Press "Enter" to skip to content

Posts published in December 2009

27 – Not Fair At All

He is smarter than I am.  He is smarter, taller (slightly), more handsome, funnier, faster, stronger, and does way better with the ladies than I do.  I bet he fucks way better than me too.  I bet he’s able to do all sorts of crazy sexual shit that I’ve never even thought of before, stuff that would blow my fucking mind.  And I bet he’s so good at it that he makes chicks explode.  Literally explode from having sex with him.  But, I bet it doesn’t phase him at all.  He just makes chicks explode by banging them and then some other chicks just line right up to get freaky with him with the full knowledge that allowing him to dip his wick into their most wonderful and mysterious piles of wax might make them explode.  They’re down.  He’s just that great.  I’ve never gotten close enough to check, but I bet he even smells good, like some fancy English cologne or cookies or some crazy thing that makes women go totally nuts for his junk.

Every day after football practice he comes into my deli and orders the same thing: turkey with provolone and pickles on a dutch crunch roll.  Then he buys a single bag of chips and a Gatorade and leaves.  Turkey and provolone?  Seriously?  He even orders sandwiches better than I do.  I usually just go with ham and american cheese on white bread.  Why don’t I think to order turkey and provolone?  I even work in a fucking deli!  I make his god damned, perfect turkey and provolone and pickles on dutch crunch every day, and I still lack the imagination, the foresight, to order something so utterly perfect.  It haunts my dreams.  In all honesty, I will go to my grave never having ordered a sandwich quite as perfect as that.  It’s disgusting.

But no, the worst part about all this?  He’s nice.  I know, right?  He’s fucking nice.  All of this perfection—the turkey and provolone, the athleticism, the blowing chicks up with his dick—would be tolerable if he were a total, raging dick bag.  But guess what?  He’s fucking decent, man.  No no no.  Not just decent, he’s practically a fucking saint.  I mean, he walks around and birds land on his shoulders and chipmunks run up to him like Saint Francis.  Everyone in our town stops him and says hello in the street, how are you doing, I’m fine, thank you.  And how could you not?  He freaking radiates good will.  

Do you even know what that feels like?  To be shown up by someone who is totally perfect in every single way?  To want to be liked, to be popular, to finally make it with some girl in your high school class—she doesn’t need to be perfect, just not fat or ugly, I’m not that picky—and have every effort trampled unwittingly by some golden locked Adonis who can save the world with his smile?  Do you comprehend the frustration that brings?  Can you smell my seething rage at this horrid state of injustice?  It’s not fair, man.  It’s just not fair.

26 – Eggs & Toast

She woke and found him gone.  She cleared the gunk from her eyes and stared out the window at the gray day outside, the kind of day that never cleared up, but never rained.  She stretched and looked around the room, tidy, minimal, nice big windows.  And high off the ground.  She suspected that the view was great on clear days.  

Though she did not fully recall what happened here or how she got here, mostly, or the name of the man whose apartment this was, her clothes were still on which told her that she was, in the very least, not a complete tramp the night before.  That was always a nice thing to discover.  She hated the alternative.  She rolled on her back and felt something dig into her spine, realized that she still had her bra on, and sat up.  I guess I was better than I suspected, she thought.  Upon sitting up, her head swam and he consciousness swayed, found a handhold, and righted itself.  

“Whoa,” she whispered ad rubbed her face.  Today was going to be an interesting one.  Before she could deal with the impending misery this afternoon held and all the ‘cuddled under a blanket half-comatose on the couch’ness of it all, she had to figure out how to get home.  But more importantly than that, she had to pee which meant finding the bathroom.  She had never been a fan of peeing in her pants or the bed and she had no intention of starting now.  She stood, buckled her pants, and stumbled across the room, passing the alarm clock on the dresser which yelled “9:15” at her in angry red letters.  She hated alarm clocks, so fucking smug.

Thinking about the Theme for 2010

December is upon us and about to crest, leading us into the descent of 2009. This means the end of the first decade of the 21st century, an utterly meaningless metric, but one that has provided me with no fewer than four “Greatest Metal Albums of The Last Decade” lists. Not bad. Everyone seems to like Mastodon’s Leviathan, which I’ve never really listened to. I’ll have to give it a go.

