site back in 2011), you create a dependent theme to which you make changes that references the original (parent) theme. That way you can update the base theme without losing your changes.

You don’t care at all about that, but I think it’s pretty neat and this is my website so deal.

If you want to read about my plans for the future here, just scroll down. Or click here. Whatever’s easiest for you. You’re probably a grown up.

I have some more stuff in store that I did not write about below so you will just have to wait and see!

Sy Perlis, 91 and tougher than you are.

Click the link for the video. I couldn't turn off autoplay and that's a no-no.
Click the link for the video. I couldn’t turn off autoplay and that’s a no-no.

Holy crap this dude is tough. 91? WWII vet? Working out five days a week? Bench pressing what looks to be more than his bodyweight when people twenty years younger are off lamenting the loss of their youthful strength??

HuffPo copypasta:

Sy Perlis, a 91-year-old weightlifter, bench-pressed 187.2 pounds last week to break the world record in the 90-and-over age division, the Arizona Republic reported.

While the idea of a nonagenarian lifting more than what many grown men weigh is enough to amaze, consider this: The Surprise, Ariz., man hoisted 52.2 pounds more than the previous mark set in the World Association of Benchers and Deadlifters.

“I would say that’s pretty phenomenal,” five-time world powerlifting champion Rickey Dale Crain told The Huffington Post.

Watch above as Perlis wows the crowd at the National Push-Pull Bench Press and Dead Lift Championships June 8 in Phoenix by slowly lowering the barbell to his chest and pushing the weight all the way up.

Perlis, a World War II veteran, owes his Herculean strength to five workouts a week after he skipped competition in 2012 to have a pacemaker inserted, the Republic wrote.

The World Association of Benchers and Deadlifters says on its website that drug-testing takes place at every meet.

Perlis has certainly earned our respect, as well as his place alongside names of other amazing senior citizens who excel at feats of endurance. Take Fauja Singh, who recently retired as the so-called “world’s oldest marathoner.” He was 101.

Bad ass. He beat the record by 52.2 pounds!

It just goes to show that no matter what happens to you, you should never give up trying to make yourself better. You only have one body; make it at strong as you can.

Also, note to whomever made this video, get yourself a pop-filter. Holy shit, your plosives.

A few simple ways to improve the New York Subway experience

mta

Today while clicking around the internet, I found a site called 100 Improvements to the New York City Subway. I read through it (and you should too) and I agree with some of his ideas (solar panels on outdoor stations, train positions, and notifications on platforms, among others). Of course, some of his ideas are stupid or impractical or both (Subway USB power, I’m looking at you), but what are you going to do, right?

It got me thinking of how I would improve the subway experience. And I think I have some pretty good ideas.

  1. Arrest the panflute guy. – Honestly, does it got more annoying than the fucking panflute guy? He’s so fucking earnest. When they arrest him, they should smash his panflute and break his fingers so he cannot make another one.
  2. Publicly shame any dude who sits with his legs spread wide open on a subway car. – We get it, asshole. You have huge balls and have to keep your legs spread wide open so your balls have a seat of their own. But guess what? Your balls aren’t that big. Close your legs. If someone is caught doing this, the MTA should post embarrassing photos of them all over the train so they get their egos deflated. In the off chance your balls ARE that huge go to a god damned doctor already.
  3. Record the “meaningful” conversations of people on the L train. – And then send the tapes to them when they are A) sober or B) over 30. Not as publicly embarrassing as the balls-guys, but potentially more life-crushing.
  4. Ban paint buckets. – No one ever went into a crowded subway station and thought, You know what would be super pleasant right now? Some shit head playing drums on a bunch of buckets REALLY LOUDLY. Stop it.
  5. Install anti-dance devices. – Your show sucks, kid.
  6. Take away Ralphie’s newpapers. – Any longtime L rider will recognize Ralphie, the son of a bitch who’s “just trying to sell newspapers to get back on his feet”. Well, he’s been trying to get back on his feet the exact same way for at least 10 years and he hasn’t seemed to have made any real progress. We see through your elaborate ruse, Ralphie. No one is convinced. Give it a rest, you miserable junkie fuck.
  7. Kick out the stress test Scientologists. – Yeah, I am stressed out and you trying to foist your hokey pseudo-religion/cult on me isn’t helping. Ditto for all the other religious panhandlers in the subway tunnels.
  8. Pay the saxophone alien guy a million dollars. – Sorry. I love that guy. What a brilliant asshole.

There are a few ideas. What do you think could help improve the subway experience?