And with the fading of 2009 another year’s theme comes to an end. The Year of 5000 Photos and 50 Short Stories, though not yet through, has been a success as far as I am concerned. With the express purpose of getting me to be consistently creative and come out of the year with some work done, the year has been a resounding success. While I am not yet at my quota for either task, I am confident that within the next few weeks I should be able to make it. 50% of the stories are finished at 92% of the photos. Pretty good. I have a lot of writing to do and a few photos to take, but we’re in the home stretch and I feel good about it. Let’s not also discount the film I am cutting right now and all the time and effort poured into this site for my 10 readers. I love all of you.

With three weeks left in the year, it’s time to think of my theme for 2010. In my statement for the Theme of 2009, I discussed some previous years and the efficacy of those choices. I’m not going into it again here, but I’ll sum it all up and say some were hits and some were clear misses. Last year I described a good theme as being “broadly applicable with recognizable short term goals”. I still think this is a good way to evaluate a potential theme, but I’d like to add that the theme should have demonstrable results, that is, I should be able to show something for my efforts. The best way to improve myself is by doing. All the thinking about something in the world won’t make you better at it. You have to get out there and get your hands (proverbially) dirty. It’s old wisdom, but true.

Another aspect of my yearly theme is that once complete the theme should continue into the next year. I intend to take another 5000 photos and write 50 more short stories next year and to keep a counter of those on the right hand side. But since they’re a secondary goal, I won’t be killing myself to get them done. My primary focus will be the Theme of 2010, of course.

But what is the Theme of 2010? I don’t know yet, but I have some ideas.

  • The Year of 3 Music Videos – In September, I wrote about building a body of motion work. Amongst my various bodies of work, my film & video work is easily the most poorly represented. I have plenty of photos to share and fewer but still ample stories, but how many pieces of motion work have I posted here that I have done? If you answered “Zero”, you’d be correct. And it’s clear I like music videos and the music that supports them. The only real drawback to this theme is that each video is a big project in itself and to get behind would certainly spell doom for this theme. There are a lot of steps involved though, so perhaps it could still fit the pattern of work posting I’ve established with The Year of 5000 Photos and 50 Short Stories which would help me stay on task and stay honest.
  • The Year of 12 Short Stories – “But, Joe,” you say, “didn’t you just do The Year of 5000 Photos and 50 Short Stories? What’s with cutting the quota down so much? Are you lame or something?” No, I’m not lame. Instead of writing 500 word chunks, these 12 short stories would be much more finished pieces, actually receiving—GASP!—revisions. These would be multiple-sitting efforts. I think the one per month pace would allow for some breathing room, and let me think about the work more. In terms of length, let’s call them somewhere in the range of 5,000 to 15,000 words. This year the longest thing I’ve written is about 3000 words. It was the first thing I posted for this year’s theme. The Biker Kills a Mexican. That one took me a few nights at the computer, but received no revisions. I’m proposing 12 stories of at least double the length. It’s a good amount of work, I think, but manageable.
  • The Year of the Novella – Here the idea is to write the longest single thing I’ve ever written. I like the novella, it’s like a long short story, or a baby novel. I suppose it depends on which direction you’re coming from. It would be an exercise in developing something more thoroughly than I ever have before and sticking to it. The SFWA defines a novella as a piece between 15,000 and 40,000 words, but other definitions go as low as 10,000 and as high as 70,000. That’s certainly a fairly broad range and suitable for work throughout the year. Maybe this could evolve into The Year of 2 Novellas in order to keep me busy. If I wrote 500 words a day, my current per-day volume of work, then 70,000 words would take 140 days. Average in some days without writing, and we’re still looking at barely half a year. Just something to keep in mind.
  • The Year of 3 Screenplays – It has been a long time since I’ve written for screen, but that doesn’t mean it’s not something I still care about. Writing is writing. Writing 3 feature length screenplays of roughly 120 pages each would be a great way to get back into it. I’ve got some ideas boiling around the back of my brain that would be great for films. I just need to get them out and onto (electronic) paper.

I think that in those suggestions, somewhere, lies the theme for 2010 that will make the year a great one. Perhaps I combine Short Stories and Music Videos, or Music Videos and Novella, or Music Videos and Screenplays, or Short Stories and Screenplays? The cross disciplinary approach worked well enough for me this year. When I didn’t write, at least I could take pictures. When I could take pictures, at least I could write.

Anyway, food for thought. I need think about this a little more. What do you all think out there in Black Laserland?

25 – His Blood Was Boiling

His blood was boiling.  He could not take his eyes off them.  Everywhere.  Every unrestrained jiggle.  Every poorly padded nipple.  Every sweet, shapely ass.  Every curve, every bulge, every stolen glance down the shirt.  His blood seethed right behind the eyeballs and his lizard brain screamed its primordial mating call in the subconscious recesses of his self.  There were beautiful women everywhere and he felt utterly powerless to resist them.  The streets were a minefield of libidinous hazards.  He had to hide or he feared his head might explode, hormones rushing through him, torrential, violent, powerful.  

Yet, sitting there alone in the cafe sipping his tepid coffee and staring at the buxom brunette with the fancy Italian-named drink he could never hope to pronounce correctly, he suddenly felt very old.  His suit felt like shackles, the unfulfilled dream of his squandered youth.  His graying hair another reminder of his drained virility.  His belly hanging over his 15 dollar belt a harbinger of the end.  His sad, useless life in decline.

He wanted so badly to bury his face between the young supple breasts of the brunette he had been staring at for almost an hour that he could almost feel the warmth of her breath on his threadbare scalp and smell the secret drop of perfume he suspected she placed in her cleavage, a reward for any man lucky enough to find his nose there.  But not for him.  Never for him.  His days of unrestrained lust were behind him, memories of the way things should have been but were not.  Now he was relegated to the role of suffering silent observer.  There was not a woman in the whole world that would look upon his tired paunch with desire and he knew it.  And he felt it.  He felt it in the very core of his loins.  Everything was lost.

24 – The Day I Met a President

I stood at the corner by the diner lost in thought waiting for the stupid red hand to turn into the stupid little man.  I thought about something that seemed really important at the time, but that I’m having trouble recalling now.  It was work, or a girl, or something.  Normal stuff, really.  The kind of utterly regular garbage a person spends so much of their life obsessing over that is, in the end, completely unimportant.  It’s funny what your brain thinks is important in the moment.

Anyway, I was at this corner, waiting to cross so I could go down into the subway and then to work, which was really exciting.  The air was crisp with the onset of autumn and I was wearing a jacket.  Morning was bustling with people on their way to work.  Garbage trucks roared down the street collecting the diverse refuse of the neighborhood.  The day was starting like thousands of others had.

And then behind me I hear a man’s voice say, “Excuse me, sir?”  I turned around because I am, apparently, one of those people that always looks like he knows how to get everywhere and so am asked regularly for directions.  Prepared to tell this guy that Grand Street is four blocks down, he just has to keep going, I was shocked to see him standing there in what I thought at the moment was one of those Renaissance Faire costumes, but which I would later learn was formal wear of the late 18th Century.

“Uh…”  I couldn’t say anything I was so shocked by this guy’s appearance.  I lived in a particularly funky neighborhood in Brooklyn and I was used to seeing people dressed up in all sorts of crazy shit—dudes in dresses, chicks like they’re from the 1940s, people riding those weird tall old bicycles.  But this guy in his crazy history outfit had me dumbfounded.  I eked out, “Yeah?” after a moment.

The Descent

20071018175740_the_descent fin

Last night after Juli had gone to bed, I watched The Descent, a film which I had passed off as total “meh” when it first came out in 2006. Oh great, another stupid Hollywood piece of shit horror movie, I thought. I passed it off as nothing. Then, earlier this year when I was in Minnesota with Mikey W we got to discussing films (as we do) and The Descent came up. He recommended it to me wholeheartedly, noting that my preconceptions about it were wrong. Always willing to give a film with a solid recommendation a chance, I threw it onto my Netflix Queue.

I’m glad I did too, because it’s a fine example of what can be accomplish on a smallish budget when you’ve got a super tight script, concept, actors, and production team. Working with not that much, director Neil Marshall turned out the best new horror film I’ve seen in a few years that doesn’t rely on a gimmick (Cloverfield, I’m looking at you).

The film is about Sarah, who lost her husband and child in a grisly auto accident a year prior, and a group her friends, led by the headstrong Juno, embarking on an adventure into a cave system in the Appalachian Mountains. They climb down into a giant hole in the ground (that’s the technical term) to do some spelunking and Sarah starts to see shadows moving. When they becoming trapped by a cave in, Juno reveals that this isn’t the cavern they were supposed to be in and then it all goes down hill. I won’t spoil it any further. You should see it.

The Descent is truly masterful at building a palpable sense of dread. As much as everyone subconsciously wants to go back to the womb, no one wants to be trapped in a cave with two miles of rock above them and with no way of getting help. Really, this film, for me, breaks into two kinds of scares. The first is the base human dread of being trapped alive with no hope of escape, which seems like a most horrible way to die. Claustrophobia is this film’s friend and confidant. Taking clear cues from Ridley Scott’s Alien, The Descent utilizes its setting to enhance the dread we feel as we imagine ourselves in the place of the women struggling desperately to escape into the light. The second, which is less interesting, is the jump-out-at-you scare. I am not a fan of these types of scare, not because I am susceptible to them, but because I find them often to be cheap. Being startled because something jumped out and the music suddenly got very loud is not being scared. Sure, it causes me to jump, but it’s nothing compared to the dread you feel when something is really scary. Now, I’m not begrudging this film the use of the jumpscare (a term I read somewhere that I like) because it’s one of the horror genre’s most common tools. I just think it’s cheap, but that is a genre-wide complaint, and not specific to The Descent.

I thought that the most frightening point of the whole film was when Sarah is crawling through an extremely narrow passageway and begins to have a panic attack. She feels stuck and her friend Beth comes back for her, trying to calm her down. Then the passage starts to collapse and they have to rush through this narrow little hole as quickly as they can lest they be crushed under tons of falling rock. I was sitting on the sofa watching this with my body turned halfway away from the screen, my head cocked back, I found it so horrifying. No number of jumpscares could equal the slow dread of that moment for me. It reminded me for the first time in a long time of how as a kid I used to hide by the door during particularly scary parts when watching horror films so that if I needed to I could get away and not have to sit through whatever was about to happen. It was that same feeling, except I wasn’t hiding by the door.

Regarding the effects in the film, I thought they were mostly spot on. The creatures were amazing. They were like Gollum, if Gollum was, you know, a real monster. The excessive blood and gore was a little silly at points, but never dissatisfying. The set design and cinematography was great with real moments of actual darkness. Not bullshit movie darkness, but real, old fashioned, ain’t-no-light-in-this-bitch darkness. There were a few comps that weren’t that great, where they felt like they were overreaching their capabilities, but overall it was a seamless effort.

My one almost-criticism, is that is nearly falls into the “Inappropriately Hot Chick” convention, which I will not describe here. Fortunately, it’s kind of ok here. Perhaps this is just a particularly attractive group of spelunkers. I don’t know. I don’t do a lot of crawling about in caves, but something tells me that we’re looking at a conveniently too-pretty group of cave divers. Expect further analysis of this convention in a future Black Laser post.

Niggles aside, if you’re a fan of horror flicks, check out The Descent. It won’t make you mad. In fact, I enjoyed it a lot, and I am glad I watched it alone because Juli would have hated it. When the chick gets the pickaxe through the throat? Awesome.

23 – These Fists

These fists.  These fists have known such discord as I cannot begin to recount.  In times before men lived upon this land, I rode across it, aimless.  I knew neither form nor consciousness, yet I was.  I remember those times, but I do not remember being.  And then the first men crossed the ice bridge in the north and spread down, adapting, changing, learning to live in this hostile, giving land.  And they told stories of the wind and the night and the lightning and the thunder.  They told stories of the great tusked beasts that roamed the land, of the fire that burnt the forests, of the place they went when they died.  They sought to make sense of so many things they knew nothing about, so they used what they knew—the animals, the birds, the seasons, the plants.  Each little group of these men created a web of stories, of belief, about the genesis of this place.  They created symbols to explain the inexplicable.  They gave names to the things and places and moments and stars that had no names, never knew they needed to be named.  It was then that I took form, though I was and am known by many different names to many different people.  As the years progress, I am known less and less.  My form has become a blending of so many cultures and traditions and ideas, the sum of so many thoughts, that I have become hard to recognize to all except the most attune to the natural world.  The modernization of the world has drained my once vibrant colors.  So few still believe, but I shall never cease to be for deep within them they know I am there.  To some, I am a benefactor, bringing with me change and growth and development.  To others, I am a malefactor, ushering in the end of an age, the death of what they had always known.  To be fair, I have never been either of these things.  My role is subject to their interpretation, to the context of the situation.  I only am.  I will only be.  I will continue to ride as long as the sun rises and sets.

And though I am impartial, my time amongst the people has imbued me with something like what they call emotion.  I have found myself taking part in their struggles, often against my better judgment.  When I have had time to stop and think about it—such a strange thing thinking—I recognized that my role is only to lead the change, not to fight for or against it.  Yet that is what I do.  I take sides.  While so many people thought I was preventing change from taking place, I knew that change would happen regardless.  Nothing can stop the change once it begins.

And here, again, I embarked on this cycle of change and rebirth, the cycle of death and destruction, leading the vanguard of discord to welcome an era of concord in my wake.  But on whose side shall I fight?  Whose blood shall I spill?  What shape shall the future take when my role, for the moment, is done?